Title: Sunset Song (A Scots Quair #1)
Author: Lewis Grassic Gibbon (pseudonym for James Leslie Mitchell)
Pagecount: 248 (paperback)
Publisher: Polygon
Publishing date: April 9, 2006 (original published 1932)
Goodreads rating mean: 3.98 (161 ratings)
Goodreads rating mode: 5 (39%)
Goodreads rating median: 4
Publisher's summary: 'Oh, she hated and
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Comments 19
Honestly, to me, that sounds like some sort of fetish romance. If it weren't for my disasterously long TBR pile, I would probably read it just to figure out why it's on the List.
Then again, I'm rapephobic so I'm glad I read this first :)
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Really (except for the marital rape, which is treated like the Bad Thing it is, even if it's not called rape), a lot of the things I found squicky read like the stuff I see some men saying a lot when a woman is talking about why she feels uncomfortable with anything from wolf-whistles to groping: "Oh, it's a compliment! You should be happy about it!"
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I broke a guys nose once when he told me that I should take his grabbing my ass as a compliment.
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Secondly, I'm a sucker for good strong dialogue and some of my favorite books are written with it. I think 'progress' may be a road to slow or not so slow suicide. While I am not a fan of rape/other bad behavior as such, I don't react to it as worse then other 'really wrong' things you're likely to encounter (and one of my favorite characterizations of all time was a non-western character reacting to rape and then getting revenge).
While Chris seems like a milktoast heroine do you think someone like me would rate it higher/enjoy it?
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Note the 'maybe' on progress. With an Anthropology background I've learned to get good at counting the 'cost' of how we live (and what I see is really bad). But I, like you probably don't yearn for the 'good old days'. I suspect this has more yearning for a mythical past rather then noticing things are screwed up around you.
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I mean, yeah, it adds to the atmosphere and all, but it really takes me out of the story when I have to slow down to figure out what in the hell these people are saying.
Actually, one of my least favorite examples of this happened in one of my favorite books, not because it was hard to understand, but because I felt like the author was trying to write a dialect he knew nothing about (or at least, only second-hand), so it was totally over-the-top and fake-sounding.
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On the other hand, I agree with you not getting it right can be very annoying.
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But yeah, if there had had been fewer 'wtf is this?' words, I would've said that this was an example of dialect done right: the words were spelled correctly, there weren't any apostrophes just hanging out to annoy me, that kind of thing. The way they spoke was evoked in the speech patterns and word choices. But holy hell, the sheer number of unfamiliar words that he was dropping everywhere... Like you said, slowing down to figure out what's being said does not make a book fun.
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Obviously, I don't know for sure, but I got the distinct impression that Stoker had never met an American before. Quincy read as a parody to me--his speech was so over-the-top and cliche. It seemed like Stoker had read about Texas and thought it would be cool if one of his characters was a Texan. (I don't know if that's the case, but that's how it came off, to me at least.) John Wayne didn't even talk like that!
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You're welcome to write your own review, but flaming me isn't going to change my opinion of the book. I still don't like it, and I have tried re-reading it since this review was posted.
In short, go step on a LEGO.
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