Ономатопея
Onomatopoeia
Malayalam, the word for crow is kaakaa
Although in the English language the term onomatopœia
means the imitation of a sound, in the Greek language the compound word
onomatopœia (ονοματοποιία) means "making or creating names". For words
that imitate sounds the term Ηχομιμητικό (echomimetico or echomimetic) is used. Ηχομιμητικό (echomimetico) from Ηχώ meaning "echo or sound" and μιμητικό meaning "mimetic or imitation".
Ономатопея (устаревшее форма XIX века ⎯ ономатопоя) (др.-греч. ὀνοματοποιΐα, в латинской транскрипции onomatopoeia - словотворчество, от ὄνομα, род. падеж ὀνόματος - имя и ποιέω - делаю, творю) - слово, являющееся звукоподражанием, возникшим на основе фонетического уподобления неречевым звукокомплексам. Чаще всего ономатопеической[1] является лексика, прямо связанная с существами или предметами - источниками звука: например, глаголы типа «квакать», «мяукать», «кукарекать», «тарахтеть» и производные от них существительные. Ономатопеическая лексика различается в разных языках, причём эти различия лишь отчасти
объясняются различиями фонологических систем. Особый интерес в этом
отношении представляет передача звуков, издаваемых наиболее
распространёнными животными, поскольку её можно проследить [2] в большом числе языков разного состава и происхождения.
Еще в анонимной (иногда приписываемой Цицерону) «Риторике для Геренния» (1 в. н. э.) говорится об использовании ономатопеи (тогда называемой лат. nominatio) в речи: «Путем подражания предки наши изобрели такие выражения, как „рычать“, „мычать“, „журчать“, „шипеть“. Этим видом украшений пользоваться стоит редко»[3].
То есть ОНОМАТОПЕЯ есть написанный звук WRITTEN SOUND
Poetry
Onomatopoeia is usually cited as a poetic effect. That makes sense
because poetry is all about communicating emotion using the interplay
between sound and meaning. The way Edgar Allan Poe uses onomatopoeia in "The Bells"
illustrates how onomatopoeic words can change the flavor of a single
concept (in this case the sound of bells). In his poem, sleigh bells are
"tinkling", but fire bells are "clanging", wedding bells are "chiming",
while funeral bells are "tolling," "moaning," and "groaning".
Other examples of poems with onomatopoeia:
"Lepanto" by Chesterton(excerpts)
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred
James Joyce lets a cat say mkgnao, mrkgnao, mrkrgnao and gurrhr in Ulysses. another work of his, Finnegan's Wake, is an experimental piece written in a made-up language in which
bababadalgharaghtakamminarronnkonnbronntonner-
ronntuonnthunntrovarrhounawnskawntoohoohoordenenthur-
nuk! is the sound of the thunderclap associated with the fall of
Adam and Eve. The word is a hybrid of words in many languages that
relate to thunder.
Children's stories and poetry
Exploring onomatopoeia with children is tons of fun and it helps
them learn a lot of new words and concepts quickly. Here are some great
examples.
On the Ning Nang Nong, by Spike Milligan
On the Ning Nang NongWhere the Cows go Bong!
and the monkeys all say BOO!
There's a Nong Nang Ning
Where the trees go Ping!
And the tea pots jibber jabber joo.
On the Nong Ning Nang
All the mice go Clang
And you just can't catch 'em when they do!
So its Ning Nang Nong
Cows go Bong!
Nong Nang Ning
Trees go ping
Nong Ning Nang
The mice go Clang
What a noisy place to belong
is the Ning Nang Ning Nang Nong!!
Birds
By far the largest group of animals with onomatopoeic names is birds. Just think of the cuckcoo, chickadee, and the chiff chaff. There
are many birds all over the world that people have named after the sound
they make. Find onomatopoeic bird names
batabatabata
sound of a helicopter. also: 'whop whop whop'
'wuppa wuppa'
'whumpa-whumpa-whumpa-whumpa'
'whup-whup-whup'
'flac-flac-flac'
'chakk-chackk-chak-chak, chak-a-chak-akk-chk-chk-chk'
'DUBDUBDUBDUBDUBDUBDUB'
'THITH-THITH-THITH'
'batabatabatabata'
'tocotocotocotoco'
http://www.writtensound.com/index.php - сайт со словарем
Cathy Berberian
magnifiCathy Berberian
Eco and Berberian worked together in other projects too and he nicknamed her magnificathy.
Luciano Berio
Sequenza
Berio also produced work which does not quote the work of others at
all. Perhaps best known among these is his series of works for solo
instruments under the name Sequenza. The first, Sequenza I came in 1958 and is for flute; the last, Sequenza XIV (2002) is for cello. These works explore the fullest possibilities of each instrument, often calling for extended techniques.
The various Sequenze are as follows:
Sequenza I for flute (1958);
Sequenza II for harp (1963);
Sequenza III for woman's voice (1965);
Sequenza IV for piano (1966);
Sequenza V for trombone (1965);
Sequenza VI for viola (1967);
Sequenza VII for oboe (1969) (rev. by Jacqueline Leclair and renamed "Sequenza VIIa" in 2000);
Sequenza VIIb for soprano saxophone (adaptation by Claude Delangle in 1993);
Sequenza VIII for violin (1976);
Sequenza IXa for clarinet (1980);
Sequenza IXb for alto saxophone (1981);
Sequenza IXc for bass clarinet (adaptation by Rocco Parisi in 1998);
Sequenza X for trumpet in C and piano resonance (1984);
Sequenza XI for guitar (1987-88);
Sequenza XII for bassoon (1995);
Sequenza XIII for accordion "Chanson" (1995);
Sequenza XIVa for violoncello (2002);
Sequenza XIVb for double bass (adaptation by Stefano Scodanibbio in 2004).
Malayalam, the word for crow is kaakaa
Although in the English language the term onomatopœia
means the imitation of a sound, in the Greek language the compound word
onomatopœia (ονοματοποιία) means "making or creating names". For words
that imitate sounds the term Ηχομιμητικό (echomimetico or echomimetic) is used. Ηχομιμητικό (echomimetico) from Ηχώ meaning "echo or sound" and μιμητικό meaning "mimetic or imitation".
Ономатопея (устаревшее форма XIX века ⎯ ономатопоя) (др.-греч. ὀνοματοποιΐα, в латинской транскрипции onomatopoeia - словотворчество, от ὄνομα, род. падеж ὀνόματος - имя и ποιέω - делаю, творю) - слово, являющееся звукоподражанием, возникшим на основе фонетического уподобления неречевым звукокомплексам. Чаще всего ономатопеической[1] является лексика, прямо связанная с существами или предметами - источниками звука: например, глаголы типа «квакать», «мяукать», «кукарекать», «тарахтеть» и производные от них существительные. Ономатопеическая лексика различается в разных языках, причём эти различия лишь отчасти
объясняются различиями фонологических систем. Особый интерес в этом
отношении представляет передача звуков, издаваемых наиболее
распространёнными животными, поскольку её можно проследить [2] в большом числе языков разного состава и происхождения.
Еще в анонимной (иногда приписываемой Цицерону) «Риторике для Геренния» (1 в. н. э.) говорится об использовании ономатопеи (тогда называемой лат. nominatio) в речи: «Путем подражания предки наши изобрели такие выражения, как „рычать“, „мычать“, „журчать“, „шипеть“. Этим видом украшений пользоваться стоит редко»[3].
То есть ОНОМАТОПЕЯ есть написанный звук WRITTEN SOUND
Poetry
Onomatopoeia is usually cited as a poetic effect. That makes sense
because poetry is all about communicating emotion using the interplay
between sound and meaning. The way Edgar Allan Poe uses onomatopoeia in "The Bells"
illustrates how onomatopoeic words can change the flavor of a single
concept (in this case the sound of bells). In his poem, sleigh bells are
"tinkling", but fire bells are "clanging", wedding bells are "chiming",
while funeral bells are "tolling," "moaning," and "groaning".
Other examples of poems with onomatopoeia:
"Lepanto" by Chesterton(excerpts)
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred
James Joyce lets a cat say mkgnao, mrkgnao, mrkrgnao and gurrhr in Ulysses. another work of his, Finnegan's Wake, is an experimental piece written in a made-up language in which
bababadalgharaghtakamminarronnkonnbronntonner-
ronntuonnthunntrovarrhounawnskawntoohoohoordenenthur-
nuk! is the sound of the thunderclap associated with the fall of
Adam and Eve. The word is a hybrid of words in many languages that
relate to thunder.
Children's stories and poetry
Exploring onomatopoeia with children is tons of fun and it helps
them learn a lot of new words and concepts quickly. Here are some great
examples.
On the Ning Nang Nong, by Spike Milligan
On the Ning Nang NongWhere the Cows go Bong!
and the monkeys all say BOO!
There's a Nong Nang Ning
Where the trees go Ping!
And the tea pots jibber jabber joo.
On the Nong Ning Nang
All the mice go Clang
And you just can't catch 'em when they do!
So its Ning Nang Nong
Cows go Bong!
Nong Nang Ning
Trees go ping
Nong Ning Nang
The mice go Clang
What a noisy place to belong
is the Ning Nang Ning Nang Nong!!
Birds
By far the largest group of animals with onomatopoeic names is birds. Just think of the cuckcoo, chickadee, and the chiff chaff. There
are many birds all over the world that people have named after the sound
they make. Find onomatopoeic bird names
batabatabata
sound of a helicopter. also: 'whop whop whop'
'wuppa wuppa'
'whumpa-whumpa-whumpa-whumpa'
'whup-whup-whup'
'flac-flac-flac'
'chakk-chackk-chak-chak, chak-a-chak-akk-chk-chk-chk'
'DUBDUBDUBDUBDUBDUBDUB'
'THITH-THITH-THITH'
'batabatabatabata'
'tocotocotocotoco'
http://www.writtensound.com/index.php - сайт со словарем
Cathy Berberian
magnifiCathy Berberian
Eco and Berberian worked together in other projects too and he nicknamed her magnificathy.
Luciano Berio
Sequenza
Berio also produced work which does not quote the work of others at
all. Perhaps best known among these is his series of works for solo
instruments under the name Sequenza. The first, Sequenza I came in 1958 and is for flute; the last, Sequenza XIV (2002) is for cello. These works explore the fullest possibilities of each instrument, often calling for extended techniques.
The various Sequenze are as follows:
Sequenza I for flute (1958);
Sequenza II for harp (1963);
Sequenza III for woman's voice (1965);
Sequenza IV for piano (1966);
Sequenza V for trombone (1965);
Sequenza VI for viola (1967);
Sequenza VII for oboe (1969) (rev. by Jacqueline Leclair and renamed "Sequenza VIIa" in 2000);
Sequenza VIIb for soprano saxophone (adaptation by Claude Delangle in 1993);
Sequenza VIII for violin (1976);
Sequenza IXa for clarinet (1980);
Sequenza IXb for alto saxophone (1981);
Sequenza IXc for bass clarinet (adaptation by Rocco Parisi in 1998);
Sequenza X for trumpet in C and piano resonance (1984);
Sequenza XI for guitar (1987-88);
Sequenza XII for bassoon (1995);
Sequenza XIII for accordion "Chanson" (1995);
Sequenza XIVa for violoncello (2002);
Sequenza XIVb for double bass (adaptation by Stefano Scodanibbio in 2004).