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The Magnificent Ambersons is exciting but ultimately a let down. You can tell just from watching the release version what other things must have been in the one that got burned. Sometimes it gets really majestic and you think, "If only this were a real movie."
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There Will Be Blood is exciting but ultimately a let-down. Paul Dano was of course
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I haven't really discovered rap mixtapes, but I'm enough into Little Wayne that I've been meaning to look into them.
The Cool was a weird experience because I only listened to it when Chris insisted. I hated Chris for the hooks, but then I realized the words were clever and I got kind of confused. It took at least a dozen plays before I knew what I thought of it.
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My pumpkin cost a million dollars. It's got champagne in it.
I am completely okay with rhyming and rhyming and rhyming. I listened to enough Eminem years ago that I now think too much rhyming is the best part of rap music.
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You RESPECT NaS, but you don't want to throw down with him. And when I say "you" I mean the average rap audience. I love both NaS and Lupe, but there's a reason Food and Liquor was inspired/modeled after It Was Written and they share similar flaws...And my love for them is much more admiration. Enjoyment is there too, but not to the same degree. Jay is an incredible rapper, but his technical skill is less vital to enjoyment of his stuff than, say, his personality/swagger/beats/etc. NaS can't pick beats, personality is a bit overbearing and has less swagger than average. Lupe does better on a few of those, but is inconsistent.
And yeah....too much rhyming and wallowing in it is great. But I can only take so much of it. Eminem was incredible at making it work, and his abandonment of insanity and fun and audacity (except for puerile fart jokes) is what made The Eminem Show and Encore so plodding and ( ... )
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