Orlando and friends in Malibu, more pics; and news about Romans
Orlando Bloom was seen spending the day at the beach with his son Flynn (not pictured) and a group of pals on Tuesday (June 27) in Malibu, California. Orlando also brought along his cute pup Mighty for the day in the sun!
source Just Jared
Jerry Bruckheimer , Orlando and Keira on set of POTC: Salazar's Revenge, picture taken by director Joachim Ronning:
Romans is premiering on July 1 at Edimburgh Film Festival, and there will be a Q&A with the actors, Orlando included. New pic from twitter.com/shammasian:
First review of the movie:
Romans
AFTER impressing with their powerhouse monologue-driven boxing drama debut The Pyramid Texts, the brothers Paul and Ludwig Shammasian are back with another cinematic gut punch. Orlando Bloom gives his best ever performance as Malky, a tough demolition worker who, when he’s not breaking down old churches or making his daily visit to his elderly mother (Anne Reid), punishes himself both mentally and physically as a means to deal with childhood sexual abuse at the hands of a priest. It’s not a film to mince its words, tackling its difficult themes of psychological scarring that abuse can cause and the struggling to give forgiveness entirely head on. The result is a challenging piece of brute force cinema that leaves a lasting impact.
http://www.thenational.scot/culture/15381599.Film_Review__Best_of_the_Edinburgh_International_Film_Festival_2017/?ref=twtrec
source Just Jared
Jerry Bruckheimer , Orlando and Keira on set of POTC: Salazar's Revenge, picture taken by director Joachim Ronning:
Romans is premiering on July 1 at Edimburgh Film Festival, and there will be a Q&A with the actors, Orlando included. New pic from twitter.com/shammasian:
First review of the movie:
Romans
AFTER impressing with their powerhouse monologue-driven boxing drama debut The Pyramid Texts, the brothers Paul and Ludwig Shammasian are back with another cinematic gut punch. Orlando Bloom gives his best ever performance as Malky, a tough demolition worker who, when he’s not breaking down old churches or making his daily visit to his elderly mother (Anne Reid), punishes himself both mentally and physically as a means to deal with childhood sexual abuse at the hands of a priest. It’s not a film to mince its words, tackling its difficult themes of psychological scarring that abuse can cause and the struggling to give forgiveness entirely head on. The result is a challenging piece of brute force cinema that leaves a lasting impact.
http://www.thenational.scot/culture/15381599.Film_Review__Best_of_the_Edinburgh_International_Film_Festival_2017/?ref=twtrec