O, for a Muse of Fire!
Also, last week for class we read Henry V and watched bits of it in class, both the Olivier and the Branagh. Haven't seen the Branagh since it first came out in '89--it's quite good! I definitely prefer it to my Olivier--I have very mixed feelings about the quality of Olivier's films (perhaps I should say their success--as I emailed to my professor:
Olivier's Shakespeare adaptations have always tried to bestride both theater and film--NOT always successfully! ("To be or not to be" CANNOT be a voiceover, what was he thinking? Shakespeare's lines are too theatrical to be believable as thought, they *must* be spoken aloud. Declaimed, as it were!)
And the 1944 H5 is sooo cheesy, with its forced humor during the Salic law scene, and that Globe framework. Just doesn't work for me, although I do like Olivier's Richard III--hottt! I like how he split up the wooing scene, makes it *infinitely* more believable that Anne finally succumbs. Only Olivier could make Humpback Dick hot!
Anyway we looked at it specifically WRT Laws of War--since the 1944 was meant as British propaganda, they left out the Harfleur speech and the speech where Henry has the French prisoners executed. Branagh's version, which of course is much darker (they called it "the post-Falklands Henry V"), has both scenes (I believe--I know he has the Harfleur scene, he chews up the scenery, masticates it within an inch of its life, and spits it out again). We compared the Agincourt speech, even though it doesn't address Laws of War, just because it's so good. (Hilariously, Olivier's Agincourt is all sunny--uh, the rain and the mud is WHY the English won, guys! The French cavalry got stuck in the mud and the English archers finished 'em off.) The professor compared the long shots in the Olivier to the closeups in the Branagh, saying this is why Olivier is the better actor. I emailed him:
Do you really see the tight camera closeup on Henry in the St. Crispin Day speech as bad acting? That speaks to more Branagh's directing than his acting--and really, that's just a different style....Branagh's Henry V shots and editing are more cinematic. I also think his take on the text is more a look at Henry the man--his development from Prince Hal the carouser to a King in every sense of the word, whereas Olivier's movie had a wider focus.
He replied:
I make that point about Olivier simply for the sake of an audience that has probably never seen him and is likely to be wowed by Branagh's eyes (a student last year practically swooned) and stirring
music and the reaction shots of Brian Blessed.
As I said, I hadn't seen it since it first came out, but I really liked what I saw (again) so I watched some more last night on YouTube. OH MY GOD. The wooing scene. The wooing scene. Kenneth, marry me now. NOW. When he walks around the table saying "Oh Kate, nice customs curtsy to great kings..." I...I cooed out loud. So, so cute. O anonymous student from last year, I am RIGHT there with you!
And on a fairly random note, I *love* how little English names have changed in 600 years. We STILL are naming our princes and princesses Catherine and Henry. And Edward and Margaret and Elizabeth and William...
Olivier's Shakespeare adaptations have always tried to bestride both theater and film--NOT always successfully! ("To be or not to be" CANNOT be a voiceover, what was he thinking? Shakespeare's lines are too theatrical to be believable as thought, they *must* be spoken aloud. Declaimed, as it were!)
And the 1944 H5 is sooo cheesy, with its forced humor during the Salic law scene, and that Globe framework. Just doesn't work for me, although I do like Olivier's Richard III--hottt! I like how he split up the wooing scene, makes it *infinitely* more believable that Anne finally succumbs. Only Olivier could make Humpback Dick hot!
Anyway we looked at it specifically WRT Laws of War--since the 1944 was meant as British propaganda, they left out the Harfleur speech and the speech where Henry has the French prisoners executed. Branagh's version, which of course is much darker (they called it "the post-Falklands Henry V"), has both scenes (I believe--I know he has the Harfleur scene, he chews up the scenery, masticates it within an inch of its life, and spits it out again). We compared the Agincourt speech, even though it doesn't address Laws of War, just because it's so good. (Hilariously, Olivier's Agincourt is all sunny--uh, the rain and the mud is WHY the English won, guys! The French cavalry got stuck in the mud and the English archers finished 'em off.) The professor compared the long shots in the Olivier to the closeups in the Branagh, saying this is why Olivier is the better actor. I emailed him:
Do you really see the tight camera closeup on Henry in the St. Crispin Day speech as bad acting? That speaks to more Branagh's directing than his acting--and really, that's just a different style....Branagh's Henry V shots and editing are more cinematic. I also think his take on the text is more a look at Henry the man--his development from Prince Hal the carouser to a King in every sense of the word, whereas Olivier's movie had a wider focus.
He replied:
I make that point about Olivier simply for the sake of an audience that has probably never seen him and is likely to be wowed by Branagh's eyes (a student last year practically swooned) and stirring
music and the reaction shots of Brian Blessed.
As I said, I hadn't seen it since it first came out, but I really liked what I saw (again) so I watched some more last night on YouTube. OH MY GOD. The wooing scene. The wooing scene. Kenneth, marry me now. NOW. When he walks around the table saying "Oh Kate, nice customs curtsy to great kings..." I...I cooed out loud. So, so cute. O anonymous student from last year, I am RIGHT there with you!
And on a fairly random note, I *love* how little English names have changed in 600 years. We STILL are naming our princes and princesses Catherine and Henry. And Edward and Margaret and Elizabeth and William...