Well, yesterday didn't work out very well in the virtual office as far as what-to-do-between-bursts-of-work goes, but it was very nice to have people dropping by! So I'm going to do it again - do pop in and say hi. *g* I think I'm feeling a bit better today - maybe I was fighting something off yesterday
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1) Well how about me?! For what it's worth, I've been agonising (that seems to be spelt wrong but I can't work out which bit) over finding a suitable picture for another Visions post for the story, Blythe Spirit by Mosby Singleton (I think);
2) November - I love that story but for some reason it really used to depress me. Not sure why, maybe it's something to do with them being confined to a room for a while and Doyle's general air of depression? It seems dark.
3) And on a completely different tack with many wonderful stories in mind and most recently (this morning) one by jat_sapphire (which I must comment on) how *does* a writer achieve the depiction of a scene which you can immediately see in your head - you're *there* with them - and is still in your head hours later? Is there some kind of technique taught in writing schools (I think I'm being flippant, slightly) or is it just talent which is hard to articulate or describe but just kind of flows. Is there a secret?
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Hope I am not rude chatting to you, but I need a break right now, and talking about Pros stories is always a good way to get your head or mind clear again.
You were talking about jat-sapphire's story and I agree completely - that style is amazing and brilliant. I had the same thoughts, I could see them clearly.
By the way, I have to write a comment to this fantastic entry.
My story I am just reading - Summers End by Alexandra- is as brilliant as jat-sapphire's, in my opinion. I often enjoy a bit of drama and negative atmosphere in a tale but November is a little bit to heavy right know.
Cold Water Morning found its way to/on *g* my e-reader as well but it has to be Alexandra before.
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Thank you for letting me know. It looks like you were talking to BSL and I might interfere in your chat, but I couldn't resist *g*
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I love Alexandra's writing and used to read it a lot but for some reason I'm not sure I've read Summer's End and I think I've always confused it with a story by ET. One of these stories has Bodie and Doyle being sent on some kind of therapeutic break away and keeping diaries about each other and I found it a bit slow for what I seem to like and need in stories nowadays. I think tastes do change and may even go full circle.
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Doyle is scared about losing Bodie and the other way round as well. But there must be a happy end, I hope :-)
I had to delete my comment because LJ said I am spam - due to the link to Alexandra's story in the CA, maybe.
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And btw, I was just talking to someone about Summer's End by Alexandra too (isn't that funny!) It's the one with St Michael's Mount, in Cornwall, I think? I haven't read it for a while, but I like it. I really like her Tea for Two as well - but I must warn you that they're in a house that ends up covered in snow, so it will be cold as November (though a different atmosphere to Sebastian's November)! *g*
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Oh yes, Tea for Two is a story I like too - I have to say, the stories I like because there are more than one story with this title, isn't it ?
Games by Alexandra is gorgeous as well.
I am looking forward to the lads in a house, covered up in snow *g*
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Give me some time please, I will look for the story I have got in my mind.
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It is by Tavaran, we talked about that story in our Doppelleben LJ in July 2017.
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Amen to that.
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Excellent to hear you've another Visions in process - shall look forward to that! I don't suppose I can help with the agonising though. Pretty sure I've seen Blythe Spirit in your visions before, and I must have read it, but for the life of me can't remember it...
November is a bit grim, but I seem to remember that it's the one where the last lines (which I don't think Sebastian was always very good at) make up for the gloom. Shall try and remember to let you know, if I turn out to be right!
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