(no subject)
Imagining a moving image sequence printed on highway barrier panels contingent to the movement of the car and the opposite cars changes the visual velocity of the car and when I focused on a section of panels the movement of the cars on the other side appeared to move faster and looking through the continuum of panels made the cars sequential animation so that our position seemed static in relation to the movement of our car so it felt as if time went faster and slower depending on my visual perception.
There was a boat that transported cars to an island called Sillmi. The newspaper grey sky rained the grains of a historical documentary in a carbonated beer atmosphere. The seagulls’ flight patterns calligraphed three dimensional waves alongside the boat. There was a field that looked as if a war had been fought upon it.
Idea: Words projected onto people so that interactions create spontaneous poetry.
I don’t leech spirits in terms of souls not alcoholic spirits.
Idea in dialogue with Adam Powell: Photographs of restrained flowers from Manhattan displaced in handcrafted grasshopper cages in transparent prints of urban buildings at everyday locations as a response to extraordinary renditions.