Ishtar (1987)
"Ishtar," directed by Elaine May and starring Warren Beatty and Dustin Hoffman, is a film that has undergone significant reevaluation since its release in 1987. Initially deemed a notorious box office flop, this adventure-comedy has garnered a cult following for its unique blend of humor and political satire.
The film follows Chuck Clarke (Hoffman) and Lyle Rogers (Beatty), two hapless songwriters who land a gig in Morocco and unwittingly become embroiled in a geopolitical conflict involving the CIA and local revolutionaries. Beatty and Hoffman, cast against type, deliver unexpectedly effective performances. Hoffman's turn as the suave ladies' man and Beatty's portrayal of the insecure bumbler create a dynamic and humorous pairing. Their chemistry shines, particularly in the film's early scenes in New York.
"Ishtar" excels in its comedic moments and sharp political commentary. Inspired by the classic "Road to..." movies, May's script offers a clever critique of U.S. foreign policy and the absurdities of Cold War-era geopolitics. The film lampoons the chaotic and often misguided interventions of the U.S. in the Middle East, portraying the geopolitical landscape as absurd and filled with miscommunication and bungling. This satire is both humorous and poignant, reflecting the real-world consequences of political maneuvering.
One standout moment is when Beatty's character talks Hoffman’s character off a ledge, encapsulating the film’s themes of perseverance and friendship. In a heartfelt exchange, Lyle Rogers tells Chuck Clarke, "Hey, it takes a lot of nerve to have nothing at your age, don't you understand that? Most guys'd be ashamed, but you've got the guts to just say 'to hell with it'. You say that you'd rather have nothing than settle for less. Understand?" This scene also includes the poignant line, "People who haven't got anybody to go out on a ledge for them," highlighting the importance of having support and belief in one another, a sentiment that resonates with the struggles faced by the film's production team.
The film's troubled production, marked by budget overruns and creative clashes, overshadowed its initial release and contributed to its poor box office performance. However, the Blu-ray release and subsequent critical reassessment have helped audiences appreciate the film’s merits. Despite the chaotic production, "Ishtar" manages to capture moments of comedic brilliance and offers a satirical lens on global politics.
"Ishtar" is far from a perfect film, but it is not the disaster it was once made out to be. It’s a movie that defies conventional expectations, delivering laughs and clever satire amidst its narrative chaos. Elaine May’s direction, combined with the unconventional casting of Beatty and Hoffman, creates an offbeat gem that is worth revisiting.
It takes shamelessness, guts, and people who believe in you to make it in show business. Not everyone is Simon and Garfunkel. Not everyone is Bob Hope and Bing Crosby. Most people trying to make it are schmucks like these dudes. "Ishtar" captures that essence perfectly. Chuck and Lyle are underdogs who refuse to give up on their dreams, embodying the spirit of countless real-life performers who face rejection and hardship yet continue to push forward.
The film has garnered a cult following over the years, resonating with viewers who appreciate its bold humor and the perseverance of its underdog characters. Notably, cartoonist Gary Larson, who once mocked "Ishtar" in his comic strip, later apologized after watching the film and finding it genuinely funny. Additionally, filmmakers Quentin Tarantino and Martin Scorsese have expressed their admiration for the movie, praising its unique charm and clever satire. Their reassessment highlights the film’s lasting appeal and its impact on those who give it a second chance.
For those willing to look past its infamous reputation, "Ishtar" offers a quirky and entertaining experience. While not a classic, "Ishtar" deserves its place in the annals of cult cinema, standing as a testament to the risks and rewards of creative ambition in Hollywood. Three stars for a film that, despite its flaws, shines with originality and humor.