[typed]

[boldstarring]

A few quick questions, if no one minds my asking - which you really shouldn't given that this does, in theory, affect everyone - did anyone happen to encounter something earlier in the week, and if so, has anyone actually figured out a way of handling it? And by "handling it," I mean "destroying it in the quickest and most efficient manner possible

Comments

[tasteslikehair]

[know what's good for a headache? Cat! sitting next to you in the mess hall]

Hi!

[boldstarring]

[. . . oh sob.]

Hey.

[tasteslikehair]

How's your acting going?

[boldstarring]

It's coming along nicely.

[tasteslikehair]

Do you want to practice?

[boldstarring]

Not at this particular moment, but - in the future? Sure, why not.

[tasteslikehair]

Yay! We can write a scene and act it!

[boldstarring]

Rockin'. I'll have to approve of the script before even practicing it, of course.

[tasteslikehair]

It can be about a giraffe...that learns to love.

[boldstarring]

How is that supposed to work, exactly?

[tasteslikehair]

He can be all

[deep voice] "I'm a giraffe and I don't need love!"

and then there can be a lady giraffe who's all

[high voice] "I love you, even though you act gruff!"

And then they can get married.

[boldstarring]

It needs more character development. I'm not entirely certain where the female is coming from in terms of motivations.

[tasteslikehair]

She's coming from her little giraffe house. ...do they live in houses?

[boldstarring]

No, no, her emotional depth.

[tasteslikehair]

Oh, she already knows how to love.

[boldstarring]

But why would she love that giraffe? What are her motivations? It's hardly realistic. You should consider these factors before drafting the scene.