In Which Your Obedient Serpent ponders subverting the corporate agenda
One of the comic-related blogs that I peruse regularly is also art-related: Superhero of the Month. They have a pretty straightforward shtick: each month, they pick a superhero, and invite the art community to reinterpret that character with new costume designs and, occasionally, revamped backgrounds. The contest is usually sponsored by some comic book shop, and the prizes tend to be graphic novels featuring the character in question.
It's a concept that's produced some really impressive and thoughtful looks at iconic characters, and it's one that depends heavily on fair use, remix culture, and the principles of the transformative works movement.
So what in the world possessed them to shill for a copyright-maximalist marketeer and his hollow, vapid t-shirt logo "superhero"?
Here's the guy who's the subject of the December 2011 contest: NOTES (or possibly N.O.T.E.S.), flagshill for the innovatively-named Superhero EnterprisesTM.
"NOTES" is our most powerful science fiction superhero and a highly-skilled leader in music technology, whose mission is to enhance and transform the experience of making and editing electronic music.
"N.O.T.E.S." distinctively offers solution(s) to the global fight against illicit downloading and counterfeiting, as the consequences of digital piracy online and in the streets....have continued to threaten the U.S. economy, jeopardize public safety, and undermine the livelihood of our domestic entertainment industries.
Comic book superheroes are supposed to provide role models that are potentially used by children in developing self images. N.O.T.E.S. symbolizes these qualities of high moral character, courage, generosity, and honor of a noble spirit.
That's right, kids: he fights those eeeeeeeevil downloaders! He's a valiant defender of the profit margin and traditional distribution models!
The blog also offers a link to the eventless "origin story" for NOTES, in which Our Hero defeats a couple of shoplifters with ... um ... look, all snarkiness aside, but it really reads like his music is so crappy that they go into convulsions. There may be more pages that haven't been posted yet; it certainly reads that way, and the "origin" offers no explanation as to how he got these powers of amazing musical dysentery.
I've perused the rest of the site, and it just gets worse. The fake street 'tide, the obvious memetic targeting toward the metaculturally naive-he's like Joe Camel for anti-downloading. There's nothing about actual story here; he's Pure Product, No By-Product. Sure, Marvel-Disney and DC-Warner exploit their properties mercilessly these days, and yes, Joe and Jerry's concept sketches included sketches of product labels adorned with their mythical muscleman, but NOTES is designed to be merchandised first and foremost. They come right out and say it: he was the logo for their music production company first, then they decided to spin him off into a "superhero". He got t-shirts and sneakers (and an art contest!) before his first comic was ever released. They describe him themselves as "the trendiest superhero in the universe."
Higher praise no mutant could ask.
And what fabulous prizes await the artists who can best capture this Champion of Commercialism?
1st Place: Opportunity to write/illustrate a two-page short story featuring NOTES to be featured on Superhero Enterprises' Tumblr and DeviantArt pages, and a NOTES T-shirt.
Semantic Analysis: Draw us free art to make our IP look cool and popular, and we'll let you do more free art to promote our brand!
Your Obedient Serpent was sore tempted to post a comment along these lines on the SotM blog announcement, but honestly, that's flat-out trolling-especially since the comment list on every SotM entry is headed with a "don't be rude" disclaimer.
I should note, however, that the contest parameters themselves state: "What we'll be looking for is an illustration that best exemplifies what you believe NOTES stands for."
Oh my. Do be careful what you wish for.
My medium of choice, alas, is prose, and thus not appropriate for the contest.
I think it would be a fine thing, however, if the more artistically-inclined provided the blog with entries that showed exactly what they believe NOTES stands for.
As Uncle Howard used to say ... Do Not Call Up What You Cannot Put Down.
It's a concept that's produced some really impressive and thoughtful looks at iconic characters, and it's one that depends heavily on fair use, remix culture, and the principles of the transformative works movement.
So what in the world possessed them to shill for a copyright-maximalist marketeer and his hollow, vapid t-shirt logo "superhero"?
Here's the guy who's the subject of the December 2011 contest: NOTES (or possibly N.O.T.E.S.), flagshill for the innovatively-named Superhero EnterprisesTM.
"NOTES" is our most powerful science fiction superhero and a highly-skilled leader in music technology, whose mission is to enhance and transform the experience of making and editing electronic music.
"N.O.T.E.S." distinctively offers solution(s) to the global fight against illicit downloading and counterfeiting, as the consequences of digital piracy online and in the streets....have continued to threaten the U.S. economy, jeopardize public safety, and undermine the livelihood of our domestic entertainment industries.
Comic book superheroes are supposed to provide role models that are potentially used by children in developing self images. N.O.T.E.S. symbolizes these qualities of high moral character, courage, generosity, and honor of a noble spirit.
That's right, kids: he fights those eeeeeeeevil downloaders! He's a valiant defender of the profit margin and traditional distribution models!
The blog also offers a link to the eventless "origin story" for NOTES, in which Our Hero defeats a couple of shoplifters with ... um ... look, all snarkiness aside, but it really reads like his music is so crappy that they go into convulsions. There may be more pages that haven't been posted yet; it certainly reads that way, and the "origin" offers no explanation as to how he got these powers of amazing musical dysentery.
I've perused the rest of the site, and it just gets worse. The fake street 'tide, the obvious memetic targeting toward the metaculturally naive-he's like Joe Camel for anti-downloading. There's nothing about actual story here; he's Pure Product, No By-Product. Sure, Marvel-Disney and DC-Warner exploit their properties mercilessly these days, and yes, Joe and Jerry's concept sketches included sketches of product labels adorned with their mythical muscleman, but NOTES is designed to be merchandised first and foremost. They come right out and say it: he was the logo for their music production company first, then they decided to spin him off into a "superhero". He got t-shirts and sneakers (and an art contest!) before his first comic was ever released. They describe him themselves as "the trendiest superhero in the universe."
Higher praise no mutant could ask.
And what fabulous prizes await the artists who can best capture this Champion of Commercialism?
1st Place: Opportunity to write/illustrate a two-page short story featuring NOTES to be featured on Superhero Enterprises' Tumblr and DeviantArt pages, and a NOTES T-shirt.
Semantic Analysis: Draw us free art to make our IP look cool and popular, and we'll let you do more free art to promote our brand!
Your Obedient Serpent was sore tempted to post a comment along these lines on the SotM blog announcement, but honestly, that's flat-out trolling-especially since the comment list on every SotM entry is headed with a "don't be rude" disclaimer.
I should note, however, that the contest parameters themselves state: "What we'll be looking for is an illustration that best exemplifies what you believe NOTES stands for."
Oh my. Do be careful what you wish for.
My medium of choice, alas, is prose, and thus not appropriate for the contest.
I think it would be a fine thing, however, if the more artistically-inclined provided the blog with entries that showed exactly what they believe NOTES stands for.
As Uncle Howard used to say ... Do Not Call Up What You Cannot Put Down.