další recenze hádejte na co
tadytutohle:
"That an emergency replacement tenor can be as good as de Biasio is a happy sign of the times. The Sicilian tenor not only has a strong and pleasant voice but showed a fairly well-developed musical sense despite the likely lack of rehearsal. I did miss Vargas' recently unerring sense of character (again, no knock of di Biasio, who had little chance to develop a rapport with the rest of the cast), but most of the crowd seemed to be buzzing about the need to see the new guy again. I agree, though the field these days is strong."
a
"Dmitri Hvorostovsky sang the eponymous former corsair beautifully, but I'm not convinced that Boccanegra plays to his real strengths. For all his exquisite shape of phrase, Hvorostovsky is most compelling when some dangerously strong emotion (usually rage) explodes from his usual civilized surface -- witness his Onegin, or di Luna, or Renato. Boccanegra, for all his pride and checkered past, spends most of his onstage time conciliating passions, not indulging them, and only his reminiscence of the sea near the end seems to engage Hvorostovsky in full."
to má asi pravdu, že mu to víc vyhovuje:-)
"That an emergency replacement tenor can be as good as de Biasio is a happy sign of the times. The Sicilian tenor not only has a strong and pleasant voice but showed a fairly well-developed musical sense despite the likely lack of rehearsal. I did miss Vargas' recently unerring sense of character (again, no knock of di Biasio, who had little chance to develop a rapport with the rest of the cast), but most of the crowd seemed to be buzzing about the need to see the new guy again. I agree, though the field these days is strong."
a
"Dmitri Hvorostovsky sang the eponymous former corsair beautifully, but I'm not convinced that Boccanegra plays to his real strengths. For all his exquisite shape of phrase, Hvorostovsky is most compelling when some dangerously strong emotion (usually rage) explodes from his usual civilized surface -- witness his Onegin, or di Luna, or Renato. Boccanegra, for all his pride and checkered past, spends most of his onstage time conciliating passions, not indulging them, and only his reminiscence of the sea near the end seems to engage Hvorostovsky in full."
to má asi pravdu, že mu to víc vyhovuje:-)