To claim a story for art or a mix please read through the fics and comment with the following:
- Username:
- Email:
Story #/Title:
Claiming for Art or Mix:
- Claimed stories will be struck out as they come in but make sure to check that someone hasn’t gotten the one you want (this is why comments are unscreened). It will be marked what they are claimed for, so people will know if a story is still open for art or a mix, or if they are closed for both.
- If you are an artist and you a mixer you can claim the same story for both, just make sure you mark your claim for both.
- If you signed up an artist and a mixer you can claim two different fics, one for art and one for mix. At this time we are only allowing fics to be claimed for art once and for mix once.
1. claimed for art and mix
Title: All the Songs of Winter
Fandom: ASOIAF only.
Type: Somewhere between gen and het (it's got a pairing, but it's not always about the pairing.)
Rating: R
Characters/Pairings: Sansa/Sandor, Rickon
Warnings: Semi-graphic sex (with talk about dubcon, but no actual dub or noncon) and potential violence.
Summary:
Sansa Stark is delivered unto a Rickon-and-wildling controlled Winterfell, by a Littlefinger who thinks he can take the North with her. He couldn't be more wrong. Sansa is finished with choices being made for her, and she will not abide Littlefinger's plans for her home.
With nothing left to lose, Sansa and Rickon make short work of Lord Baeylish and turn their wills towards rebuilding Winterfell and the North. They cannot turn to the south for help, even if they chose to; southron lands are still reeling from the wars and the fall of the Lannisters. They take all the help they can get, from Rickon’s wildling forces to the scattered, “loyal” lords of the north, and even an old Lannister dog.
Sansa and Rickon are children of summer, a girl of ten-and-seven and a boy of barely nine, but they must find ways to deal with the coming winter and word of the horrors trying to creep south of the wall, all while rumors from the south whisper of dragons…
2. Claimed for Art
Title: Westeros
Fandom: ASOIAF
Type: Slash, Gen
Rating: R
Characters/Pairings: Theon/Robb, Theon/Jeyne Poole, Theon/Jon, Arya/Gendry, Theon/Ramsey Bolton, Sansa/Joffrey Lannister
Warnings: strong language, violence, character death
Summary:
Before Lyanna Scott died, she created a board game for her graduate project. The game, called Westeros, is given to her niece Sansa in place of the daughter Lyanna hoped to have. Westeros is a fantastical world of knights and ladies, barbarians and kings. The Scott children, having few other games, come to love Westeros, playing it at every opportunity until they eventually have their favorite titles and lands. Jon is Lord Commander of the Night’s Watch, Robb is the King in the North, and Theon is King of Pyke, the barbaric island kingdrom.
Fostered into the Scott family, Theon Grey hasn’t much hope of ever returning to his family. He hasn’t much hope of anything really: he’s without ambition, without purpose, and without sympathy for anyone else. The only people he cares about anymore are his foster father, Mr Scott, and Robb, the eldest of the Scott children. Mr Scott is the best man Theon’s ever known, a complete turnaround from the father who neglected him, and Robb…Theon’s interest in Robb isn’t exactly wholesome.
When Jon joins the British Army, he leaves a whole family behind. When he comes back, three members of the family are dead, two are missing, and one is in an abusive relationship on the other side of the world. The only person left is Theon, the foster brother Jon never liked. Jon thinks he’s cursed; Theon thinks the game’s to blame. Yes, the game. Westeros. After years of abuse at the hands of Ramsey Bolton, Theon’s not exactly sane.
Or is he?
3. claimed for art, claimed for mix
Title: These Haunted Halls
Fandom: Game of Thrones/ASOIAF
Type: Romance/Het/Gen/post-series AU
Rating: M
Characters/Pairings: Jon Snow/Jeyne Westerling
Warnings: Sexual content
Summary:
Five year after the devastating and monumental events of the Red Wedding, the war comes to an end and Daenerys Targaryen, with the ominous strength of her dragons at her back, has taken the throne. In one of her first orders of business, she legitimizes Jon Snow, Lord Commander of The Night's Watch with whom she eradicated the threat posed by The White Walkers, and names him Lord of Winterfell and Warden of the North. Once instated, Jon recovers his sisters, Sansa and Arya, and the three of them--the only remaining Starks--work towards rebuilding the ruin that was once a great fortress.
Meanwhile at The Crag, Jeyne Westerling has harboured her son, Robb, from the clutches of any who would seek to dispose of any potential heir The King of the North may have fathered. However, when word of Jon Snow's instatement as Lord of Winterfell and Warden of the North reaches Sybil Westerling, she arranges for her daughter and her grandson to travel to Winterfell and reclaim what is theirs by rights. Jeyne, weary and wishing only to do right by her son, complies only to find herself in the midst of covert hostility, a land that she's unsure she could ever truly call her own, and an unsettling connection with the very man who sits where her son belongs.
4. Claimed for Art, MIx
Title: Kindle Fire with Snow
Fandom: ASOIAF
Type: Gen, het
Rating: R
Characters/Pairings: Arya/Gendry, Brotherhood without Banners ensemble, Lady Stoneheart, Nymeria
Warnings: Sexual context, violence, PTSD, strong language, Secondary character death
Summary:
In the dead of winter, Arya Stark returns to Westeros with a cloudy memory after having rejected the nameless, anonymous lifestyle of the Faceless Men. Cut off from the North by driving snows, treacherous winter seas, and warring armies, she must wait out the worst of the season in the Riverlands in the company of the Brotherhood without Banners. Marauding soldiers and the hardships of winter are not the only enemies, for Arya has plenty of her own demons she must battle. As a child, she lost almost everything, even her own identity; as a woman, she is haunted, hard, driven, lost. Even so, she has a preternatural pack of wolves, a distant brother, and her past companion Gendry to help her on her way to finding herself again (when she allows it - and sometimes when she doesn't).
5. Claimed for Art
Title: Unbent, Unbowed, Unbroken: The Chronicles of Elia Martell
Fandom: ASOIAF
Type: Gen, het
Rating: R
Characters/Pairings: Elia Martell, Oberyn Martell, Doran Martell, Rhaegar Targaryen, Aerys Targaryen, The Kingsguard
Warnings: Sexual context, violence, strong language, character death
Summary:
If they speak of her, it is only with remorse and pity. If they remember her, it is only because the horror of her end makes it impossible to dismiss her entirely. If they write of her, they write only of her frailty, of her marriage, and of her death- as if there was nothing else at all noteworthy of the pale, sick wife of Rhaegar Targaryen who met a most terrible end . . .
It would stupefy them entirely to know that she was an actual person, all of her own.
6. Claimed for Art and Mix
Title: Lyanna’s Rebellion
Fandom: ASOIAF
Type: het, gen, femslash, slash (the last two background)
Characters/Pairings: Catelyn Tully/Eddard Stark, Lyanna Stark, Lysa Tully, Minisa Tully, Lady Stark, Alys Arryn, Elia Martell, Rhaella Targaryen, Rhaegar Targaryen,
Rating: Teen
Summary: ASOIAF-gender reversal. A land where women rule, fight wars, and protect their families while men stay at home building, farming and playing music, keeping house and hall warm and snug until the women came home from war. Women gave life and women brought death, men were for the in between, trading and singing; raising children while the women fought and died.
7. claimed for art, and mix
Title: The Lady of the Gift
Fandom: A Song of Ice and Fire
Type: Het
Rating: NC-17
Characters/Pairings: Sansa Stark/Sandor Clegane, Arya Stark, Bran Stark, Rickon Stark, Daenerys Targaryen, Brienne of Tarth, Petyr Baelish, Robert Arryn, Elder Brother, Gilly, Hodor, various OCs
Warnings: sexual context, past non-con, violence, strong language, character deaths (major and minor, on and off screen), sexism, sexual thoughts about a minor, voyeurism, marital dub-con, past sexual abuse, mention of miscarriage.
Summary:
Hidden away in the Vale - Petyr Baelish’s captive in all but name - Sansa had often dreamt of the Hound. How she had wished for the scarred face that once frightened her so badly, how she had longed for that ferocity to be turned to her protection. But it was a child’s fantasy, one which she had put aside when it became clear that the only person who could save her was Sansa Stark. She had not thought to see him again.
Yet there he was, five years after she last laid eyes on him, sent north by a holy brother on the most unexpected of missions: to bring Rickon home to Winterfell... and to seek redemption for the wrongs he had done the Stark family.
Now spring is coming, and Sansa faces a difficult decision. Stay with her siblings, support and heal them, and give up on her own dreams. Or pursue her ambitions and in the process, put herself squarely in the power of a man whose character she is, at best, unsure of. Whatever she decides there will be no turning back, and though life has taught Sansa to become a realist, not even she would have foreseen the outcome of her own story.