A cab pulls up in front of the Main Gauche, rather slowly and reluctantly as it gets close enough to see the twisted wreckage of the gates, a few scorch marks on the buildings and grounds... Gwen hands the driver a few bills and slides out of the back seat, eying the gates uncertainly for a second before she starts inside. She can deal with this.
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He sees the taxi and pushes himself off the gates, walking out to meet the visitor. "You Cooper?"
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"That's me. You're Malek?"
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He motions her to follow him, heading back into the courtyard. In the light of day the destruction is given a strange, arbitrary air, blood drying on the grass and torn patches of unearthed soil and burn marks all disconnected from the violence of the night before. A few birds, undaunted by the lingering smell of smoke and blood and magic, are in the trees and bushes, twittering as though it's any other day.
"Heard it was your kid Romana went off 'n' Fell on," he mentions, voice flat. "Was there. Saw the thing. Stood right in front of Romana, told her down. ...didn't turn out so well, not either o'tem."
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He stops at Elashte's office, poking his head in. Elashte is sitting at his desk, some distance back from the door, and looks up as the door opens. There's a swelling bruise on his forehead, one of his arms in is an cast, and there's a cane resting against his leg.
"'ere y'are," Malek says, ushering her in. Elashte smiles, though it's a thin and pained smile, and motions her to a chair.
"Gwen Cooper, I presume. I hope you'll forgive me if I don't stand."
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"Of course," she says to Elashte. "It's good to meet you, finally. I wish it were under better circumstances..." And didn't she just do this with Mitsuki? She'd like to stop having meetings that involve coming to collect the dead.
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He shifts a few papers, watching over her as Malek closes the door behind him. He'll be standing watch there, probably until Gwen leaves, but he won't intrude.
Elashte selects one sheet and pushes it across the desk to her. It's a photocopy of the entry Suie wrote to Jack detailing his shadow. "After Captain Harkness brought Ms. Sato to me, I confronted him about his use of force," he begins. "He admitted that he had two years missing from his memory. I offered to attempt to return them to the surface, and he agreed."
It was just that the attempt ran into... more than a bit of difficulty.
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"The memories were repressed," he says. "There are generally a very few, simple mechanisms which control repressed memories in the human mind, that I've found. Either the pathways to access those memories have been destroyed or rerouted, or blocks exist on the paths which, when the mind turns toward the memories, turn the mind to a different, 'safe' topic. In Harkness' mind was something I had never seen before."
And hope never to again. It was more than normally unsettling."Any access had been severed," he said. "Quite deliberately. I've been a poludnica for over three hundred years, Ms. Cooper, whose forte has been working with the mind and its function, and I had never seen manipulation on this level. Even so, I thought it would be simple enough to recreate the paths, which I attempted... only to find that blocks on them developed as I worked. I tried to undo them, but they recreated themselves as soon as my attention was a way. So I resolved to look for a mechanism of control for that ( ... )
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"He attacked you. Did you happen to get anything about his state of mind before he knocked you out?"
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"You should understand," Elashte says. "Captain Harkness was adamant about recovering these memories, and only became more so when we discovered the extent of the manipulation. I wasn't exactly rifling through his mind - I was examining mechanisms, not specifics - but something bothered him about it, more than the mere fact that his memories had been comprehensively locked down."
The one time he decides not to learn all he can about someone while he's in their mind, fixing them. That'll teach him to make gestures of trust and good faith ( ... )
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Set all this to rights. He doesn't want to lose Harkness or Torchwood as an ally.
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"What about Tosh? I'd like to bring her home with me, if she wants to come."
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There's what might be a heavy regret on his face - for Eric's condition, for the pervasive brokenness of the Gauche, for the fact that he missed everything and is left cleaning up pieces now that it's all done. There's anger behind it, but he's keeping it out of his expression.
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