"What Orwell Didn't Know"
Here's an interesting essay over at Salon about how we are becoming our own thought police. It's also part of a one day conference on journalism and public discourse at the NYPL, which I hope they could put online.
How can such a critical feature of the U.S. occupation remain so hidden from view? Because most Americans don't want to know about it. The books by Iraqi vets are filled with expressions of disbelief and rage at the lack of interest ordinary Americans show for what they've had to endure on the battlefield. In "Operation Homecoming," one returning Marine, who takes to drinking heavily in an effort to cope with the crushing guilt and revulsion he feels over how many people he's seen killed, fumes about how "you can't talk to them [ordinary Americans] about the horror of a dead child's lifeless mutilated body staring back at you from the void, knowing you took part in that end." Writing of her return home, Kayla Williams notes that the things most people seemed interested in were "beyond my comprehension. Who cared about Jennifer Lopez? How was it that I was watching CNN one morning and there was a story about freaking ducklings being fished out of a damn sewer drain -- while the story of soldiers getting killed in Iraq got relegated to this little banner across the bottom of the screen?" In "Generation Kill," by the journalist Evan Wright, a Marine corporal confides his anguish and anger over all the killings he has seen: "I think it's bullshit how these fucking civilians are dying! They're worse off than the guys that are shooting at us. They don't even have a chance. Do you think people at home are going to see this -- all these women and children we're killing? Fuck no. Back home they're glorifying this motherfucker, I guarantee you."
by the way, do read Orwell's essay "Politics and English Language." You can usually find it in collections of his essays. It really is an astonishing work that defines and examines the use of cliches and how they undermine discourse. (Yes, I read it in undergrad. Yes, it really is that good.)
How can such a critical feature of the U.S. occupation remain so hidden from view? Because most Americans don't want to know about it. The books by Iraqi vets are filled with expressions of disbelief and rage at the lack of interest ordinary Americans show for what they've had to endure on the battlefield. In "Operation Homecoming," one returning Marine, who takes to drinking heavily in an effort to cope with the crushing guilt and revulsion he feels over how many people he's seen killed, fumes about how "you can't talk to them [ordinary Americans] about the horror of a dead child's lifeless mutilated body staring back at you from the void, knowing you took part in that end." Writing of her return home, Kayla Williams notes that the things most people seemed interested in were "beyond my comprehension. Who cared about Jennifer Lopez? How was it that I was watching CNN one morning and there was a story about freaking ducklings being fished out of a damn sewer drain -- while the story of soldiers getting killed in Iraq got relegated to this little banner across the bottom of the screen?" In "Generation Kill," by the journalist Evan Wright, a Marine corporal confides his anguish and anger over all the killings he has seen: "I think it's bullshit how these fucking civilians are dying! They're worse off than the guys that are shooting at us. They don't even have a chance. Do you think people at home are going to see this -- all these women and children we're killing? Fuck no. Back home they're glorifying this motherfucker, I guarantee you."
by the way, do read Orwell's essay "Politics and English Language." You can usually find it in collections of his essays. It really is an astonishing work that defines and examines the use of cliches and how they undermine discourse. (Yes, I read it in undergrad. Yes, it really is that good.)