Emotional Responses and Actors.
So, I'm an emotional-arc whore. Seriously, if you can pull off the emotion, then I'm there. I will gladly explain away any plot holes or discrepancies so that I can buy the story. All you have to do is give me genuinely believable emotion and I'm willing to be very flexible.
When it comes to books, you have to have incredible characters and/or an amazing story and/or a beautifully-drawn world and/or gorgeous writing style. The more of these you have, the better, but I'm willing to ignore the lack of one or two things if the others are good enough.
In television/movies, you need to have gorgeous visuals (and other environmentals) and/or well-done characters and/or an intriguing plot.
Books are, frankly, simpler -- they involve fewer hands (though, in the case of people not Anne Rice, still more than one set). Television and movies involve so many people. Enough brilliance in one area can overcome weakness in another. But, for me, if you do not provoke a strong enough emotion, then I will not be inclined to watch you more than once or to buy you.
The shows and movies that last in my heart are the ones that make me care. And that generally comes down to three things -- acting, writing, and directing (there are, of course, other incredibly important pieces of the puzzle, such as the music, but I'm staying simple, here) . But while a good enough actor can overcome bad writing and bad directing -- the film/show that the actor is in probably still won't be good, but everyone who watches it will remember that one actor who just 'rose above' their material -- it doesn't work so well (for me), the other ways around. A well-directed piece can sometimes showboat around bad acting but even great material becomes only so much garbage if a poor enough actor (or an actor who is that wrong for the part) says it.
Many times, lines are not memorable in and of themselves but are memorable because of how they are said (which is often a combination of acting and directing, depending). Lines that could be gold in the mouth of the 'right' actor come across as tired or foolish. Casting is an incredibly important part of creating strong and lasting characters.
Personally, I find that I'm drawn to the life of the characters, the life put into them by the actors. And sometimes, the acting can still be good and yet I'm left unmoved or negatively affected because it doesn't hit my switches.
Positive example -- The Lord of the Rings does practically nothing for me as a book series, but I completely and utterly adore the movies.
Negative example -- I read the Farscape transcripts and cried like a baby at the J/A stuff. Watched the show, and just hated John and Aeryn together so very much. Seriously... flames... on the sides of my face.
So, for me, the acting is possibly the most essential part of the entire emotion... thing.
For me.
When it comes to books, you have to have incredible characters and/or an amazing story and/or a beautifully-drawn world and/or gorgeous writing style. The more of these you have, the better, but I'm willing to ignore the lack of one or two things if the others are good enough.
In television/movies, you need to have gorgeous visuals (and other environmentals) and/or well-done characters and/or an intriguing plot.
Books are, frankly, simpler -- they involve fewer hands (though, in the case of people not Anne Rice, still more than one set). Television and movies involve so many people. Enough brilliance in one area can overcome weakness in another. But, for me, if you do not provoke a strong enough emotion, then I will not be inclined to watch you more than once or to buy you.
The shows and movies that last in my heart are the ones that make me care. And that generally comes down to three things -- acting, writing, and directing (there are, of course, other incredibly important pieces of the puzzle, such as the music, but I'm staying simple, here) . But while a good enough actor can overcome bad writing and bad directing -- the film/show that the actor is in probably still won't be good, but everyone who watches it will remember that one actor who just 'rose above' their material -- it doesn't work so well (for me), the other ways around. A well-directed piece can sometimes showboat around bad acting but even great material becomes only so much garbage if a poor enough actor (or an actor who is that wrong for the part) says it.
Many times, lines are not memorable in and of themselves but are memorable because of how they are said (which is often a combination of acting and directing, depending). Lines that could be gold in the mouth of the 'right' actor come across as tired or foolish. Casting is an incredibly important part of creating strong and lasting characters.
Personally, I find that I'm drawn to the life of the characters, the life put into them by the actors. And sometimes, the acting can still be good and yet I'm left unmoved or negatively affected because it doesn't hit my switches.
Positive example -- The Lord of the Rings does practically nothing for me as a book series, but I completely and utterly adore the movies.
Negative example -- I read the Farscape transcripts and cried like a baby at the J/A stuff. Watched the show, and just hated John and Aeryn together so very much. Seriously... flames... on the sides of my face.
So, for me, the acting is possibly the most essential part of the entire emotion... thing.
For me.