Jeffrey Smart Alois Kalvoda, Břízy (Bouleaux), 1916 Jamie Wyeth

chetvergvecher

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Dec 20, 2013 17:36

Jeffrey Smart

Alois Kalvoda, Břízy (Bouleaux), 1916

Jamie Wyeth - The Islander, 1976

Henry Herbert La Thangue The Watersplash. Bridgeman Art Library / Victoria Art Gallery, Bath and North East Somerset Council

Toshiyuki Enoki

От http://endlessquestion.tumblr.com/

Swamplandia! By DragonicDarkness

Engage the Dragon by gegig

Primeval Thule Concept by KlausPillon

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Ole Ring (Danish, 1902-1972) Nakskov Harbour

Naum Gabo (Russian, 1890-1977), Opus 5, woodcut, 1950-51

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1983 - Moon Knight #28 by Doug Moench and Bill Sienkiewicz

Infinity 6 pg 31 by Jim Cheung MarkMorales

Punisher #1 by Mike Zeck

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Edgar Degas, At the Stables, Horse and Dog, 1861

Jamie Wyeth, “Black Spruce”, (1994)

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La Vie Parisienne Illustration by Georges Leonnec December 1926

Dogwalkers Sade Zayas, 1932.

Illustration by Cheri Herouard For La Vie Parisienne 1920s

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Jacob van Ruisdael The Windmill at Wijk bij Duurstede, c. 1670, Rijksmuseum, Amsterdam. Unlike the other great Dutch landscape painters, Ruisdael did not aim at a pictorial record of particular scenes, but he carefully arranged his compositions introducing into them an infinite variety of subtle contrasts. He particularly excelled in the painting ofcloudscapes - the depiction of a view of clouds or the sky which determine the light and shade of the objects

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Cover of the paperback “Alexander And The Camp Follower” by Robert Payne

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The Blue Bush - Konstantin Yuon 1908

William Blake. Illustration to Milton’s Paradise Lost. 1807

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Doctor Strange art by Alan Davis

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Enrique Serra: On the Terrace, 1882

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original order form for louis avila, guadalajara, mexico, circa 1955

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Behind the scenes (1891). John Byam Shaw, RI (British 1872-1919). Shaw carried the torch of Pre-Raphaelitism across the turn of the century, a period when books and exhibitions had renewed interest in the Brotherhood’s work. In his paintings he revived the Brotherhood’s use of bright, pure glazes and restated their belief of the importance of truth and sincerity in art