Mar 02, 2011 01:21
"Nor would Pola have understood why at night he held back his breath to listen to her sleep, spying out the sounds of her body. Face up, satisfied, she was breathing heavily, and hardly if ever, out of some uncertain dream, did she move a hand or exhale by raising her lower lip and blowing the air up towards her nose. Horacio remained still, his head a little raised or leaning on his fist, his cigarette hanging down. At three o'clock in the morning the Rue Dauphine was quiet, Pola's breathing came and went, then there was something of a soft running, a minute instantaneous whirlwind, an interior agitation like a second life. Oliveira got up slowly and moved his ear close to the naked skin, rested it on the tense and warm curved drum, listened. Sounds, drops, and falls, Cartesian devils and murmurs, a walking of crabs and slugs, a black and muffled world sliding out over plush, running into things here and there and covering up again (Pola breathed heavily, moved a little). A liquid cosmos, fluid, in nocturnal gestation, plasmas rising and falling, the opaque and slow mechanism moving around grudgingly, and suddenly a rumbling, a mad race almost against the skin, a flight and a gurgling of contention or leaking, Pola's stomach a black sky with fat and slow stars, glowing comets, a tumbling of immense vociferant planets, the sea like whispering plankton, its Medusa murmurings, Pola the microcosm, Pola the summing up of universal night in her small fermented night where yogurt and white wine were mixed with meat and vegetables, center of a chemistry infinitely rich and mysterious and remote and so near."
Hopscotch, Julio Cortazar