Como CC no puede ser más reprimido
XDDDDD Me estoy partiendo leyendo las partes importantes del comentario de CC y Rob Bowman de la peli (weno, de la primera peli FTF) que he encontrado en una web de guiones de la serie. Y es reirse por no llorar o tirarte de los pelos XD
The characters of Mulder and Scully, as fans of the show know, have not just a respect for one another, and an affection, and a protectiveness but they have a deep love for one another. Where this goes in the movie, is a place it has never gone before in the television series and it ends up in a pivotal scene in Mulder’s hallway. That needed to be set up here in the beginning of the picture. We needed to make sure we didn’t go too far ultimately with these characters to too far a place cause we needed to come back to this place for the next year of the TV series, which was year six. So there again, filmmakers usually don’t have to think conservatively, but we needed to make sure the relationship was understood, intact, went somewhere new yet, didn’t go so far as to be irreparable.
Sobre la escena del pasillo.
There’s a sequence after Mulder arrives back in his apartment to confirm Kurtzweil’s existence and friendship with his father where Scully comes in and says, "I’ve quit, I’m leaving. I’m going off to)so and so, I don’t want to stay because I know you’ll talk me out of it. So I gotta leave now, bye." So she runs out. Mulder persues her down the hallway, has already confessed to her in the room that now is the worst time of all. "We’re really on to something here. I need you. I need you, I need you." That’s the theme of the movie, Mulder needs Scully. Never before has he come to that understanding quite so strongly as he does in this story. So, she’s running because she’s afraid that he’s gonna talk her out of it. So the best thing she can do is just hit the elevator button and go, go, go. She never makes it. This was her first mistake. And Mulder also knows that that’s where she’s headed, is out the door. So, he’s gotta tell her why it is that she’s so important to him. And tell her once and for all that in fact, the whole time that they’ve been together, that the two of them have been together, that she has made him better. She has made him feel not like an outcast, not like discarded FBI trash, but actually sombody that’s worthy of her friendship. That, as he says, she’s made him a whole person. So in a scene filled with such virtue, such, you know, people sharing their most highest thoughts and feelings towards each other, you come to a sort of pinnacle, respect and mutual admiration that it leads into an intimate moment that neither one of them expect. Or were sort of working towards. It just sort of happens. You know, you just keep going and going and arguing and arguing and all of a sudden it’s not an argument, it’s sort of, you know, "we’re for each other, we’re for each other and we come to the opportunity of a kiss for the first time." But it’s not out of lust, it’s not out of any obvious reasons or typical reasons. It’s out of just absolute overwhelming respect for one another. Out of that respect comes an emotional response, where you transcend, sort of, logic and thinking and it becomes more visceral and human. The only place for him to go in my mind, to express the next thought is to kiss her. And how do we do that in the x-files fashion which is, you know, you never give them anything they want, and just sort of lead them down the road and say, "auuup, that's all you get". Then because of the bee, Mulder is abrupt and abbreviated. Stops short of, sort of, the zenith that the audience is wanting. But we don’t want to end the movie by completely cheating the audience. We’d like to, at least, add up, in parts, a kiss. So there’s the spaceship where Mulder's trying to rescue Scully and just when they get to the vent exit she collapses again, and she passes out, and she’s not breathing. So what do you do when someone's not breathing? You give them mouth to mouth resuscitation.
So you’ve got the intention of the kiss, and the physical act of them touching mouths and I believe in Chris’s mind, the idea was, you take those two, add them together and that’s a kiss! That counts! Sort of in the frustrating x-files fashion, that’s a kiss. I obviously think that there’s more gained for the audience out of the hallway kiss. And I don’t think anyone really walked out thinking, well they sorta did, you add the two together. But doesn’t matter, because the idea is they were going to. As a story point, that counts as a kiss. It wasn’t because they didn’t stop themselves, something else entered the scene and interrupted them
Tengo una teoría de porque Mulder necesita a Scully y la verdad es que él no sale muy bien parado. Pero otro día os la cuento ^^U
La escena del boca a boca (capullos, hacen como si nos regalaran esa escena por la del beso ¬¬)
This is the final chapter of Mulder rescuing Scully out of the space ship. Down below the ship woke up, somehow, we don’t know what, but it started vibrating, we know the situation is getting worse and worse for Mulder and Scully. So he’s trying to evacuate her out of the ship, trying to rescue her, and we’re inner-cutting between two of the sequences in which is the evacuation or the escape of the conspirators up on the ice field and also to the corridor where Mulder first entered, which we see is all melting. The ship is actually waking up its inhabitants. We assume, to the detriment of Scully and Mulder. This is a part of the movie where it really is about movie magic because not much of this is real. You’ve got what’s, in reality, the sets made up of wood and nails and paint and creatures which are men in rubber suits. The secret is to hire the best people and hopefully though the lens, to the audience, it looks real.
Now we're coming into the second part of two parts that make a whole, is the idea of Mulder and Scully kissing in this movie. Which is something that Chris wanted to give the audience. But he didn’t want to give it to them in the standard fashion of them just, you know, exposing their feelings and then kissing. He broke it in two parts. The first part is in the hallway where they have the surprising intention to kiss out of respect. Then Scully passes out here in the corridor and Mulder's gonna have to revive her. It’s gonna have to be from mouth to mouth resuscitation which gives us the act, or the physical act of touching lips and Chris thought maybe those two halves might make a whole, giving them the kiss without actually having them kiss. Which I thought was a brilliant idea.
Y menos mal que recapacitaron y en vez de una escena Mulder y El Fumador pusieron la de Mulder y Scully en el parque...
Si quereis leer todo el comentario porque todavía no lo habeis leido ya que no hay subtitulos en el DVD y todavía no sabeis de que hablaron CC y RB (como yo vamos) lo podeis hacer AQUÍ
Solo una cosa más. Kim y Vince, please, aliaros y encerrar a CC y RB para que no hagan lo mismo en XF2. Queremos una peli shipper con MOTW y con ellos fijo que tendremos lo segundo pero lo primero no estoy yo muy segura.
*señalo mi sidebar*
Dos shippers de... er... cuatro o cinco. Hechas las animaciones de MSR y Huddy con sus respectivos dialogos. No os voy a decir de que escenas son porque así os obligo a verlas :P
Btw, sabeis como se puede bajar la publi? Quiero decir, que esté más abajo y que suba donde he puesto los shippers, aunque esté entre medio de los shippers y los links. O eso o regalarme una cuenta pagada como regalo de navidad *lo apunto en mi lista para cuando haga el meme navideño de regalos*
The characters of Mulder and Scully, as fans of the show know, have not just a respect for one another, and an affection, and a protectiveness but they have a deep love for one another. Where this goes in the movie, is a place it has never gone before in the television series and it ends up in a pivotal scene in Mulder’s hallway. That needed to be set up here in the beginning of the picture. We needed to make sure we didn’t go too far ultimately with these characters to too far a place cause we needed to come back to this place for the next year of the TV series, which was year six. So there again, filmmakers usually don’t have to think conservatively, but we needed to make sure the relationship was understood, intact, went somewhere new yet, didn’t go so far as to be irreparable.
Sobre la escena del pasillo.
There’s a sequence after Mulder arrives back in his apartment to confirm Kurtzweil’s existence and friendship with his father where Scully comes in and says, "I’ve quit, I’m leaving. I’m going off to)so and so, I don’t want to stay because I know you’ll talk me out of it. So I gotta leave now, bye." So she runs out. Mulder persues her down the hallway, has already confessed to her in the room that now is the worst time of all. "We’re really on to something here. I need you. I need you, I need you." That’s the theme of the movie, Mulder needs Scully. Never before has he come to that understanding quite so strongly as he does in this story. So, she’s running because she’s afraid that he’s gonna talk her out of it. So the best thing she can do is just hit the elevator button and go, go, go. She never makes it. This was her first mistake. And Mulder also knows that that’s where she’s headed, is out the door. So, he’s gotta tell her why it is that she’s so important to him. And tell her once and for all that in fact, the whole time that they’ve been together, that the two of them have been together, that she has made him better. She has made him feel not like an outcast, not like discarded FBI trash, but actually sombody that’s worthy of her friendship. That, as he says, she’s made him a whole person. So in a scene filled with such virtue, such, you know, people sharing their most highest thoughts and feelings towards each other, you come to a sort of pinnacle, respect and mutual admiration that it leads into an intimate moment that neither one of them expect. Or were sort of working towards. It just sort of happens. You know, you just keep going and going and arguing and arguing and all of a sudden it’s not an argument, it’s sort of, you know, "we’re for each other, we’re for each other and we come to the opportunity of a kiss for the first time." But it’s not out of lust, it’s not out of any obvious reasons or typical reasons. It’s out of just absolute overwhelming respect for one another. Out of that respect comes an emotional response, where you transcend, sort of, logic and thinking and it becomes more visceral and human. The only place for him to go in my mind, to express the next thought is to kiss her. And how do we do that in the x-files fashion which is, you know, you never give them anything they want, and just sort of lead them down the road and say, "auuup, that's all you get". Then because of the bee, Mulder is abrupt and abbreviated. Stops short of, sort of, the zenith that the audience is wanting. But we don’t want to end the movie by completely cheating the audience. We’d like to, at least, add up, in parts, a kiss. So there’s the spaceship where Mulder's trying to rescue Scully and just when they get to the vent exit she collapses again, and she passes out, and she’s not breathing. So what do you do when someone's not breathing? You give them mouth to mouth resuscitation.
So you’ve got the intention of the kiss, and the physical act of them touching mouths and I believe in Chris’s mind, the idea was, you take those two, add them together and that’s a kiss! That counts! Sort of in the frustrating x-files fashion, that’s a kiss. I obviously think that there’s more gained for the audience out of the hallway kiss. And I don’t think anyone really walked out thinking, well they sorta did, you add the two together. But doesn’t matter, because the idea is they were going to. As a story point, that counts as a kiss. It wasn’t because they didn’t stop themselves, something else entered the scene and interrupted them
Tengo una teoría de porque Mulder necesita a Scully y la verdad es que él no sale muy bien parado. Pero otro día os la cuento ^^U
La escena del boca a boca (capullos, hacen como si nos regalaran esa escena por la del beso ¬¬)
This is the final chapter of Mulder rescuing Scully out of the space ship. Down below the ship woke up, somehow, we don’t know what, but it started vibrating, we know the situation is getting worse and worse for Mulder and Scully. So he’s trying to evacuate her out of the ship, trying to rescue her, and we’re inner-cutting between two of the sequences in which is the evacuation or the escape of the conspirators up on the ice field and also to the corridor where Mulder first entered, which we see is all melting. The ship is actually waking up its inhabitants. We assume, to the detriment of Scully and Mulder. This is a part of the movie where it really is about movie magic because not much of this is real. You’ve got what’s, in reality, the sets made up of wood and nails and paint and creatures which are men in rubber suits. The secret is to hire the best people and hopefully though the lens, to the audience, it looks real.
Now we're coming into the second part of two parts that make a whole, is the idea of Mulder and Scully kissing in this movie. Which is something that Chris wanted to give the audience. But he didn’t want to give it to them in the standard fashion of them just, you know, exposing their feelings and then kissing. He broke it in two parts. The first part is in the hallway where they have the surprising intention to kiss out of respect. Then Scully passes out here in the corridor and Mulder's gonna have to revive her. It’s gonna have to be from mouth to mouth resuscitation which gives us the act, or the physical act of touching lips and Chris thought maybe those two halves might make a whole, giving them the kiss without actually having them kiss. Which I thought was a brilliant idea.
Y menos mal que recapacitaron y en vez de una escena Mulder y El Fumador pusieron la de Mulder y Scully en el parque...
Si quereis leer todo el comentario porque todavía no lo habeis leido ya que no hay subtitulos en el DVD y todavía no sabeis de que hablaron CC y RB (como yo vamos) lo podeis hacer AQUÍ
Solo una cosa más. Kim y Vince, please, aliaros y encerrar a CC y RB para que no hagan lo mismo en XF2. Queremos una peli shipper con MOTW y con ellos fijo que tendremos lo segundo pero lo primero no estoy yo muy segura.
*señalo mi sidebar*
Dos shippers de... er... cuatro o cinco. Hechas las animaciones de MSR y Huddy con sus respectivos dialogos. No os voy a decir de que escenas son porque así os obligo a verlas :P
Btw, sabeis como se puede bajar la publi? Quiero decir, que esté más abajo y que suba donde he puesto los shippers, aunque esté entre medio de los shippers y los links. O eso o regalarme una cuenta pagada como regalo de navidad *lo apunto en mi lista para cuando haga el meme navideño de regalos*