My Other Fanfiction
I thought I should post the links to fics from my non-Stargate or CSI fandoms.
Harry Potter
Lives of Quiet Desperation (Neville Longbottom/Colin Creevy) -- rated PG-13
A person named Sunita Khosla once said, 'To transform the emptiness of loneliness, to the fullness of aloneness.' Neville had always thought that was stupid. Emptiness was emptiness, and when you were alone, you were left with no one but yourself.
Angel Boy (Draco Malfoy/Ron Weasley) -- rated PG-13
What is kindness? How can you define it? And if you've got a definition, do you truly know if you'd recognize it? ...Even if it came up and kissed you on the lips?
Shadows of the Night (Draco Malfoy/Ron Weasley) -- rated PG-13, sequel to Angel Boy
There are always choices. Life or death. Good or evil. In this case, it happens to be choosing between being Kissed and being stuck in the Muggle world with Ron Weasley. Which is the worse fate?
Apathy (Draco Malfoy/Theodore Nott) -- rated PG-13
Draco Malfoy is going to die tomorrow. He knows it and doesn’t really care.
Glimpses (Percy Weasley/Oliver Wood) -- rated PG
Sometimes, it just takes a glimpse to look into someone's soul. And sometimes, glimpsing into someone's soul changes you forever as well.
To Fall On Our Faces (Percy Weasley/Oliver Wood) -- rated PG-13, sequel to Glimpses
"Quidditch, without Oliver, is like cake without frosting. It is boring without its perfect adornment..." When Percy has to attend a Quidditch match on orders of Scrimgeour, things do not turn out quite as he plans.
Beautiful Disaster (Neville Longbottom/Seamus Finnigan) -- rated PG-13
It is almost every night that Neville wakes up screaming.
Cessation (Draco Malfoy/Neville Longbottom) -- rated PG-13
"It is so very fragile, this final splintering of life, so tremulous and slow that it seems that the whole world is slowing down for a few minutes to give Draco Malfoy an extended swan song."
It Happened One-Night Stand (Marcus Flint/Percy Weasley, Marcus Flint/Surprise, Percy Weasley/Surprise) -- rated R, complete
Marcus Flint and Percy Weasley. A one-night stand. Sounds complicated? Well, their lives are certainly going to be from now on.
Chapter One - One Night Alone
Chapter Two - Gonna Be A Long Night
Chapter Three - Run With The Hunted
forget the lies no one ever could sell you (Lavender Brown, Theodore Nott, Gen) -- rated PG, complete
When Theodore shows up on her doorstep, five months after the Second Battle of Hogwarts, Lavender almost hexes him.
These relics of remembrance are just like shipwrecks (Percy Weasley, Oliver Wood, Lee Jordan, Gen) -- rated PG, complete
He doesn't often consider himself a fool.
Miscellaneous
Mystery (House, Chase/Wilson) -- rated PG
House lived to solve mysteries -- big ones (like saving lives) and small ones (why Foreman didn't want to treat that homeless woman). Today, he was going to solve the small mystery of Wilson's tie.
Pity the Child (House, Chase/Wilson) -- rated PG-13
Chase isn't quite sure why, of all people, it is Wilson who is currently sitting across from him in this slummy bar; he suspects that this is simply the universe’s idea of irony.
Fag Hags Are Best (Because They're Not Hags At All) (How I Met Your Mother, Barney/Ted-ish) -- rated PG-13
Barney? You...do realize that we are in fact at a gay bar, right?
I'm Gonna Need a Forklift ‘Cause All the Baggage Weighs a Ton (How I Met Your Mother, Robin/Barney/Ted) -- rated PG-13
“Truth: have you ever been physically attracted to me?” Barney asked and Ted choked on his beer.
All the Crazy Married People (How I Met Your Mother/The Office, Oscar/Gil, Gil/James) -- rated PG
At James's wedding, Gil wonders why he was invited. Oscar just wonders why they came.
Behold These Shards and Cinders (How I Met Your Mother) -- rated PG-13, written for apocalyptothon
In the aftermath of doomsday, Ted doesn't go through the five stages of grief.
A Dangerous Idea That Almost Makes Sense (How I Met Your Mother, Barney/Lily, Marshall/Lily) -- rated PG
This is how it starts (or maybe how it ends).
Momentary Defeat (King Kong, Carl/Preston) -- rated PG-13, written for 1sentence
There's a fine line between opportunity and fruitless endeavors, and there is such a subtle difference that Preston has long since given up on figuring out whether this relationship is something wonderful or a disaster waiting to happen
After All the Stars Fall (Torchwood, Jack/Ianto/Tosh) -- rated PG, written for 3_ships
Stranded in time and space, Jack, Ianto, and Tosh are forced to spend quality time together.
The Flash of a Distant Camera (RENT, Mark/Maureen) -- rated PG, written for yuletide
The first time Mark sees her, it's through his camera lens.
As Long Ago as Forever, There Lived a Prince (Earthsea, gen, Ged and Arren) -- rated PG, written for yuletide
This is a tale of the Archmage and the prince of Enland, of the mountain of Gont and of the kingdom of forests, and of the difference between doing and being.
Good Fences Make Good Neighbors (Darkwing Duck, gen) -- rated G
Drake meets the Muddlefoots and Binkie gets the wrong impression.
The Ideal Mother, Like the Ideal Marriage, Is a Fiction (The Magnificent Seven, Mary Travis/Maude Standish) -- rated G, written for lgbtfest
Mother, really. If you think Mary Travis would be anything less than a handful, you are sorely mistaken.
The Texture of Persimmons (Life, Charlie) -- rated G
It's funny, the things you remember and the things you forget.
Speaking the Language in Which No and Yes Mean the Same (Life, Charlie, Ted) -- rated PG
There's now a "no stuffing people in your trunk" clause in their friendship.
The Aftermath Job (Leverage, Ensemble) -- rated PG, written for apocalyptothon
Nate needed a drink.
Percentages (Leverage, Sophie/Parker) -- rated R, written for Porn Battle VII
Parker is 90% certain that most girl's nights out do not involve the girls having sexual intercourse.
A Lie Told Well is Immortal (Leverage, Sophie Devereaux gen) -- rated G, written for the Awesome Ladies ficathon
Sophie has been lying for a living for so long that truth tastes odd on her tongue.
And Time Yet For a Hundred Indecisions (Brothers & Sisters, Saul/Henry) -- rated PG-13, written for lgbtfest
Saul was nineteen the first time he kissed another man. It felt as though the world was ending. Now, half a century later, Henry kisses him, and it feels less like disaster and more like rebirth.
Signs and Archangels' Trumps (Good Omens, Aziraphale, Crowley, and Adam gen) -- rated PG, written for go-exchange
Unfortunately, someone Below had heard the saying, "If at first you don't succeed, try, try again," and decided that meant they should try for a second Antichrist.
As To Matters of Dress (Avatar: The Last Airbender, Sokka/Suki) -- rated R, written for Porn Battle X
He swallows, mouth suddenly dry, his brain stuttering to a stop, because the fact that Suki found him attractive dressed as a Kyoshi warrior is, well, really, really hot, actually.
Bright Lights, Big City (High School Musical/Glee, Ryan Evans/Kurt Hummel) -- rated R, written for Porn Battle X
It's Kurt's first audition for a Broadway show and he is *not* anxious or anxious or even remotely terrified.
Harry Potter
Lives of Quiet Desperation (Neville Longbottom/Colin Creevy) -- rated PG-13
A person named Sunita Khosla once said, 'To transform the emptiness of loneliness, to the fullness of aloneness.' Neville had always thought that was stupid. Emptiness was emptiness, and when you were alone, you were left with no one but yourself.
Angel Boy (Draco Malfoy/Ron Weasley) -- rated PG-13
What is kindness? How can you define it? And if you've got a definition, do you truly know if you'd recognize it? ...Even if it came up and kissed you on the lips?
Shadows of the Night (Draco Malfoy/Ron Weasley) -- rated PG-13, sequel to Angel Boy
There are always choices. Life or death. Good or evil. In this case, it happens to be choosing between being Kissed and being stuck in the Muggle world with Ron Weasley. Which is the worse fate?
Apathy (Draco Malfoy/Theodore Nott) -- rated PG-13
Draco Malfoy is going to die tomorrow. He knows it and doesn’t really care.
Glimpses (Percy Weasley/Oliver Wood) -- rated PG
Sometimes, it just takes a glimpse to look into someone's soul. And sometimes, glimpsing into someone's soul changes you forever as well.
To Fall On Our Faces (Percy Weasley/Oliver Wood) -- rated PG-13, sequel to Glimpses
"Quidditch, without Oliver, is like cake without frosting. It is boring without its perfect adornment..." When Percy has to attend a Quidditch match on orders of Scrimgeour, things do not turn out quite as he plans.
Beautiful Disaster (Neville Longbottom/Seamus Finnigan) -- rated PG-13
It is almost every night that Neville wakes up screaming.
Cessation (Draco Malfoy/Neville Longbottom) -- rated PG-13
"It is so very fragile, this final splintering of life, so tremulous and slow that it seems that the whole world is slowing down for a few minutes to give Draco Malfoy an extended swan song."
It Happened One-Night Stand (Marcus Flint/Percy Weasley, Marcus Flint/Surprise, Percy Weasley/Surprise) -- rated R, complete
Marcus Flint and Percy Weasley. A one-night stand. Sounds complicated? Well, their lives are certainly going to be from now on.
Chapter One - One Night Alone
Chapter Two - Gonna Be A Long Night
Chapter Three - Run With The Hunted
forget the lies no one ever could sell you (Lavender Brown, Theodore Nott, Gen) -- rated PG, complete
When Theodore shows up on her doorstep, five months after the Second Battle of Hogwarts, Lavender almost hexes him.
These relics of remembrance are just like shipwrecks (Percy Weasley, Oliver Wood, Lee Jordan, Gen) -- rated PG, complete
He doesn't often consider himself a fool.
Miscellaneous
Mystery (House, Chase/Wilson) -- rated PG
House lived to solve mysteries -- big ones (like saving lives) and small ones (why Foreman didn't want to treat that homeless woman). Today, he was going to solve the small mystery of Wilson's tie.
Pity the Child (House, Chase/Wilson) -- rated PG-13
Chase isn't quite sure why, of all people, it is Wilson who is currently sitting across from him in this slummy bar; he suspects that this is simply the universe’s idea of irony.
Fag Hags Are Best (Because They're Not Hags At All) (How I Met Your Mother, Barney/Ted-ish) -- rated PG-13
Barney? You...do realize that we are in fact at a gay bar, right?
I'm Gonna Need a Forklift ‘Cause All the Baggage Weighs a Ton (How I Met Your Mother, Robin/Barney/Ted) -- rated PG-13
“Truth: have you ever been physically attracted to me?” Barney asked and Ted choked on his beer.
All the Crazy Married People (How I Met Your Mother/The Office, Oscar/Gil, Gil/James) -- rated PG
At James's wedding, Gil wonders why he was invited. Oscar just wonders why they came.
Behold These Shards and Cinders (How I Met Your Mother) -- rated PG-13, written for apocalyptothon
In the aftermath of doomsday, Ted doesn't go through the five stages of grief.
A Dangerous Idea That Almost Makes Sense (How I Met Your Mother, Barney/Lily, Marshall/Lily) -- rated PG
This is how it starts (or maybe how it ends).
Momentary Defeat (King Kong, Carl/Preston) -- rated PG-13, written for 1sentence
There's a fine line between opportunity and fruitless endeavors, and there is such a subtle difference that Preston has long since given up on figuring out whether this relationship is something wonderful or a disaster waiting to happen
After All the Stars Fall (Torchwood, Jack/Ianto/Tosh) -- rated PG, written for 3_ships
Stranded in time and space, Jack, Ianto, and Tosh are forced to spend quality time together.
The Flash of a Distant Camera (RENT, Mark/Maureen) -- rated PG, written for yuletide
The first time Mark sees her, it's through his camera lens.
As Long Ago as Forever, There Lived a Prince (Earthsea, gen, Ged and Arren) -- rated PG, written for yuletide
This is a tale of the Archmage and the prince of Enland, of the mountain of Gont and of the kingdom of forests, and of the difference between doing and being.
Good Fences Make Good Neighbors (Darkwing Duck, gen) -- rated G
Drake meets the Muddlefoots and Binkie gets the wrong impression.
The Ideal Mother, Like the Ideal Marriage, Is a Fiction (The Magnificent Seven, Mary Travis/Maude Standish) -- rated G, written for lgbtfest
Mother, really. If you think Mary Travis would be anything less than a handful, you are sorely mistaken.
The Texture of Persimmons (Life, Charlie) -- rated G
It's funny, the things you remember and the things you forget.
Speaking the Language in Which No and Yes Mean the Same (Life, Charlie, Ted) -- rated PG
There's now a "no stuffing people in your trunk" clause in their friendship.
The Aftermath Job (Leverage, Ensemble) -- rated PG, written for apocalyptothon
Nate needed a drink.
Percentages (Leverage, Sophie/Parker) -- rated R, written for Porn Battle VII
Parker is 90% certain that most girl's nights out do not involve the girls having sexual intercourse.
A Lie Told Well is Immortal (Leverage, Sophie Devereaux gen) -- rated G, written for the Awesome Ladies ficathon
Sophie has been lying for a living for so long that truth tastes odd on her tongue.
And Time Yet For a Hundred Indecisions (Brothers & Sisters, Saul/Henry) -- rated PG-13, written for lgbtfest
Saul was nineteen the first time he kissed another man. It felt as though the world was ending. Now, half a century later, Henry kisses him, and it feels less like disaster and more like rebirth.
Signs and Archangels' Trumps (Good Omens, Aziraphale, Crowley, and Adam gen) -- rated PG, written for go-exchange
Unfortunately, someone Below had heard the saying, "If at first you don't succeed, try, try again," and decided that meant they should try for a second Antichrist.
As To Matters of Dress (Avatar: The Last Airbender, Sokka/Suki) -- rated R, written for Porn Battle X
He swallows, mouth suddenly dry, his brain stuttering to a stop, because the fact that Suki found him attractive dressed as a Kyoshi warrior is, well, really, really hot, actually.
Bright Lights, Big City (High School Musical/Glee, Ryan Evans/Kurt Hummel) -- rated R, written for Porn Battle X
It's Kurt's first audition for a Broadway show and he is *not* anxious or anxious or even remotely terrified.