Caliban's Hour by Tad Williams
Caliban's Hour by Tad Williams
fiction, (c)1994, 201pp
rating: ****
In the tradition of Rosencrantz and Guildenstern is Dead, this book is a re-telling of Shakespeare by a minor character. In this case, it is a retelling of The Tempest by the Shakespearean sidenote of Caliban, part of the comic relief in The Tempest. The book opens with a confrontation between Caliban and a now-middle-aged Miranda in her castle in Naples. He threatens to kill her after he spends one hour telling him his full story and explaining how she and her father ruined his life. Caliban tells her in his own words about his early childhood on the island with his mother, Sycorax, and describes the arrival of Prospero and Miranda and how their appearance changed his life.
Williams takes Caliban from being the butt of a joke to a thinking, feeling human being who was deeply wronged by the two protagonists of The Tempest. Williams prose is rich and detailed enough to satisfy most readers and in the end, he presents Shakespeare's version with this brief line: We arrived at the house on the hillside at least, to discover the game was played, the story told, and we three by comic afterthoughts..
People familiar with the story would probably appreciate this book more than those with no prior knowledge of The Tempest.
fiction, (c)1994, 201pp
rating: ****
In the tradition of Rosencrantz and Guildenstern is Dead, this book is a re-telling of Shakespeare by a minor character. In this case, it is a retelling of The Tempest by the Shakespearean sidenote of Caliban, part of the comic relief in The Tempest. The book opens with a confrontation between Caliban and a now-middle-aged Miranda in her castle in Naples. He threatens to kill her after he spends one hour telling him his full story and explaining how she and her father ruined his life. Caliban tells her in his own words about his early childhood on the island with his mother, Sycorax, and describes the arrival of Prospero and Miranda and how their appearance changed his life.
Williams takes Caliban from being the butt of a joke to a thinking, feeling human being who was deeply wronged by the two protagonists of The Tempest. Williams prose is rich and detailed enough to satisfy most readers and in the end, he presents Shakespeare's version with this brief line: We arrived at the house on the hillside at least, to discover the game was played, the story told, and we three by comic afterthoughts..
People familiar with the story would probably appreciate this book more than those with no prior knowledge of The Tempest.