007 - action
[He may not have a Persona, but he's still a Megaten character, so a visit to the House of Personas seems appropriate.]
[In one room of the passage, he finds five mirrors, each facing toward him in a semi-circle. The first two are identical: he looks like he always does. His favorite outfit, the smile on his face, the slight unruliness of his hair. If there's any difference between them, he's not seeing it. The center one is uncomfortable to look at. It's almost the opposite of the first two; his clothes are torn and discolored, his hair greasy and shaggy, and no trace of a smile. He's not standing, as the first two are, instead lying on the ground. It's hard to tell if he's even alive.
The last two are perhaps the most confusing. Like the first two, they're highly similar to each other, but with a few small differences. In both, he's down on one knee, kneeling as if in servitude. Both have a backdrop, some sort of fabric rustling in the breeze: one is white, the other is black. In the white one, he's wearing his normal clothes again, but his expression is tough to read. At the very least, it's conflicted. The black one is much clearer though. Not only are his clothes in darker shades, his expression is depressed and disappointed enough to make him feel bad for the poor guy. As uncomfortable as this room is making him feel, he can't quite bring himself to leave it. He's got a good idea about what they mean too, and that's probably the most unsettling part of it.]
[In one room of the passage, he finds five mirrors, each facing toward him in a semi-circle. The first two are identical: he looks like he always does. His favorite outfit, the smile on his face, the slight unruliness of his hair. If there's any difference between them, he's not seeing it. The center one is uncomfortable to look at. It's almost the opposite of the first two; his clothes are torn and discolored, his hair greasy and shaggy, and no trace of a smile. He's not standing, as the first two are, instead lying on the ground. It's hard to tell if he's even alive.
The last two are perhaps the most confusing. Like the first two, they're highly similar to each other, but with a few small differences. In both, he's down on one knee, kneeling as if in servitude. Both have a backdrop, some sort of fabric rustling in the breeze: one is white, the other is black. In the white one, he's wearing his normal clothes again, but his expression is tough to read. At the very least, it's conflicted. The black one is much clearer though. Not only are his clothes in darker shades, his expression is depressed and disappointed enough to make him feel bad for the poor guy. As uncomfortable as this room is making him feel, he can't quite bring himself to leave it. He's got a good idea about what they mean too, and that's probably the most unsettling part of it.]