Title: Not a Daydreamer
Author:
clair-de-luneFandom: Prison Break
Characters: Sara/Kellerman (one-sided)
Category: Het
Rating: PG-13
Disclaimer: Not mine. Just borrowing them for a while.
Summary: There’s something appealing, albeit foolish, in her stubbornness and her resistance marred with dread. (Set during 2.11 Bolshoi Booze)
Author’s Note: Written for
rosie-spleen’s
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Comments 8
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That said, don't repeat it, but it's a crackfic gone wrong: Paul wouldn't behave - no surprise here - and didn't let me crackify him. I would never have imagined that a "daydream" prompt and Kellerman would turn into something somewhat serious :p
Thanks a lot!
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Not to mention he and SWC had perfect chemistry, a joy watching them act, even all those torture/gonna-rip-your-head-off scenes.:)
And you mastered Paul in this little piece wonderfuly.:) *claps in excited joy*
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Thanks :)
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*sighs*
So Paul doesn’t daydream about kissing Sara - singsong voice optional.
This is jaw-dropping writing to me. It works in so well with the references to Lance, it's unbelievable.
Hon, I want to have a Saturday discussion at my journal about Kellerman's characterization today. I hope you don't mind me linking it to your story? I have a different viewpoint of Paul by 4:22, but that's just a personal opinion.
And this:
She’d probably bite him, hard enough to make him bleed
Well, yes, *g*
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He is (and we love him for that *g*) but I also think he's a bit in denial here. He may explain and argue about his "half redressed weakness", it doesn't change the fact that Sara's got to him, and that he'll hesitate when bath time comes.
I have the hardest time picturing Kellerman seriously thinking or saying "Paul doesn’t daydream about kissing Sara". In reference to Lance or with healthy dose of sarcasm, on the other hand... definitely.
Poor Paul, he has no idea, actually. When he'll be done with her, she'll be past the biting and into the strangling him *g* (and chances are I totally failed with the tenses here o_O)
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It not only sounds completely like Kellerman, and all the corners he's backed himself into, but there's that hint of violence and liking all the wrong things (the sexualized image of Sara tied to the chair, and all the fantasies you know he's having about her neck, etc).
And in the end, he's still attracted to her-- right back to S1, where there was always that hint of it complicating his larger plans.
Nicely done!
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I like that the writers made him attracted to her but managed to keep it... twisted. I tried to keep this balance here and rar if it worked. That said, I've always wondered if initially it indeed was attraction or the fact that she moved him and he didn't know what do with this.
I've written a few baddies - Kellerman, Gretchen, Reynolds - and it's usually so fun and easy, I think I don't want to know what that tells about me :p
Thanks :)
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