Initial reaction 14.06: “Optimism”
THEN: Starts out pretty ominous, with clock-ticky music, Jack's grace getting sucked out, "this is the end of everything," and Jack considering himself useless. We're reminded that New Charlie exists (aw, Dean looked so pretty in AU Land) and Jack has "the mind of a hunter." Michael hurting people and Dean feels guilty (aw, Sam's Beard of Despair, how I miss you). Sounds like we're in for a real downer of an episode, friends.
NOW: Nebraska. Happy music. A cheerful librarian opens up shop, and she's cute as can be but I wore that blouse in the 80s and it needs to stay there (JUST SAY NO TO THE RUFFLED YOKE, LADIES). Her name is Harper, and she has a kind-of-date with a guy named Winston tonight, though she is clearly Not Into You, Winston. An (apparent) coworker named Miles hears her "scream" and comes to her aid, brandishing a stapler, and is reminded that he needs to mind his own business. Winston leaves, clearly walking on air, and then STAYIN' ALIVE STARTS PLAYING and we focus on Winston's feet just like the iconic opening scene of Saturday Night Fever (if you're too young to remember watch this, IT'S IMPORTANT CULTURAL KNOWLEDGE and there WILL BE A QUIZ LATER) and y'all don't even know how much I love this song. YOU DON'T KNOW. I can't help it. My mom was a huge Bee Gees fan, partially because she was very into Barry Gibb.
Coincidence?
What can I say? I am my mother's child.
Now, where were we?
(Pretty much where we always are, so could you please just move this along?)
Sorry for the digression. Anyway. Now I suspect this isn't going to be a downer episode after all. (Turns out it was directed by Richard Speight, which would have been a clue if I'd known that earlier, bless him.) While I've been digressing, Winston has happily bopped down the street, only to have a hand cover his mouth and drag him off-screen. There's a record scratch and a squirt of dark goo and a scream, so I guess it did turn out to be a downer for Winston, but not for me.
Title card!
{Sidebar: I didn't realize Saturday Night Fever was directed by John Badham, who went on to direct several episodes of Supernatural.}
Jack's drinking coffee in the bunker. He takes a sip and then pours a huge amount of sugar into it, which immediately makes me think of this scene from The Fly when Jeff Goldblum, who does not yet realize that he is turning into a fly, does the same thing.
(Spoiler alert: Ahem.)
Dean walks in and asks what he's doing, and Jack explains that everything tastes different without his powers, and he can't get the coffee to taste the way he likes it. That's because coffee is nasty, Jack. (And also, thanks to the Continuity Fairy for remembering that food tasted different to Cas when he didn't have grace.) Dean asks if Jack has seen Sam, because that's what Dean does; he probably walked in the door and felt a disturbance in the Force and realized he didn't know where Sam was. From Jack, we learn that (1) Dean went on an overnight run to Mobby's love shack cabin and (b) Sam went on a hunt with Charlie without telling Dean. Is Dean okay with this? Are we okay with this? Couldn't he have at least sent a text message? He's supposed to be setting an example!
"Explain to me again how you just let Sam LEAVE.
I guess Sam had to go himself, rather than send someone else, because this is one of those times when there's no random hunters in the bunker. (And where's Rowena? Did Charlie abandon her in the Southwest? Did they have a fight?) Jack imagines Sam and Charlie are doing something "really exciting."
Cut to Sam and Charlie sitting quietly in a truck outside Memphis, bored out of their minds. Hee! It's the kind of crappy old truck I always want Sam to drive, so I love it. They're staring at a bus stop with an ad for Pete the Pestinator, who seems to be an insect exterminator. (Spoiler alert: ahem again.) Sam confirms that "this is where all those people went missing," although if he's been sitting in that truck long enough to be bored, he really should have nailed that down by now. Charlie says "yep." More silent sitting.
Back to the bunker. Dean seems surprised that Sam left Jack there alone (where's Cas?) and Jack says "Sam wanted someone around when you came back. He's worried about you."
"Yeah, that sounds like him," Dean grumbles, and hello, kettle, the pot just called, and said you're black. Jack offers some encouragement, telling him no one blames him for Michael, and Dean says "Cool. Well, I blame me, so." His self-flagellation is interrupted by Jack's Cough of Great Concern. "Maybe I'm allergic to sitting around doing nothing," Jack snarks.
Dean sits down for a heart-to-heart, and Jack says he's been hunting with Cas and wants to do more. Dean says "No offense, Cas is an insurance policy on those hunts." Jack looks hurt. I don't understand this at all. Why wouldn't Jack already know that Cas is there to protect him? And why would this hurt his feelings? I'm so confused. But I immediately forget it, because Dean says "Sam's just trying to keep you safe, okay? He's a smart guy." AND THEN WE CUT TO THIS.
Bless you, Richard Speight, writer Steve Yokey, bless you both.
I literally did burst out laughing at Sam and his fidget spinner. Charlie is not amused, and Sam puts his toy away with some embarrassment.
Bunker. Jack's found a report on our dead friend Winston, who seemed to have human bitemarks taken out of his corpse. And others have gone missing in the area. We skip part of a conversation, but whatever it was, Dean says Sam won't like it. "Sam's not here," says Jack. Oh, no you don't, Jack. Don't you go ignoring the Chief's directives just because he's not here. Dean says he'll go check it out alone, but Jack suddenly remembers Sam's Law and reminds Dean about the Buddy System.
We can be hunting buddies!
Okay, uh, (a), don't call it that, and (b), YOU'RE gonna back ME up?
Oh, Dean. You didn't do the (1) and (b) thing that I love so much. Jack gets to be the one to bare a little bit of his soul now, telling Dean that he also feels guilty about Michael, because he could have killed him but he was "distracted and stupid." He doesn't want to sit around feeling guilty all day, he wants to hunt.
Looks like that was the right button to push, because we cut to Sam on the phone, clearly not a fan of the plan and telling Dean to be careful. I assume his reluctance is because he doesn't trust Jack to watch Dean's back. But Sam, if you can trust Maggie to hunt alone, you can trust Dean with a novice backup. (I know, I know, Dean is more important than Maggie.)
Sam asks again if Charlie is sure this is the right place, and she says it's where four people disappeared. And while she was scouting around, she found a mason jar full of goo. Is this the same goo we saw when Winston was killed? (Spoiler alert: no.) And now she's trying to figure out what they're hunting, so she's reading. I'd have done my reading before the stakeout, but that's just me. (I'd also have done some reading instead of sitting there glaring at Sam while he enjoyed his fidget spinner, but that's also just me.)
(I also might have thought of more interesting things to do while I was stuck in a car with Sam, but they would have interfered with the stakeout. And they aren't anything Charlie would have been interested in anyway.)
Cut to Dick's Red Rooster Diner (ha ha, I see you, Speight). According to Winston's obituary, he had breakfast here every morning. Jack agrees with me that it's an odd thing to put in an obituary, but Dean says that when someone dies young, you don't know what to put in those things. (Oh, think of 20-something Dean's obituary.) He introduces them to the waitress as Agents Berry and Charles, and the only thing I can think of is Chuck Berry, so if someone has a better idea, let me know. He asks for details about Winston, and the only detail she can provide is that he's dead. Jack dutifully writes that detail in his little notebook. (BLESS.)
This waitress is wonderfully snippy, knows her rights, and isn't the least bit interested in talking to these FBI agents, but when Dean hands her some cash she changes her mind. She says they should should be more interested in Harper, who Winston just started "courting," and Jack is confused.
What's courting?
It's what you do before you start dating.
Ah, and that's the thing you do before the sex.
Sometimes you just have the sex.
Okay, Dean's wrong, courting is what you do instead of dating, but this is still a wonderful exchange. And the next part is wonderful too, cutting between the waitress and some customers explaining that Harper was popular in high school, but her boyfriend ran off, and now all these men connected to her have died, and she's really into romance books, and ending on I've heard too much Dean and I'm confused Jack.
Love this.
Back at the stakeout, Sam's biting his nails, which I also love for some reason, and of course the only time we've ever seen him bite his nails was when he was worried about Dean. New Charlie picks right up on it. She tells him Dean will be fine, and comments that he's got other friends, right? Which I don't understand, because it doesn't matter what other friends he has, he's not hunting with them. He's hunting with Jack. "He used to have a pretty damn good wingman," Sam says, and I think no, Sam, what are you saying, he still has you. She says he should call "that guy" to check on him, and Sam says "that guy was you." Charlie gives him a look. "No, it wasn't." And she's right, Sam. SHE IS NOT YOUR CHARLIE. And also, was Charlie ever really Dean's wingman? I don't think so. Sam, of course. Cas, literal wingman. But not Charlie. Charlie was the little sister.
Sam apologizes, and then says "I'm just saying, I'm not surprised you survived the apocalypse." Which isn't what you were saying at all, Sam. Charlie is surprised she survived, because she was just a programmer at Richard Roman Enterprises (Dick Roman! I wonder what happened to your AU version), living with the love of her life, Cara. My heart skipped a beat because I was so ready, guys, for the love of Charlie's life to be Dr. Cara Roberts from Sex and Violence, but apparently not. {Sidebar fic prompt: Sam. Charlie. Dr. Cara. Three-way.) Charlie's Cara was a baker. Charlie tells a sad story about waiting for help that never came, and Cara eventually being killed by people, not angels. Society falls apart. (Or, as Dean once said, demons I get; people are crazy.) Sam insists society isn't falling apart here, and Charlie says "not yet."
Just like last week, we're getting some needed differentiation between the characters we lost and their AU counterparts, which I appreciate.
I also appreciate pretty, attentive, sympathetic Sam.
Diner. Dean calls Jack "Mighty Mouse," for some reason, and congratulations him on finding a case. He tries to teach him about the importance of pie, but Jack's more interested in courting. He's never been exposed to off-screen romance, unless Gabriel and Rowena counts (Dean assures him it doesn't, but how would Jack have been exposed to Gabriel/Rowena anyway, since it happened while he was in AU Land and Gabriel didn't make it back?) Dean promises he'll give him The Talk when they get back, but right now they need to concentrate on finding Harper. {Sidebar fic prompt: Dean's and Sam's versions of The Talk. Would Dean's be like Dean's speech from Rock and a Hard Place?} Jack speculates she might not be human, and Dean says they're going to find out, and it's going to work like a romance novel. Hmm!
Cut to the library, where Harper is working. Dean enters and identifies himself as FBI, with questions about Winston. She doesn't want to talk, and he pushes. Then Jack shows up, asking for a book about the area's history, and defends her against the big mean FBI guy. Dean says "why don't you back off, kid" and Jack responds "No, you back off, old man" and DEAN'S FACE. This was clearly NOT IN THE SCRIPT. I love it. Dean slinks off, dejected, to examine his gracefully-aging face in the rear-view mirror. {Sidebar: I honestly think Jensen is aging a lot better than Dean is. Dean looks tired a lot of the time, and I'd like to believe Show is doing that on purpose, but I don't think it's the case. Jensen always looks awesome.} Harper is delighted, and apparently smitten, judging by the music. Jack introduces himself as "Jack Smith" and she invites him to her apartment, where she has the perfect book.
Why does this library have those convenience store perp measurements at the door? Does it get robbed a lot? Also, how many episodes have signs in the background with the title of a different episode? Not very many, I'm guessing.
As they leave, Miles the Stapler Guy follows and asks where she's going. It must be close to closing time, because Harper says she'll come back and lock up. Miles, who's carrying a bag of trash, refuses to shake Jack's hand. As Jack and Harper go one way, he stomps off in the other direction. I'm suspicious, and so is Dean, who gets out of the car to follow him. As Miles puts the library's trash in an inappropriately small residential bin, he hears a noise. We then cut to Dean, who hears Miles scream but just keeps walking? But then a trash can is knocked over and that gets his attention. He finds Miles dead, and we get a monster POV shot watching him.
Stakeout. Charlie's still reading. Apparently she brought all the books. She says she hates hunting, which surprises Sam, because she's so good at it. She points out that she's good at it because the alternative was death. "I mean, no offense, but who wants to be a hunter? This job, just a lot of tears and death."
Sam says "you said something like that to me once, long ago, about hunting." He quickly apologizes for once again conflating her with Our Charlie. At first I was annoyed at him, but then I started thinking about how awful Our Charlie's death was for him, with the MoC, and the fear, and the worry, and the guilt, and his brother saying he should be the one on the funeral pyre instead, and you know what? I'm gonna cut him some slack for trying to forget all of that ever happened. A lot of slack, in fact.
Charlie casually drops that she's glad this is her last hunt. Did you give the Chief your two week's notice, Charlie? I DON'T THINK SO. She plans to get away from monsters and people, and "live on a mountaintop or something... as long as there's good wifi." I'm sure Sam can get you set up with his magical wifi, Charlie, if you stay on his good side.
Harper's apartment. She seems to be all about love, with a decorative "amore" sign in the kitchen and a big red heart hanging on the wall. She suddenly realizes it's weird that she brought him to her apartment, though she's thinking "putting the moves on you" weird and I'm thinking "inviting a potential serial killer into your home" weird. But maybe I listen to too much My Favorite Murder. She leaves the room to get the book (odd that it's not on the stuffed bookshelves in her living room, but they're all full of romance novels).
Jack asks why the FBI was "hassling" her, and she tells him about Winston's death as he surreptitiously puts a silver coin on the floor and splashes holy water all over his hands. A call comes from Dean, but he ignores it. When she comes back with the book, she notices the coin on the floor and picks it up. She touches his hand when she gives him the coin and notices that it's wet. I would have put the holy water on the coin, although a wet coin on the floor might be as weird as wet hands. He just laughs weirdly and then does a fake cough AND SAYS CHRISTO. SOMEONE FINALLY REMEMBERED CHRISTO. Oh, my heart. I've been waiting 13 years for this moment. She doesn't react to it, so she seems pretty human. He says he's nervous, so she sits on the couch and pats the seat next to her.
Stakeout. Charlie has found something in the books called a Musca. Sam already knows it's a man-fly hybrid (IT'S THE FLY; OUR MONSTER IS JEFF GOLDBLUM) and that no one's seen them, so if they do exist, they keep to themselves. She's impressed with his Sammy smarts. He says he's read all the books, but if he'd read this one, he'd know that every few hundred years a male Musca can't find a mate and he "abandons his community and starts using people's bodies to nest, binding them together with a viscous goo." Ew.
As they walk, in the background we see a figure approaching the two women who are sitting on the bus stop bench. It's clothed in black, carrying a black briefcase, and it has a giant head. At first I think it's literally a giant fly's head. But when Charlie notices it, we get a closer look, and it's a large black hood, like a beekeeper's outfit. It sits down and then casually scoots closer to the women, who scoot away, and it's hilarious.
Harper's apartment. She asks Jack where he's from, and he tells her he lives in Lebanon, Kansas. NO, JACK. DON'T TELL ANYONE WHERE YOU LIVE. Jack coughs some more and then notices a picture of Harper with her boyfriend, Vance. She says he left town after high school because he wanted to see the world, and Jack seems astonished that anyone would leave her. And that was when her bad luck started, but she tries to stay optimistic. "Me too," Jack says. "I had some not-so-great stuff happen in my past. Trying to be positive... it can be hard." Oh, Jack, sweetie. They gaze into each other's eyes and it looks like they're going to kiss. Jack's phone buzzes with a text from Dean that says CALL ME NOW.
Jack? Do you believe in love at first sight?
Do you... (music swells)... mind if I use the bathroom?
Ha!
Jack hides in the bathroom to call Dean. He tells him Harper isn't a monster, and he thinks she's in love with him. Although Dean's sure that's not the case, Jack says "but if she is, I need to know everything about sex. Go." Ha again! Dean tells him about Miles's death, which makes Jack wonder if she's cursed. Dean says it's more like all the guys around her are cursed. "Like me," Jack ponders, just before we get another monster POV shot and a strangled shout from Dean. The phone goes dead.
Jack comes back into the living room and Harper asks if he's okay and if he wants to go for coffee. Then the door bursts open and Dean comes in, and I wonder why she's freaking out until I remember that Dean is Bad FBI Guy to her. He quickly blocks the door and tell her they're here to save her from... whatever it is that's suddenly growling and banging on her door. "At first I thought it was a ghost," he says, "but then it punched me in the face." She's freaked out about a ghost, but Jack reassuringly (NOT!) tells her that he's saying it's NOT a ghost. Dean recognizes a photo and it turns out the monster is her old boyfriend Vance, who she didn't even realize was dead.
For some reason Dean isn't carrying a lot of weapons, but he has a silver knife and finds a silver letter opener on Harper's desk. Silver will slow it down, he tells them, but there's only one way to kill the undead boyfriend. Vance breaks the door down before we learn what that is. Dean starts fighting with the silver knife and tells Jack to get Harper out of there.
Stakeout. It's nighttime now. A lone man sits at the bus stop as Sam tries to convince Charlie that she can't drop out of society. She needs people, and also, it's hard to walk away from being a hunter. "I tried. Our Charlie tried." You know, for someone who did want out of hunting, and did try to get out of it, Sam spends a lot of time convincing others to do it, or at least enabling them. I mean, Dean was all "Patience, if you can live a normal life, do it," and Sam was all "well, Claire, if you're gonna hunt, I guess I should show you how to hack." Although that (and teaching Ghoul!Adam to shoot) was more about protecting someone determined/forced to be a hunter than recruiting. So maybe I don't know what I'm talking about. Anyway, if anyone recognized the futility of getting out of the life, it would be him.
Jeff Goldblum shows up again and sits by his next victim. Charlie wants to go for the kill, but Sam thinks they should wait for him to make his move, in case he's just into weird fashion. Look, Sam, if a guy likes wearing a black beekeeper's bonnet and sidling up to random strangers at bus stops, he deserves to be hunted, whether or not he's actually part bee. When the bus shows up, it blocks their view of the duo. When it leaves, the bench is empty. Which could mean they just got on the bus, but we see something disappearing behind the stop. Sam decides it's a go after all.
Let's stick with this story, rather than cutting back and forth between them like the show did. Sam and Charlie find a door with a bunch of goo on the handle. Sam says Charlie found something in the books that theorized a brass nail dripped in sugar water would kill a musca. Because yes, of course sugar water, WHICH FLIES EAT, would kill a fly man. (Rolls my eyes at this otherwise delightful episode.) Charlie reminds him they have neither of those things. "So we get creative," Sam says. I'm expecting some kind of MacGuyvering involving a can of Coke, or Sam's sugary coffee. (Spoiler alert: I'm wrong.)
{Sidebar: Why are all the methods of killing monsters so weirdly specific? Chopping off the head should kill ANYTHING.}
They go through the door, which surprisingly leads them into an abandoned warehouse. It's full of flies (normal ones, not half-man flies) and smells like pine cleaner and rotting meat. Yum. Eventually Sam finds the briefcase, which is full of what looks like candy wrappers and also has a white cloth, which he sniffs to discover chloroform. Dude. Don't sniff the chloroform rag. Charlie finds the most recent victim, still alive, by a pile of bodies. Something grabs Charlie's hand. She pulls loose, but falls off a low platform (seriously, it's like two feet high) and... loses consciousness? Okay. Maybe he chloroformed her and I missed it. I'm old and decrepit and this would have barely bruised me. He must have chloroformed her.
Sam tries to wake her up, but is interrupted by the WORST MONSTER COSTUME EVER. Oh god, you guys, this fly man head is so bad. SO BAD.
{Sidebar: Did you know that you don't see much of the shark in Jaws because the model was so bad, Steven Spielberg decided he wanted to shoot it as little as possible? And it actually made the movie better because the unseen monster was so much scarier? Just saying, Speight.}
(Um, have you watched any movies that were made before 1980?)
Well, that was uncalled for.
Jeff Goldblum attacks Sam and gets goo on him, and if this were really a fly, wouldn't that goo be digesting him? Isn't that how flies eat? (Why yes, it is.) Charlie regains consciousness and stabs it with something, which gets it off Sam long enough for him to shoot it in the head. Creativity in action! So, I guess I got my wish. Interesting that, just like last week, the guys figured out that there are actions that will kill anything.
Aftermath! Charlie and Sam are driving, and Sam says he feels bad for the Musca, which could have been happy if it had stayed home with its people. Subtle, Sam. Charlie's all, yeah, okay, I'm like the bug, except not so much. As we see the Musca family coming to retrieve their brother's body, Sam asks Charlie not to leave. "If we help people, then maybe they'll help people, and all that, and that's worth it. Even with all the tears and death, it's worth it." Oh, Sammy. {sniff} She says she'll think about it.
Back to Jack and Harper. It was broad daylight when they got to her apartment, so I don't know why it's nighttime now. How long did he spend in the bathroom? No wonder she asked if he was okay. Cut to Dean gleefully fighting the zombie, who suddenly stops fighting and runs off. Jack and Harper run to the library, where she struggles with the keys until Jack remembers she left without locking the door. They scurry inside and he locks it.
As they hide behind the counter, they see Zombie Vance run by. Jack tells her not to worry, because he locked the door, and she asks if he flipped the switch under the lock? Obviously he didn't, and she goes to do it herself. As she stands, looking out the door, Vance shows up. She unlocks the door, which Jack obviously DID lock, and opens it. He hands her the history book - I guess Jack dropped it - and they kiss.
Um. Whoops. Vance is actually still Harper's boyfriend. And he has to eat human flesh. Like, Jack's, for example. Vance lunges for Jack, who hides in the stacks as Harper gives him the villain dialogue over the library's PA system. She likes Jack, but he's obviously a hunter, and she comes from a long line of necromancers, so it would never work out between them. She killed Vance to keep him from leaving after high school, and killing every other guy in her sights is just a fun little romantic roleplay for them. We get a little scare when a hand appears on Jack's shoulder (been a lot of that going around lately), but it's Dean. He tells Jack they have to get Vance back into his grave and then drive a stake into his heart to keep him there. And they're going to convince him using another romance novel method.
Jack tells her he wants to do things Vance can't do - walk her down the aisle, raise a family. This draws Vance out, who lunges at him but finds himself facing Dean. Vance gets Dean against a wall, and Harper calls out to him. Dean thinks she's going to call him off, but she says "Baby, kill him!" and Dean's "huh" look is precious to me. Instead, Dean slaps a handcuff on his arm and cuffs him to a pole or something. Jack cuffs his other arm to a library cart, I think, which is mobile and therefore defeats the purpose of cuffing, but good try, Jack. The cuffs burn Vance, so they're silver or enchanted or something. Seems like a successful hunt, but when the guys look up, the door is open and Harper is gone.
Later we see Harper and her suitcase at a cafe, writing a letter to Jack. So she had time to go home and pack a suitcase, and Dean and Jack didn't go to her apartment and look for her? Guys. Come on. She's sorry she's going to have to kill Jack, but it means she can bring him back to life and they'll be together forever. See you soon, she writes, sealing the envelope addressed to Jack Smith, c/o the Lebanon, Kansas post office. I TOLD YOU NOT TO LET HER KNOW WHERE YOU LIVE, JACK. Is Harper going to be a Big Bad this season? Or maybe a Little Bad? I wouldn't mind seeing her again. She's a charming little villain.
Finally, Jack's drinking coffee again, probably with a lot of sugar, in the bunker. This scene, with them facing each other, is a nice callback to the beginning of the episode. Dean tells Jack he did good, and Jack pushes for more hunts, because he was right. It's not about being right, Dean tells him, it's about what you do after you're wrong, after you've made a mistake. And about not beating yourself up, Jack points out. Dean tells him he's pretty smart, and Jack smiles and coughs and Dean promises to talk about getting him on more hunts when Sam gets back (BECAUSE SAM IS THE ONE TO ASK, YOU BETTER BELIEVE IT) and Jack lies about being fine and then coughs some more and shows Dean his bloody palm and collapses on the floor with blood oozing from his mouth and nose and WELL. THAT ESCALATED QUICKLY.
And the episode ends, without Sam and Dean sharing a single scene. Has that happened before? It's unsettling. I like the ep, though. I liked the relationship focus - Sam bonding with New Charlie, Dean bonding with Jack. I liked the humor. I liked that Sam wasn't ignored, even though the brothers had separate storylines. I liked the continuation of things that have been happening this season, the gentle reminder (but not constant siren) of Dean's guilty feelings and Sam's leadership and Jack's issues. And, of course, CHRISTO!
And there was one weird thing I noticed on first watch, but it didn't jump out at me on rewatch so I don't remember when it happened... Dean said "Son of a B." This is the second episode where they said something weird instead of bitch. What's going on there? Is Dean never going to say "son of a bitch" again? Because that's not good.
What did you guys think?
Oh, I almost forgot! I threatened you with a quiz!
Poll
Remember, no spoilers in the comments, thanks!
NOW: Nebraska. Happy music. A cheerful librarian opens up shop, and she's cute as can be but I wore that blouse in the 80s and it needs to stay there (JUST SAY NO TO THE RUFFLED YOKE, LADIES). Her name is Harper, and she has a kind-of-date with a guy named Winston tonight, though she is clearly Not Into You, Winston. An (apparent) coworker named Miles hears her "scream" and comes to her aid, brandishing a stapler, and is reminded that he needs to mind his own business. Winston leaves, clearly walking on air, and then STAYIN' ALIVE STARTS PLAYING and we focus on Winston's feet just like the iconic opening scene of Saturday Night Fever (if you're too young to remember watch this, IT'S IMPORTANT CULTURAL KNOWLEDGE and there WILL BE A QUIZ LATER) and y'all don't even know how much I love this song. YOU DON'T KNOW. I can't help it. My mom was a huge Bee Gees fan, partially because she was very into Barry Gibb.
Coincidence?
What can I say? I am my mother's child.
Now, where were we?
(Pretty much where we always are, so could you please just move this along?)
Sorry for the digression. Anyway. Now I suspect this isn't going to be a downer episode after all. (Turns out it was directed by Richard Speight, which would have been a clue if I'd known that earlier, bless him.) While I've been digressing, Winston has happily bopped down the street, only to have a hand cover his mouth and drag him off-screen. There's a record scratch and a squirt of dark goo and a scream, so I guess it did turn out to be a downer for Winston, but not for me.
Title card!
{Sidebar: I didn't realize Saturday Night Fever was directed by John Badham, who went on to direct several episodes of Supernatural.}
Jack's drinking coffee in the bunker. He takes a sip and then pours a huge amount of sugar into it, which immediately makes me think of this scene from The Fly when Jeff Goldblum, who does not yet realize that he is turning into a fly, does the same thing.
(Spoiler alert: Ahem.)
Dean walks in and asks what he's doing, and Jack explains that everything tastes different without his powers, and he can't get the coffee to taste the way he likes it. That's because coffee is nasty, Jack. (And also, thanks to the Continuity Fairy for remembering that food tasted different to Cas when he didn't have grace.) Dean asks if Jack has seen Sam, because that's what Dean does; he probably walked in the door and felt a disturbance in the Force and realized he didn't know where Sam was. From Jack, we learn that (1) Dean went on an overnight run to Mobby's love shack cabin and (b) Sam went on a hunt with Charlie without telling Dean. Is Dean okay with this? Are we okay with this? Couldn't he have at least sent a text message? He's supposed to be setting an example!
"Explain to me again how you just let Sam LEAVE.
I guess Sam had to go himself, rather than send someone else, because this is one of those times when there's no random hunters in the bunker. (And where's Rowena? Did Charlie abandon her in the Southwest? Did they have a fight?) Jack imagines Sam and Charlie are doing something "really exciting."
Cut to Sam and Charlie sitting quietly in a truck outside Memphis, bored out of their minds. Hee! It's the kind of crappy old truck I always want Sam to drive, so I love it. They're staring at a bus stop with an ad for Pete the Pestinator, who seems to be an insect exterminator. (Spoiler alert: ahem again.) Sam confirms that "this is where all those people went missing," although if he's been sitting in that truck long enough to be bored, he really should have nailed that down by now. Charlie says "yep." More silent sitting.
Back to the bunker. Dean seems surprised that Sam left Jack there alone (where's Cas?) and Jack says "Sam wanted someone around when you came back. He's worried about you."
"Yeah, that sounds like him," Dean grumbles, and hello, kettle, the pot just called, and said you're black. Jack offers some encouragement, telling him no one blames him for Michael, and Dean says "Cool. Well, I blame me, so." His self-flagellation is interrupted by Jack's Cough of Great Concern. "Maybe I'm allergic to sitting around doing nothing," Jack snarks.
Dean sits down for a heart-to-heart, and Jack says he's been hunting with Cas and wants to do more. Dean says "No offense, Cas is an insurance policy on those hunts." Jack looks hurt. I don't understand this at all. Why wouldn't Jack already know that Cas is there to protect him? And why would this hurt his feelings? I'm so confused. But I immediately forget it, because Dean says "Sam's just trying to keep you safe, okay? He's a smart guy." AND THEN WE CUT TO THIS.
Bless you, Richard Speight, writer Steve Yokey, bless you both.
I literally did burst out laughing at Sam and his fidget spinner. Charlie is not amused, and Sam puts his toy away with some embarrassment.
Bunker. Jack's found a report on our dead friend Winston, who seemed to have human bitemarks taken out of his corpse. And others have gone missing in the area. We skip part of a conversation, but whatever it was, Dean says Sam won't like it. "Sam's not here," says Jack. Oh, no you don't, Jack. Don't you go ignoring the Chief's directives just because he's not here. Dean says he'll go check it out alone, but Jack suddenly remembers Sam's Law and reminds Dean about the Buddy System.
We can be hunting buddies!
Okay, uh, (a), don't call it that, and (b), YOU'RE gonna back ME up?
Oh, Dean. You didn't do the (1) and (b) thing that I love so much. Jack gets to be the one to bare a little bit of his soul now, telling Dean that he also feels guilty about Michael, because he could have killed him but he was "distracted and stupid." He doesn't want to sit around feeling guilty all day, he wants to hunt.
Looks like that was the right button to push, because we cut to Sam on the phone, clearly not a fan of the plan and telling Dean to be careful. I assume his reluctance is because he doesn't trust Jack to watch Dean's back. But Sam, if you can trust Maggie to hunt alone, you can trust Dean with a novice backup. (I know, I know, Dean is more important than Maggie.)
Sam asks again if Charlie is sure this is the right place, and she says it's where four people disappeared. And while she was scouting around, she found a mason jar full of goo. Is this the same goo we saw when Winston was killed? (Spoiler alert: no.) And now she's trying to figure out what they're hunting, so she's reading. I'd have done my reading before the stakeout, but that's just me. (I'd also have done some reading instead of sitting there glaring at Sam while he enjoyed his fidget spinner, but that's also just me.)
(I also might have thought of more interesting things to do while I was stuck in a car with Sam, but they would have interfered with the stakeout. And they aren't anything Charlie would have been interested in anyway.)
Cut to Dick's Red Rooster Diner (ha ha, I see you, Speight). According to Winston's obituary, he had breakfast here every morning. Jack agrees with me that it's an odd thing to put in an obituary, but Dean says that when someone dies young, you don't know what to put in those things. (Oh, think of 20-something Dean's obituary.) He introduces them to the waitress as Agents Berry and Charles, and the only thing I can think of is Chuck Berry, so if someone has a better idea, let me know. He asks for details about Winston, and the only detail she can provide is that he's dead. Jack dutifully writes that detail in his little notebook. (BLESS.)
This waitress is wonderfully snippy, knows her rights, and isn't the least bit interested in talking to these FBI agents, but when Dean hands her some cash she changes her mind. She says they should should be more interested in Harper, who Winston just started "courting," and Jack is confused.
What's courting?
It's what you do before you start dating.
Ah, and that's the thing you do before the sex.
Sometimes you just have the sex.
Okay, Dean's wrong, courting is what you do instead of dating, but this is still a wonderful exchange. And the next part is wonderful too, cutting between the waitress and some customers explaining that Harper was popular in high school, but her boyfriend ran off, and now all these men connected to her have died, and she's really into romance books, and ending on I've heard too much Dean and I'm confused Jack.
Love this.
Back at the stakeout, Sam's biting his nails, which I also love for some reason, and of course the only time we've ever seen him bite his nails was when he was worried about Dean. New Charlie picks right up on it. She tells him Dean will be fine, and comments that he's got other friends, right? Which I don't understand, because it doesn't matter what other friends he has, he's not hunting with them. He's hunting with Jack. "He used to have a pretty damn good wingman," Sam says, and I think no, Sam, what are you saying, he still has you. She says he should call "that guy" to check on him, and Sam says "that guy was you." Charlie gives him a look. "No, it wasn't." And she's right, Sam. SHE IS NOT YOUR CHARLIE. And also, was Charlie ever really Dean's wingman? I don't think so. Sam, of course. Cas, literal wingman. But not Charlie. Charlie was the little sister.
Sam apologizes, and then says "I'm just saying, I'm not surprised you survived the apocalypse." Which isn't what you were saying at all, Sam. Charlie is surprised she survived, because she was just a programmer at Richard Roman Enterprises (Dick Roman! I wonder what happened to your AU version), living with the love of her life, Cara. My heart skipped a beat because I was so ready, guys, for the love of Charlie's life to be Dr. Cara Roberts from Sex and Violence, but apparently not. {Sidebar fic prompt: Sam. Charlie. Dr. Cara. Three-way.) Charlie's Cara was a baker. Charlie tells a sad story about waiting for help that never came, and Cara eventually being killed by people, not angels. Society falls apart. (Or, as Dean once said, demons I get; people are crazy.) Sam insists society isn't falling apart here, and Charlie says "not yet."
Just like last week, we're getting some needed differentiation between the characters we lost and their AU counterparts, which I appreciate.
I also appreciate pretty, attentive, sympathetic Sam.
Diner. Dean calls Jack "Mighty Mouse," for some reason, and congratulations him on finding a case. He tries to teach him about the importance of pie, but Jack's more interested in courting. He's never been exposed to off-screen romance, unless Gabriel and Rowena counts (Dean assures him it doesn't, but how would Jack have been exposed to Gabriel/Rowena anyway, since it happened while he was in AU Land and Gabriel didn't make it back?) Dean promises he'll give him The Talk when they get back, but right now they need to concentrate on finding Harper. {Sidebar fic prompt: Dean's and Sam's versions of The Talk. Would Dean's be like Dean's speech from Rock and a Hard Place?} Jack speculates she might not be human, and Dean says they're going to find out, and it's going to work like a romance novel. Hmm!
Cut to the library, where Harper is working. Dean enters and identifies himself as FBI, with questions about Winston. She doesn't want to talk, and he pushes. Then Jack shows up, asking for a book about the area's history, and defends her against the big mean FBI guy. Dean says "why don't you back off, kid" and Jack responds "No, you back off, old man" and DEAN'S FACE. This was clearly NOT IN THE SCRIPT. I love it. Dean slinks off, dejected, to examine his gracefully-aging face in the rear-view mirror. {Sidebar: I honestly think Jensen is aging a lot better than Dean is. Dean looks tired a lot of the time, and I'd like to believe Show is doing that on purpose, but I don't think it's the case. Jensen always looks awesome.} Harper is delighted, and apparently smitten, judging by the music. Jack introduces himself as "Jack Smith" and she invites him to her apartment, where she has the perfect book.
Why does this library have those convenience store perp measurements at the door? Does it get robbed a lot? Also, how many episodes have signs in the background with the title of a different episode? Not very many, I'm guessing.
As they leave, Miles the Stapler Guy follows and asks where she's going. It must be close to closing time, because Harper says she'll come back and lock up. Miles, who's carrying a bag of trash, refuses to shake Jack's hand. As Jack and Harper go one way, he stomps off in the other direction. I'm suspicious, and so is Dean, who gets out of the car to follow him. As Miles puts the library's trash in an inappropriately small residential bin, he hears a noise. We then cut to Dean, who hears Miles scream but just keeps walking? But then a trash can is knocked over and that gets his attention. He finds Miles dead, and we get a monster POV shot watching him.
Stakeout. Charlie's still reading. Apparently she brought all the books. She says she hates hunting, which surprises Sam, because she's so good at it. She points out that she's good at it because the alternative was death. "I mean, no offense, but who wants to be a hunter? This job, just a lot of tears and death."
Sam says "you said something like that to me once, long ago, about hunting." He quickly apologizes for once again conflating her with Our Charlie. At first I was annoyed at him, but then I started thinking about how awful Our Charlie's death was for him, with the MoC, and the fear, and the worry, and the guilt, and his brother saying he should be the one on the funeral pyre instead, and you know what? I'm gonna cut him some slack for trying to forget all of that ever happened. A lot of slack, in fact.
Charlie casually drops that she's glad this is her last hunt. Did you give the Chief your two week's notice, Charlie? I DON'T THINK SO. She plans to get away from monsters and people, and "live on a mountaintop or something... as long as there's good wifi." I'm sure Sam can get you set up with his magical wifi, Charlie, if you stay on his good side.
Harper's apartment. She seems to be all about love, with a decorative "amore" sign in the kitchen and a big red heart hanging on the wall. She suddenly realizes it's weird that she brought him to her apartment, though she's thinking "putting the moves on you" weird and I'm thinking "inviting a potential serial killer into your home" weird. But maybe I listen to too much My Favorite Murder. She leaves the room to get the book (odd that it's not on the stuffed bookshelves in her living room, but they're all full of romance novels).
Jack asks why the FBI was "hassling" her, and she tells him about Winston's death as he surreptitiously puts a silver coin on the floor and splashes holy water all over his hands. A call comes from Dean, but he ignores it. When she comes back with the book, she notices the coin on the floor and picks it up. She touches his hand when she gives him the coin and notices that it's wet. I would have put the holy water on the coin, although a wet coin on the floor might be as weird as wet hands. He just laughs weirdly and then does a fake cough AND SAYS CHRISTO. SOMEONE FINALLY REMEMBERED CHRISTO. Oh, my heart. I've been waiting 13 years for this moment. She doesn't react to it, so she seems pretty human. He says he's nervous, so she sits on the couch and pats the seat next to her.
Stakeout. Charlie has found something in the books called a Musca. Sam already knows it's a man-fly hybrid (IT'S THE FLY; OUR MONSTER IS JEFF GOLDBLUM) and that no one's seen them, so if they do exist, they keep to themselves. She's impressed with his Sammy smarts. He says he's read all the books, but if he'd read this one, he'd know that every few hundred years a male Musca can't find a mate and he "abandons his community and starts using people's bodies to nest, binding them together with a viscous goo." Ew.
As they walk, in the background we see a figure approaching the two women who are sitting on the bus stop bench. It's clothed in black, carrying a black briefcase, and it has a giant head. At first I think it's literally a giant fly's head. But when Charlie notices it, we get a closer look, and it's a large black hood, like a beekeeper's outfit. It sits down and then casually scoots closer to the women, who scoot away, and it's hilarious.
Harper's apartment. She asks Jack where he's from, and he tells her he lives in Lebanon, Kansas. NO, JACK. DON'T TELL ANYONE WHERE YOU LIVE. Jack coughs some more and then notices a picture of Harper with her boyfriend, Vance. She says he left town after high school because he wanted to see the world, and Jack seems astonished that anyone would leave her. And that was when her bad luck started, but she tries to stay optimistic. "Me too," Jack says. "I had some not-so-great stuff happen in my past. Trying to be positive... it can be hard." Oh, Jack, sweetie. They gaze into each other's eyes and it looks like they're going to kiss. Jack's phone buzzes with a text from Dean that says CALL ME NOW.
Jack? Do you believe in love at first sight?
Do you... (music swells)... mind if I use the bathroom?
Ha!
Jack hides in the bathroom to call Dean. He tells him Harper isn't a monster, and he thinks she's in love with him. Although Dean's sure that's not the case, Jack says "but if she is, I need to know everything about sex. Go." Ha again! Dean tells him about Miles's death, which makes Jack wonder if she's cursed. Dean says it's more like all the guys around her are cursed. "Like me," Jack ponders, just before we get another monster POV shot and a strangled shout from Dean. The phone goes dead.
Jack comes back into the living room and Harper asks if he's okay and if he wants to go for coffee. Then the door bursts open and Dean comes in, and I wonder why she's freaking out until I remember that Dean is Bad FBI Guy to her. He quickly blocks the door and tell her they're here to save her from... whatever it is that's suddenly growling and banging on her door. "At first I thought it was a ghost," he says, "but then it punched me in the face." She's freaked out about a ghost, but Jack reassuringly (NOT!) tells her that he's saying it's NOT a ghost. Dean recognizes a photo and it turns out the monster is her old boyfriend Vance, who she didn't even realize was dead.
For some reason Dean isn't carrying a lot of weapons, but he has a silver knife and finds a silver letter opener on Harper's desk. Silver will slow it down, he tells them, but there's only one way to kill the undead boyfriend. Vance breaks the door down before we learn what that is. Dean starts fighting with the silver knife and tells Jack to get Harper out of there.
Stakeout. It's nighttime now. A lone man sits at the bus stop as Sam tries to convince Charlie that she can't drop out of society. She needs people, and also, it's hard to walk away from being a hunter. "I tried. Our Charlie tried." You know, for someone who did want out of hunting, and did try to get out of it, Sam spends a lot of time convincing others to do it, or at least enabling them. I mean, Dean was all "Patience, if you can live a normal life, do it," and Sam was all "well, Claire, if you're gonna hunt, I guess I should show you how to hack." Although that (and teaching Ghoul!Adam to shoot) was more about protecting someone determined/forced to be a hunter than recruiting. So maybe I don't know what I'm talking about. Anyway, if anyone recognized the futility of getting out of the life, it would be him.
Jeff Goldblum shows up again and sits by his next victim. Charlie wants to go for the kill, but Sam thinks they should wait for him to make his move, in case he's just into weird fashion. Look, Sam, if a guy likes wearing a black beekeeper's bonnet and sidling up to random strangers at bus stops, he deserves to be hunted, whether or not he's actually part bee. When the bus shows up, it blocks their view of the duo. When it leaves, the bench is empty. Which could mean they just got on the bus, but we see something disappearing behind the stop. Sam decides it's a go after all.
Let's stick with this story, rather than cutting back and forth between them like the show did. Sam and Charlie find a door with a bunch of goo on the handle. Sam says Charlie found something in the books that theorized a brass nail dripped in sugar water would kill a musca. Because yes, of course sugar water, WHICH FLIES EAT, would kill a fly man. (Rolls my eyes at this otherwise delightful episode.) Charlie reminds him they have neither of those things. "So we get creative," Sam says. I'm expecting some kind of MacGuyvering involving a can of Coke, or Sam's sugary coffee. (Spoiler alert: I'm wrong.)
{Sidebar: Why are all the methods of killing monsters so weirdly specific? Chopping off the head should kill ANYTHING.}
They go through the door, which surprisingly leads them into an abandoned warehouse. It's full of flies (normal ones, not half-man flies) and smells like pine cleaner and rotting meat. Yum. Eventually Sam finds the briefcase, which is full of what looks like candy wrappers and also has a white cloth, which he sniffs to discover chloroform. Dude. Don't sniff the chloroform rag. Charlie finds the most recent victim, still alive, by a pile of bodies. Something grabs Charlie's hand. She pulls loose, but falls off a low platform (seriously, it's like two feet high) and... loses consciousness? Okay. Maybe he chloroformed her and I missed it. I'm old and decrepit and this would have barely bruised me. He must have chloroformed her.
Sam tries to wake her up, but is interrupted by the WORST MONSTER COSTUME EVER. Oh god, you guys, this fly man head is so bad. SO BAD.
{Sidebar: Did you know that you don't see much of the shark in Jaws because the model was so bad, Steven Spielberg decided he wanted to shoot it as little as possible? And it actually made the movie better because the unseen monster was so much scarier? Just saying, Speight.}
(Um, have you watched any movies that were made before 1980?)
Well, that was uncalled for.
Jeff Goldblum attacks Sam and gets goo on him, and if this were really a fly, wouldn't that goo be digesting him? Isn't that how flies eat? (Why yes, it is.) Charlie regains consciousness and stabs it with something, which gets it off Sam long enough for him to shoot it in the head. Creativity in action! So, I guess I got my wish. Interesting that, just like last week, the guys figured out that there are actions that will kill anything.
Aftermath! Charlie and Sam are driving, and Sam says he feels bad for the Musca, which could have been happy if it had stayed home with its people. Subtle, Sam. Charlie's all, yeah, okay, I'm like the bug, except not so much. As we see the Musca family coming to retrieve their brother's body, Sam asks Charlie not to leave. "If we help people, then maybe they'll help people, and all that, and that's worth it. Even with all the tears and death, it's worth it." Oh, Sammy. {sniff} She says she'll think about it.
Back to Jack and Harper. It was broad daylight when they got to her apartment, so I don't know why it's nighttime now. How long did he spend in the bathroom? No wonder she asked if he was okay. Cut to Dean gleefully fighting the zombie, who suddenly stops fighting and runs off. Jack and Harper run to the library, where she struggles with the keys until Jack remembers she left without locking the door. They scurry inside and he locks it.
As they hide behind the counter, they see Zombie Vance run by. Jack tells her not to worry, because he locked the door, and she asks if he flipped the switch under the lock? Obviously he didn't, and she goes to do it herself. As she stands, looking out the door, Vance shows up. She unlocks the door, which Jack obviously DID lock, and opens it. He hands her the history book - I guess Jack dropped it - and they kiss.
Um. Whoops. Vance is actually still Harper's boyfriend. And he has to eat human flesh. Like, Jack's, for example. Vance lunges for Jack, who hides in the stacks as Harper gives him the villain dialogue over the library's PA system. She likes Jack, but he's obviously a hunter, and she comes from a long line of necromancers, so it would never work out between them. She killed Vance to keep him from leaving after high school, and killing every other guy in her sights is just a fun little romantic roleplay for them. We get a little scare when a hand appears on Jack's shoulder (been a lot of that going around lately), but it's Dean. He tells Jack they have to get Vance back into his grave and then drive a stake into his heart to keep him there. And they're going to convince him using another romance novel method.
Jack tells her he wants to do things Vance can't do - walk her down the aisle, raise a family. This draws Vance out, who lunges at him but finds himself facing Dean. Vance gets Dean against a wall, and Harper calls out to him. Dean thinks she's going to call him off, but she says "Baby, kill him!" and Dean's "huh" look is precious to me. Instead, Dean slaps a handcuff on his arm and cuffs him to a pole or something. Jack cuffs his other arm to a library cart, I think, which is mobile and therefore defeats the purpose of cuffing, but good try, Jack. The cuffs burn Vance, so they're silver or enchanted or something. Seems like a successful hunt, but when the guys look up, the door is open and Harper is gone.
Later we see Harper and her suitcase at a cafe, writing a letter to Jack. So she had time to go home and pack a suitcase, and Dean and Jack didn't go to her apartment and look for her? Guys. Come on. She's sorry she's going to have to kill Jack, but it means she can bring him back to life and they'll be together forever. See you soon, she writes, sealing the envelope addressed to Jack Smith, c/o the Lebanon, Kansas post office. I TOLD YOU NOT TO LET HER KNOW WHERE YOU LIVE, JACK. Is Harper going to be a Big Bad this season? Or maybe a Little Bad? I wouldn't mind seeing her again. She's a charming little villain.
Finally, Jack's drinking coffee again, probably with a lot of sugar, in the bunker. This scene, with them facing each other, is a nice callback to the beginning of the episode. Dean tells Jack he did good, and Jack pushes for more hunts, because he was right. It's not about being right, Dean tells him, it's about what you do after you're wrong, after you've made a mistake. And about not beating yourself up, Jack points out. Dean tells him he's pretty smart, and Jack smiles and coughs and Dean promises to talk about getting him on more hunts when Sam gets back (BECAUSE SAM IS THE ONE TO ASK, YOU BETTER BELIEVE IT) and Jack lies about being fine and then coughs some more and shows Dean his bloody palm and collapses on the floor with blood oozing from his mouth and nose and WELL. THAT ESCALATED QUICKLY.
And the episode ends, without Sam and Dean sharing a single scene. Has that happened before? It's unsettling. I like the ep, though. I liked the relationship focus - Sam bonding with New Charlie, Dean bonding with Jack. I liked the humor. I liked that Sam wasn't ignored, even though the brothers had separate storylines. I liked the continuation of things that have been happening this season, the gentle reminder (but not constant siren) of Dean's guilty feelings and Sam's leadership and Jack's issues. And, of course, CHRISTO!
And there was one weird thing I noticed on first watch, but it didn't jump out at me on rewatch so I don't remember when it happened... Dean said "Son of a B." This is the second episode where they said something weird instead of bitch. What's going on there? Is Dean never going to say "son of a bitch" again? Because that's not good.
What did you guys think?
Oh, I almost forgot! I threatened you with a quiz!
Poll
Remember, no spoilers in the comments, thanks!