TWENTY-FOUR
[AUDIO- POINTED, VERY CLEAR AUDIO, BECAUSE HE IS SPEAKING THIS SO THAT SOMEONE CAN HEAR EVERY WORD. THERE IS A NOT SO FAINT CLAMOR IN THE BACKGROUND. LIKE THAT OF MORON ATTACKING DOOR]
I would like to make this very clear--
At no point in time did I think that the "tear" in the barrier would in fact lead to freedom and the return to my world. It was too flawed a proposal; after all, the fountain claims to reflect a reality as well.
That said, I was unable to thoroughly examine the other side before being plunged into this place-- so, should the subject ever rise again,
I did not willingly set foot into Kurosaki's bedroom.
I do not presume to speak for Kuchiki-san.
By the way, Kurosaki, you might want to listen to me after all, given that the popular network opinion is don't open the do-
[OMINOUSLY CUT OFF BY UH, IDK, DOOR BREAKAGE.]
[ooc: fffffff ... yis. OK some circus animal was harassing one of hie neighbors, that is the story as to ishida in the room, believe it mmk]
I would like to make this very clear--
At no point in time did I think that the "tear" in the barrier would in fact lead to freedom and the return to my world. It was too flawed a proposal; after all, the fountain claims to reflect a reality as well.
That said, I was unable to thoroughly examine the other side before being plunged into this place-- so, should the subject ever rise again,
I did not willingly set foot into Kurosaki's bedroom.
I do not presume to speak for Kuchiki-san.
By the way, Kurosaki, you might want to listen to me after all, given that the popular network opinion is don't open the do-
[OMINOUSLY CUT OFF BY UH, IDK, DOOR BREAKAGE.]
[ooc: fffffff ... yis. OK some circus animal was harassing one of hie neighbors, that is the story as to ishida in the room, believe it mmk]