[Mello has his face up in the camera the second it turns on, shakes it around a bit to give the impression he's staggering. When it steadies, and the picture focuses in to the standard single room, it's obvious to anyone that knows him by his displaced countenance that he's not altogether himself. In some respects, though, he's been elevated. The
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What the fuck did you do to yourself this time?
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At least, the spiders have less of an impact on her now. Halle has no doubt that she has stepped on a few in her quest to find Mello and bring him back.
The thunderstorm mader her pause-- but this only time she has seen him like this was when he was on the pain medication-- so she moves quickly, running after him for the chapel.
"Mello!"
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"What's wrong with you?"
He doesn't even need to answer, not yet. She will keep up this run until they have gotten inside.
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It's probably for the best that she hasn't turned him, saw his hardened eye and how his own sway is holding him down. The things she'd say later, the things they'd say. If there's a wall he'd be against it, trying to claw his way through. But thankfully there's just a clearing, and as he raises his head--there, in the distance.
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"What? What is it?"
Halle tries to follow his gaze, but sees nothing but the damn chapel. What happened to him, was it-- the cake? Could that be the cause of all of this? Whatever it was, it didn't look like it would wear off soon.
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Akane if you would~
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One of Near's hands was on his side, painfully protecting the pool of crimson that stained his no longer white shirt. The other held a gun. Despite the lack of information, the whole sight gave the impression that the boy had just survived a dangerous encounter, albeit not without getting an alarming wound of his own. His eyes, usually cold and detached, were hidden behind snow hair, his head lowered.
"How daring of you, Mihael," Near spoke, half pained, half spiteful. "To attempt to save anyone when you fail at saving yourself."
The words were followed by a movement. The ghost turned his back to Mello, running further inside the chapel, out of sight.
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He takes a semi-step forward and stops with his shoulders hauled over. It's effortless for his dear consort to identify the delirious balance of mind and matter; the seriousness and extent to which he has become an experiment is parplexing, nonetheless he was as susceptable as anyone else. So he takes a few steps forward; he leans on the arch to which the doors open; he growls; his eyes pierce shut; his temple contorts; the realization that dawns causes a sudden rush of raw sickness to roll through his stomach; he burns. And lastly, incohesively and carrying a large burden, he plunges forwards into the unsaintly atmosphere that greets him.
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"How far are you willing to follow me?" his voice echoes firmly, coldly, betraying his position inside the dark chapel.
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"Forever I'll come," his eyes narrow, and he staggers down the isle, interpreting the answer to darkness as simply moving in complete concession forward to what is supposed to be the altar, "you will lead me out."
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"Forever is not within your reach," the abomination speaks, closer this time. Close enough for Mello to meet ice-cold eyes in features paler than what they used to be. Close enough for ghostly fingers to move up, slowly, and leave a red trail on Mello's unmarred check. The gesture a mockery of affection at best.
"Let's see how far." Words are followed by one of Near's trademark smiles, dark, twisted, and distracting. Then the single, smooth movement of his gun pressed against his own skull. There isn't time for Mello to react before Near pulls the trigger.
The sickening smell of blood feels more than real this time.
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"Near--" A croak of a call, he's using hardly any air to make it, "you don't belong here, Near!" He yells, and he cowers, falling to quaking feet and still trying to find what he's already found in a hot fit of foolish, mistaken conception.
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Her voice is soft, and she tries to look around the chapel as she speaks. Dangerous, she sees shadows and movement in every corner. She tries to hold the finesse she's been taught, but it slips here and there.
"Mello, we need to go. Now.
... Mello?"
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