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bellanut May 15 2008, 14:48:10 UTC
HEATHER, HEATHER, HEATHER. I love you and your rambly thoughful comments, and your taking a break after part 1. *g*

INEVITABLE DOOM, YEAH. All season I feel like Dean has been questioning his life, and starting to maybe want more for the first time ever, and it got me thinking maybe he COULD have more, but then Sera Gamble comes in this that "Folks like us, there ain't no happy ending. I'm what you've got to look forward to if you survive. Which you won't". AND I'M BACK TO THE INEVITABLE DOOM AGAIN.

God, next season Sam needs to get injured such that they have to stay put for a while (I would love an episode where one of them is injured and can't fully participate on the hunt anyway, cause I think it'd be a perfect opportunity for both angst and hilarity), and Dean needs to take a part time job at a garage and end up having an actual connection/more than just a one-night-stand with a girl. SORRY, TANGENT.

I'm so glad you love that one! I love it too! The way Dean looks at Sam in that scene, you could just SEE EVERYTHING HE'S BEEN THROUGH and how much Sam has NO REAL IDEA WHAT HE'S TALKING ABOUT, and I'm so glad I could get across what I felt about that moment in a way that worked. That right there is one of my absolute favourite Dean moments of the season. That look, and the way he completely shuts down.

YEEEES, ME TOO! Boys hanging out at Bobby's house, cracking jokes, and ganging up on the poor guy (WHATEVER, BOBBY LOVES IT). I wish we got to see more of that instead of having 90% of the exposition scenes happen while they are driving or sitting in a motel room with the lap top open. I want to see THEIR LIVES and all THE LITTLE MOMENTS.

ALSO, OH MY GOD, SAM'S SMILE, I KNOW, RIGHT? AJKLAJKLAJKAL

The Christmas ep. Oh man. I will admit that even just looking of caps at that sucker gets me teary. WELL PLAYED, WINCHESTERS.

I just want to say: Don't you get it, Sam? It's all about you. And then AHHHHHHHHHHHHHHHHHH some more.

YES, YEEEES. SAAAM. HOW ARE YOU NOT SEEING WHAT IS RIGHT IN FRONT OF YOU, BOY? OR, RIGHT, BECAUSE YOU ARE LOOKING AT THE WORLD THROUGH BROKEN MY-BROTHER-IS-ABOUT-TO-DIE GLASSES.

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