Stereotypes
So we're back in Japan. Nothing has changed; not that I really expected it to. We went to a ramen shop today and ate massive punch-bowls full of the stuff while drinking barley tea and listening to jazz music. (Two of the little-remarked upon features of Tokyo ramen shops are that they always give you as much barley tea as you can drink and always have jazz playing in the background. I have no idea why this is, but the three things - ramen, jazz, barley tea - seem to go together very well.)
Anyway, there was an interesting article in the paper about Masi Oka, the actor who stars in the TV show Heroes as a Japanese geek-cum-superhero type guy. (Why do superheroes always have geeky alter-egos, by the way? Peter Parker, Clark Kent...they're never normal, sensible people, are they?) The writer, a Japanese guy, was complaining about the stereotyping of East Asian men in American cinema and TV; Hiro Nakamura (the character Oka plays in Heroes - yes, he really is called Hiro...oh my aching sides), he says, is just the latest in a long line of geeky, inadequate, submissive, meek and generally naff East Asian men in American cinema, and that's all they're ever portrayed as.
This is partly true, and something I've noticed too, but there are of course other East Asian men in Hollywood. There is the dirty old man, who has an unhealthy interest in junior-high school girls' panties and smokes too much. There is the yakuza-punk-chimpira type, who is surly and menacing and does a lot of monosyllabic grunting. And there is the mystical ninja/samurai/judo master type, who is serene and wise and can also beat people up quicker than you can say 'Mr. Miyagi.'
In fact none of these types have much bearing in reality - and nor indeed do the East Asian female stereotypes we often see on the big or little screen: the dragoness ninja queen, beautiful but deadly; the demure, seductive sex-kitten; the ageing prostitute. What interests me about these stereotypes is actually how sexualised they are - we either seem to see East Asian people as perverted in some way (the submissive weakling man, the filthy old sleaze), or else as hyper-erotic (the cute young temptress; the sword-wielding scampily clad assassin). It's odd, and it reminds me of similar stereotyping of black people in Western movies and literature, whereby black men are always seen as sexually dangerous and black women are sexually promiscuous.
It's funny how you notice these things only when you've stepped away from Western culture and come back. I remember watching Lost in Translation after having spent a year in Japan and being shocked at how absurd and unsympathetic it was in its portrayal of the Japanese. But by all accounts, people in Europe and the US lapped it up, and probably never even noticed how racist it was.
Anyway, maybe one day there'll be an East Asian leading man in a Hollywood film. Denzel Washington and Will Smith have broken that particular barrier for black people; I'm hoping Ken Watanabe will be the first East Asian to win an Oscar for Best Actor - and ideally not as a samurai or army officer or other typical 'Japanese' role. Just as a normal person. That would be refreshing.
Cognitive Blindspot.
Anyway, there was an interesting article in the paper about Masi Oka, the actor who stars in the TV show Heroes as a Japanese geek-cum-superhero type guy. (Why do superheroes always have geeky alter-egos, by the way? Peter Parker, Clark Kent...they're never normal, sensible people, are they?) The writer, a Japanese guy, was complaining about the stereotyping of East Asian men in American cinema and TV; Hiro Nakamura (the character Oka plays in Heroes - yes, he really is called Hiro...oh my aching sides), he says, is just the latest in a long line of geeky, inadequate, submissive, meek and generally naff East Asian men in American cinema, and that's all they're ever portrayed as.
This is partly true, and something I've noticed too, but there are of course other East Asian men in Hollywood. There is the dirty old man, who has an unhealthy interest in junior-high school girls' panties and smokes too much. There is the yakuza-punk-chimpira type, who is surly and menacing and does a lot of monosyllabic grunting. And there is the mystical ninja/samurai/judo master type, who is serene and wise and can also beat people up quicker than you can say 'Mr. Miyagi.'
In fact none of these types have much bearing in reality - and nor indeed do the East Asian female stereotypes we often see on the big or little screen: the dragoness ninja queen, beautiful but deadly; the demure, seductive sex-kitten; the ageing prostitute. What interests me about these stereotypes is actually how sexualised they are - we either seem to see East Asian people as perverted in some way (the submissive weakling man, the filthy old sleaze), or else as hyper-erotic (the cute young temptress; the sword-wielding scampily clad assassin). It's odd, and it reminds me of similar stereotyping of black people in Western movies and literature, whereby black men are always seen as sexually dangerous and black women are sexually promiscuous.
It's funny how you notice these things only when you've stepped away from Western culture and come back. I remember watching Lost in Translation after having spent a year in Japan and being shocked at how absurd and unsympathetic it was in its portrayal of the Japanese. But by all accounts, people in Europe and the US lapped it up, and probably never even noticed how racist it was.
Anyway, maybe one day there'll be an East Asian leading man in a Hollywood film. Denzel Washington and Will Smith have broken that particular barrier for black people; I'm hoping Ken Watanabe will be the first East Asian to win an Oscar for Best Actor - and ideally not as a samurai or army officer or other typical 'Japanese' role. Just as a normal person. That would be refreshing.
Cognitive Blindspot.