Midnight passes. The sickness that's taken hold of every shapeshifter fades away, causing every one to shift back involuntarily. When they awake, they'll be human again, if the shift itself doesn't wake them
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That response hurts more than he expected it to, and probably exactly as much as he should have expected it to. You were doing so well. Just hide, don't touch-
His face falls back into a hard-edged acceptance, an acknowledgement, a I know. Things are just this way, aren't they?
"I'm not asking for anything." He pulls out another laugh - it's hollow, but isn't that the best they can hope for? "I'll be fine. It's not as if I have a choice. I just-"
I want to know you are. Somehow. I want to save you. I want you. I want you to kill me. I don't know. I never know. I love you.
He pushes himself back into the wall, making himself widen the distance until it's something more normal for this place and time. It hurts, but that's nothing new.
"I'm usually better with the end of the world," he says. "Well. Some worlds. This world. I can usually do something about it. Even then, I..." Keep chuckling. Sooner or later it'll sound casual, like really, he faces this all the time. "Well, I always was shit at saving anyone."
He might be talking about the death of the firstborn thing, but honestly, it's getting hard to tell.
It hurts. It's like he's let J down somehow, not being fixed, not being better than this. He wants to help J feel like somehow things aren't as broken as they are. Adrian moves in, tentative, feeling out whether or not this is what he's supposed to do.
He's nervous. Don't do this don't do this god why are you doing this--
And there it is, right there between them like an accidental Fact - like him, there in an instant and something to be lived through now, and his hands go up to catch the back of Adrian's head, the jaw, the nape of his neck, pull him in closer.
...wait.
The thought sparks in the back of his mind; he doesn't want it to.
He pulls away. Not much - not entirely. He's still holding Adrian's face, but he rests his forehead against Adrian's, letting their mouths catch air. I don't know what we're doing. I don't know which of us needs this. I don't-
I don't want to back away.
"No sacrifices," he says. "No offerings. I don't want anything from you if it's not - if I don't-"
I don't know!
He bites down hard, clenching his teeth so he can feel it to his adam's apple. You have your fingers near the arteries, old training supplies him. Just slip. You could end his world.
"I am sick and tired," he yells, he doesn't yell, he chokes, he begs, he thinks he yells, "of destroying people. Even when it's all I can do. Even if I put them back together, I-" And Ransham slips in, there, then Standard Colonial, words he's never bothered to translate into English, and then he bothers now, "if this is all I can do I'd rather do nothing, don't you understand? I want to do nothing. Why isn't nothing enough?"
Why does nothing still tear up everything around him?
...J might not be having this conversation with Adrian any more.
"Hail Mary," he shudders. "Hail Mary, full of grace--"
His mother would laugh at him if she could see him now. He's shaking and he doesn't know it. He has his eyes closed, all his focus centered on the pressure of contact with J's fingers, his focus breaking between J's words and the dozen stored phrases he's repeated to himself over the years, unintentional little savored pains rehashed until their poison programmed its way into his veins. He stumbles over them in fits and starts, mumbles that fade in and out underneath J’s anger and pain.
"Consiga las alas, o I'el ll le ahoga, usted poca mierda. Prometido para su décimosexto. Solamente mi hijo si su sangre es más negra que la mía."
He used to wonder what it would feel like, look like, seeing his mother from under the surface of the stream that ran through their back yard. Features reduced to a trembling blur. Fingers hot against his throat when everything else felt cold.
He kept himself awake at night listening for her steps on the stairs, half-believing she would get impatient with the waiting and just kill him before she knew if he was a proper demon or not. The way she laughed when he got sick, when his wings came ripping out for the first time--
She was happy, he likes to think, and it's the only time he can think of that she really sounded that way.
"Prenez-le. Laissez le reste de nous aller."
Adrian laughs quietly; that’s the closest approximation to the sound, at least. God. He's never going to get away from Michel. No matter where he goes or what he does, the man will always have a boot on his back and a whisper in his ear.
This is what you are.
He wants to die. He wants to die. "I'm sorry," he whispers. "I'm sorry. I'm sorry. I'm sorry. Please, I'm sorry."
There, in the dark space just behind his eyelids, he can feel everything - the pulse coming down through his fingertips (adjust this for nonhuman norms - you know something about demons, don't you?-it's deep, almost subconscious, so terribly automatic), the tension, the slip from English. J's Spanish is fuzzy; his French is fine, and he remembers his Latin - it's not perfect (what is?), but it's enough to get the sense of things.
...it's enough.
It's enough.
Keep your eyes closed.
He exhales. Begins to draw Adrian in - not for a kiss this time, just getting him closer, getting his own hands on Adrian's body, looking for the knots of tension and the lines of balance that underpin the whole. Easy. Just - easy. Slowly. Threatless. Take away (take up) the weight of his body, take away (smooth out) the tremors in his limbs, slowly - keep everything below thresholds.
Adrian is trapped in a flashback. Where he is now, what's happening in the physical world around him, these are pushed aside. If J is careful (and he's always, always careful, always when he's in control of himself, and has that become the case here-?) he can relax the body without garnering resistance from the mind.
"It's all right," he says - quiet again, just beneath threshold, and if that were all it would take, he'd say it until the tenth plague. As it is he's pushing himself back against the wall, pulling Adrian down against him, control the situation-
Inhale.
French, he can do.
«You're a good soldier, Adrian.»
His voice is neither soft nor loud, feigned nor guessed. It just is. He's spoken as plenty of people - a Time Agent, a con man, Torchwood command. He's spoken as people's lovers when they were tortured past knowing the difference. As Jack Harkness when he was John Thane. This is just another voice, and words he has to say.
«You were one of the valiant ones. Circumstance conspired to tear us apart. Your blood was as honorable as anyone's. Your heart was the strongest we could ask for. You were a good soldier, Adrian. Thank you for your sacrifice.»
He eases into J's grip, relaxing without knowing or questioning why.
He was never a good soldier. He's never been good at fighting. He's better than average at killing people and covering his tracks, but he's never been a good soldier, and why Michel would tell him something they both know--
It's not him.
Thank you. How often has he been told that? Sincerely told that? He shifts, clinging one-armed to J and smelling the blood and fluid on the other man's clothes. Once upon a time those smells didn't bother him as much as they do now. Once upon a time--
It's not him.
How can words mean so much? He's wondered this off and on for his entire life. A bit of poetry, a turn of phrase can stick in one's mind until one has no idea where or why it became a part of the phrasal library, the construct of meaning and identity one dips into to paint the image of oneself into the world. Words, words, words--in the end that's all people are, skeletons of sentences disguised by flesh.
"Thank you," he whispers. Adrian presses his face against J's neck, unconsciously mimicking J's earlier position. How can you love someone you barely know? "Thank you," he says again, because that's all he can do. His own words have never been enough, said enough, said what he wanted when he wanted. He chuckles a little. "You speak French."
Rationality is something, at least. One small step to mitigating the damage, and J lets a chuckle out of his chest, timed to disguise the tremor, the release of other tensions. When what you can do isn't enough, you do as much as you're able. Simple, that. Isn't it?
«Passably.» He shifts when Adrian does, keeping contact, adjusting for new pressures and weights. This, at least, is so smooth as to seem natural. Then, this is what he's good at - bodies and systems of control. What happens now-
At least Adrian has already broken. ...both of them have, if he wants to be honest. That makes one less set event to dread.
For a moment they just breathe, as though it's the most they can do.
"It's our job to make something of the wreckage, isn't it?", he asks, after a moment Because that's all that's left - their four hands and all the broken things. "Because the universe doesn't care, much, who destroyed us or who we betrayed." He shifts into Adrian, lowering his head, resting his cheek against Adrian's hair. Oh, they've broken, both of them, but when this is the comfort available, it's what he'll rely on. "Or how much we still. Fucking. Love them."
He has to wrench the word out. Love, echoes his own mind, conversations past, things he believed but left unsaid; Like it's good for anything but an easy in for torture. Torture and apparently this, torture from torquere, to twist, and oh, they're twisted up in knots but they walked in that way.
That response hurts more than he expected it to, and probably exactly as much as he should have expected it to. You were doing so well. Just hide, don't touch-
His face falls back into a hard-edged acceptance, an acknowledgement, a I know. Things are just this way, aren't they?
"It's all right," he says. "You don't need to."
Reciprocate. Be sorry. Say anything. Understand.
( Be anywhere near me. I know it's uncomfortable.)
"I'm not asking for anything." He pulls out another laugh - it's hollow, but isn't that the best they can hope for? "I'll be fine. It's not as if I have a choice. I just-"
I want to know you are. Somehow. I want to save you. I want you. I want you to kill me. I don't know. I never know. I love you.
He pushes himself back into the wall, making himself widen the distance until it's something more normal for this place and time. It hurts, but that's nothing new.
"I'm usually better with the end of the world," he says. "Well. Some worlds. This world. I can usually do something about it. Even then, I..." Keep chuckling. Sooner or later it'll sound casual, like really, he faces this all the time. "Well, I always was shit at saving anyone."
He might be talking about the death of the firstborn thing, but honestly, it's getting hard to tell.
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He's nervous. Don't do this don't do this god why are you doing this--
Adrian kisses him.
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That was not something he let himself hope for.
And there it is, right there between them like an accidental Fact - like him, there in an instant and something to be lived through now, and his hands go up to catch the back of Adrian's head, the jaw, the nape of his neck, pull him in closer.
...wait.
The thought sparks in the back of his mind; he doesn't want it to.
Read the situation.
...he doesn't want to.
His cognition splits - part of him is pulling back to a construction site, The chorus of (YesYesYes) still screams through his mind, but he pushes and part of him to another world, another universe away, and damn him, damn them both, hadn't they been trying?, two mistakes (were they mistakes) made by two different men (were they different men?) and here he is - is he? - on the verge of another.
He pulls away. Not much - not entirely. He's still holding Adrian's face, but he rests his forehead against Adrian's, letting their mouths catch air. I don't know what we're doing. I don't know which of us needs this. I don't-
I don't want to back away.
"No sacrifices," he says. "No offerings. I don't want anything from you if it's not - if I don't-"
I don't know!
He bites down hard, clenching his teeth so he can feel it to his adam's apple. You have your fingers near the arteries, old training supplies him. Just slip. You could end his world.
"I am sick and tired," he yells, he doesn't yell, he chokes, he begs, he thinks he yells, "of destroying people. Even when it's all I can do. Even if I put them back together, I-" And Ransham slips in, there, then Standard Colonial, words he's never bothered to translate into English, and then he bothers now, "if this is all I can do I'd rather do nothing, don't you understand? I want to do nothing. Why isn't nothing enough?"
Why does nothing still tear up everything around him?
...J might not be having this conversation with Adrian any more.
Reply
Fuck up. Failure. You did it again.
"Hail Mary," he shudders. "Hail Mary, full of grace--"
His mother would laugh at him if she could see him now. He's shaking and he doesn't know it. He has his eyes closed, all his focus centered on the pressure of contact with J's fingers, his focus breaking between J's words and the dozen stored phrases he's repeated to himself over the years, unintentional little savored pains rehashed until their poison programmed its way into his veins. He stumbles over them in fits and starts, mumbles that fade in and out underneath J’s anger and pain.
"Consiga las alas, o I'el ll le ahoga, usted poca mierda. Prometido para su décimosexto. Solamente mi hijo si su sangre es más negra que la mía."
He used to wonder what it would feel like, look like, seeing his mother from under the surface of the stream that ran through their back yard. Features reduced to a trembling blur. Fingers hot against his throat when everything else felt cold.
He kept himself awake at night listening for her steps on the stairs, half-believing she would get impatient with the waiting and just kill him before she knew if he was a proper demon or not. The way she laughed when he got sick, when his wings came ripping out for the first time--
She was happy, he likes to think, and it's the only time he can think of that she really sounded that way.
"Prenez-le. Laissez le reste de nous aller."
Adrian laughs quietly; that’s the closest approximation to the sound, at least. God. He's never going to get away from Michel. No matter where he goes or what he does, the man will always have a boot on his back and a whisper in his ear.
This is what you are.
He wants to die. He wants to die. "I'm sorry," he whispers. "I'm sorry. I'm sorry. I'm sorry. Please, I'm sorry."
Reply
No matter what.
No matter what.
He closes his eyes.
There, in the dark space just behind his eyelids, he can feel everything - the pulse coming down through his fingertips (adjust this for nonhuman norms - you know something about demons, don't you?-it's deep, almost subconscious, so terribly automatic), the tension, the slip from English. J's Spanish is fuzzy; his French is fine, and he remembers his Latin - it's not perfect (what is?), but it's enough to get the sense of things.
...it's enough.
It's enough.
Keep your eyes closed.
He exhales. Begins to draw Adrian in - not for a kiss this time, just getting him closer, getting his own hands on Adrian's body, looking for the knots of tension and the lines of balance that underpin the whole. Easy. Just - easy. Slowly. Threatless. Take away (take up) the weight of his body, take away (smooth out) the tremors in his limbs, slowly - keep everything below thresholds.
Adrian is trapped in a flashback. Where he is now, what's happening in the physical world around him, these are pushed aside. If J is careful (and he's always, always careful, always when he's in control of himself, and has that become the case here-?) he can relax the body without garnering resistance from the mind.
"It's all right," he says - quiet again, just beneath threshold, and if that were all it would take, he'd say it until the tenth plague. As it is he's pushing himself back against the wall, pulling Adrian down against him, control the situation-
Inhale.
French, he can do.
«You're a good soldier, Adrian.»
His voice is neither soft nor loud, feigned nor guessed. It just is. He's spoken as plenty of people - a Time Agent, a con man, Torchwood command. He's spoken as people's lovers when they were tortured past knowing the difference. As Jack Harkness when he was John Thane. This is just another voice, and words he has to say.
«And I thank you for your sacrifice.»
Mac told him. Thank God for guardian angels that didn't know tact, he supposed - that guy... Fuck all... Michael? Michel? Something. His commanding officer, anyway. He's the one who got him put in the camps.
«You were one of the valiant ones. Circumstance conspired to tear us apart. Your blood was as honorable as anyone's. Your heart was the strongest we could ask for. You were a good soldier, Adrian. Thank you for your sacrifice.»
Reply
He was never a good soldier. He's never been good at fighting. He's better than average at killing people and covering his tracks, but he's never been a good soldier, and why Michel would tell him something they both know--
It's not him.
Thank you. How often has he been told that? Sincerely told that? He shifts, clinging one-armed to J and smelling the blood and fluid on the other man's clothes. Once upon a time those smells didn't bother him as much as they do now. Once upon a time--
It's not him.
How can words mean so much? He's wondered this off and on for his entire life. A bit of poetry, a turn of phrase can stick in one's mind until one has no idea where or why it became a part of the phrasal library, the construct of meaning and identity one dips into to paint the image of oneself into the world. Words, words, words--in the end that's all people are, skeletons of sentences disguised by flesh.
"Thank you," he whispers. Adrian presses his face against J's neck, unconsciously mimicking J's earlier position. How can you love someone you barely know? "Thank you," he says again, because that's all he can do. His own words have never been enough, said enough, said what he wanted when he wanted. He chuckles a little. "You speak French."
Reply
«Passably.» He shifts when Adrian does, keeping contact, adjusting for new pressures and weights. This, at least, is so smooth as to seem natural. Then, this is what he's good at - bodies and systems of control. What happens now-
At least Adrian has already broken. ...both of them have, if he wants to be honest. That makes one less set event to dread.
For a moment they just breathe, as though it's the most they can do.
"It's our job to make something of the wreckage, isn't it?", he asks, after a moment Because that's all that's left - their four hands and all the broken things. "Because the universe doesn't care, much, who destroyed us or who we betrayed." He shifts into Adrian, lowering his head, resting his cheek against Adrian's hair. Oh, they've broken, both of them, but when this is the comfort available, it's what he'll rely on. "Or how much we still. Fucking. Love them."
He has to wrench the word out. Love, echoes his own mind, conversations past, things he believed but left unsaid; Like it's good for anything but an easy in for torture. Torture and apparently this, torture from torquere, to twist, and oh, they're twisted up in knots but they walked in that way.
...maybe there is some way out.
He doesn't know.
That's better than knowing there isn't.
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