As promised in the FAQ post ( LJ|DW), here's a post with more details about what remixing usually means as well as some guidelines for what we expect in this challenge.
Here are some remixing approaches I considered back in 2008:lilian_choAugust 6 2010, 21:12:29 UTC
Which one sounds more fun?
1) changing the tone of an atmospheric story: telling the story via imagery/description of the environment instead of character's headspace. Somehow.
2) changing the POV of a "meet-cute" story, unreliably revealing the layers of what was said and what was left unsaid.
3) expanding on certain parts of a sarcastic & witty story, focusing on the clueless character(s) AND/OR the character who is "in the know."
#1 is definitely the hardest to do, but a fun exploration of writing styles =)
#2 is relatively easy to do. The "meet cute" occasion is quite charming (not nauseating swooning-heroine-dashing-hero type). The protagonist is such a cardboard in canon that it would be fun showing all the inherent contradictions within *g*
#3 has potentials to be BOTH humorous and dark. It shows the blind side of both the "good guys" and "bad guys." It also gives me the chance to write a character who I largely ignore, if I choose that character as one of the POVs in the story.
Oops -- just saw the FAQs. I've only written one other Merlin fic besides the Big Bang I'm working on now. There's no way I can be eligible in time. :-(
Aw, yeah, that is a pretty normal part of the remix set up so people can have a few stories to choose from, although you might want to check out
( ... )
Comments 7
http://community.livejournal.com/remixers_lounge/tag/on%20remixing
(LJ changed "+" to "%20"; I had to change some of my tag links too. Boo.)
Reply
-Sophie
Reply
- Six remixredux09 recs (Or, Crossovers are awesome when done right)
- Recs #1 for remixthedrabble (Merlin, HP, GO)
- Recs #2 for remixthedrabble (House, M.D., misc.)
- 2 Dramione Remix Recs
Reply
1) changing the tone of an atmospheric story: telling the story via imagery/description of the environment instead of character's headspace. Somehow.
2) changing the POV of a "meet-cute" story, unreliably revealing the layers of what was said and what was left unsaid.
3) expanding on certain parts of a sarcastic & witty story, focusing on the clueless character(s) AND/OR the character who is "in the know."
#1 is definitely the hardest to do, but a fun exploration of writing styles =)
#2 is relatively easy to do. The "meet cute" occasion is quite charming (not nauseating swooning-heroine-dashing-hero type). The protagonist is such a cardboard in canon that it would be fun showing all the inherent contradictions within *g*
#3 has potentials to be BOTH humorous and dark. It shows the blind side of both the "good guys" and "bad guys." It also gives me the chance to write a character who I largely ignore, if I choose that character as one of the POVs in the story.
I went with option #1 ;-)
Reply
Reply
Reply
( ... )
Reply
Leave a comment