I was reminded today of the dense, bizarre story
Endure by
hmpf.
This is how it ends.
A man on a desert plain, standing by a hole he has dug with his
bare hands.
It made me think of a discussion by
unovis_lj about HL stories with unusual structures, and this might be the most unusual (the chose-your-own-adventure structure of
sylviavolk2000's
Immortal Database is pretty original as well).
So, other unusual story structures or thematic approaches I've enjoyed:
Heat Goes to Cold and
Tongues of Angels by
turned_earth
The Road to Hell by Paula Stiles
White Rabbit by Dargelos
What's an Honorable Man? by Yvette Christofilis
And Then Some by Loch Ness
Such Grave Joy, and
Becoming, by
tryfanstone
Glass Bells by Tritorella mostly because it was so unexpectedly affecting, given that I usually can't take mpreg seriously.
Give and Take by
unovis_lj
Stillheart by Sleeps with Coyotes
It's interesting, that for a fandom with a structure heavily dependant
on flashbacks, there aren't more flashbacks used in the fic. My
writing is typically linear. I've experimented a bit with
flashbacks or episodic type writing, approaching a story from more than
one angle, but not to the creative extent that some of the authors above have done.
One of the best uses of structure in fiction I've ever enjoyed was Joss
Whedon's episode of Firefly "Objects in Space" - it had it all: emotional arc, structural complexity, depth of philosophy behind it, as well as being fun to watch. Yes, Joss is my hero.
Another is the novel "The God of Small Things" which uses flashbacks in a really intense way. The story in the present isn't so much a story,and the past gets doled out in the uneven,odd way a child would remember things.
Those writers out there who have played with structure and theme, what do you think about when you write in this way? Do you start with a structural idea and then go to the story or does the story come first and the structure later?
Edit: I cross-posted this question over at Highlander_lj and there's some good stuff there. See
Here.