The Fountain

Jan 25, 2008 01:02

Director of one of my favorite other movies, Pi, Darren Aronofsky has done it again...

I just watched the film 'The Fountain' and am in all tears and awe.
The visuals are gorgeous...the love story moving..and all through time time time as I love to go...

I have been following trails with the Tree of Life again recently...Yggdrasil...in friends ( Read more... )

pi, fountain, film

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Comments 9

Wow, I really want to see it deeptape January 25 2008, 12:20:34 UTC
It's on DVD, then?

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Re: Wow, I really want to see it avad January 25 2008, 16:02:54 UTC
yep! we rented it through netflix. :)!

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ninjaguydan January 25 2008, 15:49:50 UTC
I like the bit in the movie with the conquistadors, but I fell asleep during the rest of the movie...

-)

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avad January 25 2008, 16:02:11 UTC
lol you're such a Boy.;P

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anansi133 January 25 2008, 16:47:11 UTC
I was right on the edge with this one. (I absolutely hated Pi, I walked out after I decided it wasn't going to improve.)

The imagery was wonderful. The whole reason I went was to see a non-CGI starfield. But the three segments didn't have enough to do with each other, and what they did have in common seemed... codependent.

I'd own this on Blu-Ray, just to have a silent visual in the background.

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avad January 25 2008, 19:42:15 UTC
I reluctantly agree that there was much to dislike about Pi...I'm just the type of person that is so thrilled by the good parts (concept and visualsvisualsvisuals) that I deliberately overlook the aspects I don't like (in that case, much of the 'plot/storyline').

and in the Fountain...ohhhhh the starfield...swooooon...
btw did you see the flickr favorites pics I linked to? there's an artist on there who takes photographs of light through plastic...just amaaaazing

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avad January 25 2008, 21:31:30 UTC
from wikipedia re: the macrophotography used to generate those visuals:

"Jeremy Dawson and Dan Schrecker, who had provided visual effects for Darren Aronofsky's π and Requiem for a Dream, returned to The Fountain to help the director with the film's effects. The pair were assigned with the task of creating as little computer-generated imagery as possible, a difficult task with a third of the film taking place in deep space. Aronofsky chose to avoid effects that would make the film look dated in several decades but instead hold up as well as a film like 2001: A Space Odyssey. Dawson said, "Using CG is really the easy route because it's so prevalent and the tools are great. What it did was really force us to come up with creative solutions to solve a lot of our problems." One creative solution was uncovering Peter Parks, a specialist in macro photography, who had retrieved deep-sea microorganisms and photographed them in 3-D under partial funding from the Bahamas government. Parks brewed chemicals and bacteria together to create ( ... )

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rokkitz January 25 2008, 20:47:42 UTC
ah, well, you know... we saw this in theatres. the visuals were spectacular. neither the bee or i enjoyed the plot; i feel like Aronofsky found a simple emotional tap to exploit and fixate on. "yes, dying wife, sad story. yes, sad. obviously sad. okay, i get it, it's sad! okay! i'm sad! what more do you want!?!?" i dunno i never felt right again after Requiem for a Dream.

I love the soundtrack from the Fountain. and the visuals! we went to see Hugh Jackman do taichi against a starfield and that's what we got! but boo dead/dying wife. does that make me callous?

p.s. I liked PI best. oh and we saw cloverfield and hey i liked it but then again i'm a boy. (but emily liked it too!)

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avad January 25 2008, 22:03:00 UTC
callous bastard ( ... )

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