OK, gang, here's the deal: I'm on holiday next week. I am looking forward to nine consecutive days filled with sleeping, reading, and writing (and maybe just a little bit of socialising). But there's a problem, which is that even my I-must-read-this-soon buffer is overflowing, never mind my actual to-be-read pile (or the to-be-read sprawl, as I
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When an opening line makes me think 'Christ, he really spent far too much effort trying to come up with a first line', it doesn't entice me.
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(Did I pick the right Who book? Technically they should both be on the list but this one looked more fun.)
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So I went for some trad-ish stuff and some Mad Larry. Figured if nothing else, he'd get the point that it's not all formulaic.
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b) Whether the first line is integrated with the tone/approach/content of all the other sentences that follow it. Whether you can imagine it working, and moving the story forward, and not sticking out like a sore thumb, if it was in the middle of the book starting a chapter or something.
Problem is, you can only really conduct this sort of argument by example. Perhaps if I dig out some good/bad first lines and post them on my LJ for folk to agree or disagree with?
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Which this one obviously is. I mean, c'mon! None more Baxter.
Perhaps if I dig out some good/bad first lines and post them on my LJ for folk to agree or disagree with?
For this you really need the powers of the clicky.
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You *really* need to see Spinal Tap :)
For this you really need the powers of the clicky.
I fear you are right. Let me ponder.
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I hate to break it to you, bu it's a long time since that phrase had anything to do with that film. :p
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