Giving soulless screenplays away...
So you got this guy (Joe, Allen, Arved, Seth?) and he has a MP3 player that connects to the lighter in his car so he can play his music while driving. The MP3 player sends a wireless signal to the car radio on a certain frequency and this allows him to listen to said music.
As he (Fred, Arnold, Aaron, Bill?) drives around he begins to notice that he can pick up interference in certain areas. Passing semis sometimes he'd hear snippets of their CB conversations. Even when driving in everyday traffic he'd hear Howard Stern because of wireless Sirius receivers.
This is all well and good but not really insightful to him (Bob, Mike, Zeke, Roger?). You delve into the reason why he (Jack, Ryan, Sean, Hal?) has this setup. What's wrong with listening to the radio or CDs? It shakes out that he's half control freak and half introvert. Well, that's my take, you do what you gotta do but it's key that he doesn't have many, if any, close friends. He (Derick, Smoke, Daryl, Owen) can't have anyone to confide in...cuz it's a thriller, dig?
With him (Gary, Kevin, Ludwig, Ed?) partly fleshed out as a character, you throw in the beginning to the "B" story. Something about work, love or some other happy horseshit. You slyly setup the "A" story which is that every time he takes a certain back road and passes a certain building he (John, Paul, George, Ringo?) always gets interference in his car, without fail. Nothing special, right?
Except one time when he (Mark, Edgar, Neil, Fisher?) passing the building he picks up crosstalk and he hears something. Something he's not suppose to hear. Now from here, you can go in exactly six million directions. Aliens, terrorists, voices of the dead, his own voice. Knock yourself out. It's like "Rear Window" for the ears.
Type that up and give me 15 percent of the option they put down on it.
As he (Fred, Arnold, Aaron, Bill?) drives around he begins to notice that he can pick up interference in certain areas. Passing semis sometimes he'd hear snippets of their CB conversations. Even when driving in everyday traffic he'd hear Howard Stern because of wireless Sirius receivers.
This is all well and good but not really insightful to him (Bob, Mike, Zeke, Roger?). You delve into the reason why he (Jack, Ryan, Sean, Hal?) has this setup. What's wrong with listening to the radio or CDs? It shakes out that he's half control freak and half introvert. Well, that's my take, you do what you gotta do but it's key that he doesn't have many, if any, close friends. He (Derick, Smoke, Daryl, Owen) can't have anyone to confide in...cuz it's a thriller, dig?
With him (Gary, Kevin, Ludwig, Ed?) partly fleshed out as a character, you throw in the beginning to the "B" story. Something about work, love or some other happy horseshit. You slyly setup the "A" story which is that every time he takes a certain back road and passes a certain building he (John, Paul, George, Ringo?) always gets interference in his car, without fail. Nothing special, right?
Except one time when he (Mark, Edgar, Neil, Fisher?) passing the building he picks up crosstalk and he hears something. Something he's not suppose to hear. Now from here, you can go in exactly six million directions. Aliens, terrorists, voices of the dead, his own voice. Knock yourself out. It's like "Rear Window" for the ears.
Type that up and give me 15 percent of the option they put down on it.