Contains profanity and speculation. And more profanity. And a ridiculous number of screencaps. After 5.10 and 5.16, this one has the third most caps I've ever had for one of these, so beware your bandwidth! Maybe click the cut and go get a drink while you're waiting for it to load.
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Spoiler and Theory Summary )
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As I understand it, that was the sigil that Dean drew, so they should know about it. I love that, yes, Dean *did* observe it and memorize it after one viewing, just the way he did with the angel sigil (which he only saw drawn once, in 4.22, before he drew it in 5.01). I assume it didn't work for them because of the lack of magic, but could be activated from the other side.
<<-Dean does have a point, and I wonder if Sam would even have to worry about Death's hell wall breaking down in a world with no Mana, or if it would break down faster. After Misha's death (*shivers*) They both have reason to get out of the business and hide out...>>
What I especially loved was that, based on the speech Dean gave to "Bob Singer," he had already decided to return to his world, with all its problems, but he was offering Sam the option of staying. Sending Sam off if that's what Sam wanted.
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I hear Ennio Morricone and the Man With No Name. Hee.
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Nope, the one Dean drew on Bobby's set window got smashed when they jumped through it. The sigil on the Hotel set window was coming through from SPN'verse, like it did when Virgil arrived. Raphael was opening the portal at the Hotel set where Virgil came through, because she was at the Hotel not at Bobby's :-)
I love that, yes, Dean *did* observe it and memorize it after one viewing, just the way he did with the angel sigil (which he only saw drawn once, in 4.22, before he drew it in 5.01)
I do love Smart Dean and love that they let him out to play. :-)
What I especially loved was that, based on the speech Dean gave to "Bob Singer," he had already decided to return to his world, with all its problems, but he was offering Sam the option of staying. Sending Sam off if that's what Sam wanted.
Very true. He's always looking for an out for Sam, but doesn't see how he can get out himself, or that he can be allowed to stop. It's both sweet and tragic and makes me want to give Dean a hug and a bowl of soup.
I hear Ennio Morricone and the Man With No Name. Hee
I'm horrible at identifying instrumental stuff. :-P
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