The levels of
straight,
cisgendered,
white,
male privilege are so high this week you could fill not only a knapsack but one of those giant swiss army backpacks, and then have some left over for a couple of rooms in Mad Eye Moody's trunk.
and then there's
this, which hits so close to home that i can only opt for the time-tested method of
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She's reckless and doesn't think before she puts herself in danger, and nearly gets herself killed climbing up that rope, for instance. Also, she's killed someone to get something she wanted, and not immediately in self-defense. and is okay with having friends/crushes who also have killed multiple people, which would weird me out if it weren't sort of a necessity in that universe. Also, she hates her parents and has no problem manipulating them against one another and lying to both of them to get what she wants, which is kind of hot in a creepy manipulative way.
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well, i can see the recklessness being "spunky," but i don't think that either the murder or the parent hate are really portrayed as positives. The last image we see of her in the book is her standing helplessly over the body of the person she murdered looking really shocked and horrified at herself, so i think it's definitely not *meant* to be something that we see as intriguing.
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you are right, that is completely misleading--i didn't mean to list it as a positive so much as a defense of her not being "bland," wtf i think it is just so weird that she is *either* too bland or too spunky, like, how can she be both of these things at once? you are absolutely entitled to your opinion of her, and that is totally your preference! but i think part of what makes me feel so defensive about her is that i have read a gazillion reviews of TDL in the last year and i've probably spent at least half that time listening to people have all these negative reactions to Mae that i just don't understand.
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alice is the perfect example kasjdfldsjkfls because i feel like i could possibly *like* her if she wasn't set up to be a complete prop for the ridiculous plot. her entire purpose in the story is to go "i've already seen this happen so you might as well do it" and remove the need for any type of convincing character motivation to move the plot along, lollllll. AND THEN DIE. asdklfj;as. so, basically, yes, i agree adfkl;asjfdlk. but i don't think mae's character fits except that her entire focus in TDL is on jamie? and since she's trying to keep him from dying it doesn't feel like it's a cheap purpose or something.
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ALSO HI
sdajflasjfklsj this morning i almost emailed you to tell you "YOU COULD USE THE ONE ABOUT THE GREEKS, EVERYONE KNOWS THAT." but i figured it was probably too late.
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lol i was just trying to come up with something REALLY GENERAL THAT EVERYONE WOULD KNOW and wound up with "THE ANCIENT GREEKS HAD HOMOSEXUALITY BUILT INTO THEIR CULTURE" dfjklasdjl
but then if it happens to be from *personal, firsthand experience,* then all you can use is your ....own coming out story or the coming-out of someone around you, which is a) exploitative and b) not an argument, wtf
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She admitted that it's a grey area in academia but I felt like the school's handbook was more clear - basically that if you find something in multiple articles and it's not cited to a single source, it's probably common knowledge. I mean, it's not like you're going to cite a single source for revealing the fantastic hospital information but whatever. I went with the adoption argument and if that is considered specialty I am going to be outraged.
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