[The camera awakens to an extremely close and likely illegal view of this painting. There's a slight zoom out, and a soft narration over audio
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I've managed to make the painting change from within. It's a Cubist piece, so there's some logic behind it -- thank God we're not in something Impressionist.
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Well, I wasn't implying anything. I was just curious to if it was based on proximity.
... I'm implying it now, though, if you react like that.
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I was simply giving enjoying the exhibit, offering insightful critique, when Felicia did something, so I suppose the fault is hers.
[Such a gentleman.]
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What have you tried? To escape, I mean.
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Doorways lead to nothing.
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What else have you tried to make, other than doorways? If you can manipulate it, then maybe...
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[Nygma, is it sad that the only person who seems to be trying to help you escape is a teenage girl?]
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[Yes... Yes it is.]
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[Poor Edward.]
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