When I visited England in the late 80's, and [white, British] people warned me that Notting Hill was kind of sketchy and I probably didn't want to go around there, was this a totally-not-at-all-coded way of not-at-all-racists telling me that there were black people there? Or just a nice, upper-middle-class bourgie inability to deal with the sort of
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Not that I think they should be legally banned or anything, but I am a little stunned that in the 21st century there's still a market for them such that making them remains profitable.
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Or so the likes of Luke Jackson would have us believe...
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Richie
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Because that's usually the excuse here in the US. (Racialicious has had a lot to say on the subject of Ironic Hipster Racism, natch.)
The thing that gets me is that the same people who are all like "It's just tradition/art/entertainment/it's all in the past & we're so enlightened now can't you just laught at it?/ don't be so SERIOUS about it!" are, invariably, the same ones who are all WAHWAHWAH whenever they have to encounter a story in which there are any presentations of racism or patriarchy and these are presented critically - "How come *I* have to be made to feel uncomfortable and guilty when *I'm* not personally racist/sexist, just because *I* happen to be a white male? UR SO MEEN!" and so forth.
Which makes me think that the whole "lighten up/get over it!" brigade is somehow *not* speaking out of purest principles...
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I had no idea at the time that they were meant to be toy-caricatures of black people; living in a pure white rural backend of nowhere Irish small town where "exotic" mean the Protestants who owned the shoeshop, of course I didn't have the experience to fit the bits together.
Also, since to me they looked nothing like real black people, how could anyone say that's what they were meant to represent? It was like saying teddybears were real.
Until I got older and got a clue, that is. The same way that the ape-caricatures of 'typical Irish peasant rebels festooned with knives, clubs, guns and bombs' in "Punch" were meant to look like Genuine Irish Catholics, golliwogs were meant to look like Genuine Black People.
I am very much surprised to find out that golliwogs are still
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Robinson's. They used to make badges, toys, all sorts of golliwog paraphernalia; I'd guess that collectors pay high prices for it these days. It's only seven or eight years since they stopped.
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When I think of it... we were reared on stuff like "The Black and White Minstrel Show", which even as a child I didn't understand - why were these men painted black with white-ringed eyes?
And "The Good Old Days", which was Victorian music-hall performances done by modern performers, with the audience dressed up as well in Victorian/Edwardian gear.
Come to think of it, I had a pretty 19th century upbringing. No wonder I understand Victorian novels!
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