I am wondering why they took Darren Aronofsky and replaced him with Zack Snyder. Snyder has a great visual eye, but a simplistic ear for narrative. I agree with what Alan Moore told Terry Gilliam, the book is almost unfilmable as it cuts across several generations.
That said, so far I have had little reason to feel negatively about the movie other than ALan Moore's disavowal. He even had a problem with V for Vendetta, which surprised me although the attempts at his League of Extraordinary Gentlemen and his period of Swamp Thing were admittedly awful (but then again Chris Nolan uses a lot of Grant Morrison and Alan Moore's work on Batman over Frank Millers).
Actually, it was gonna be Paul Greengrass (UNITED 93, THE BOURNE SUPREMACY/ULTIMATUM) before Snyder, but Paramount declined to make it. It's funny, though, after THE FOUNTAIN, I can easily imagine some people lumping the same criticisms they have for Snyder on Aronofky. They went with Snyder because 300 made an assload of money. At least, I think it'll be as simple as that.
Snyder genuinely dedicated to getting this film right. He's well aware of the pressure on him, and if this film fails, it'll be from lack of talent, not effort.
I skipped a director--honestly, I am just amazed its getting made because of the sheer number of botched attempts to make the Watchmen--its chewed director and scriptwriters up and spit them out before. So since Synder is getting this made, it's a feather in his cap regardless of any other considerations: I also think its interesting (and perhaps wise) that the cast is largely unknowns or little knowns.
That's one of the many promising "well, maybe Snyder's actually got something here" factors, that he resisted any stars or name actors and instead went for unknowns and character actors, some of whom are Oscar caliber.
Also, the trailer does show that he's paid attention to Dave Gibbon's art, even if he has updated it with flashes of images that could have been in 12 Monkeys or Se7en.
Yeah, I don't think Snyder knows how not to make something stylistic, but I'm not going to hold that against him like many are, immediately crying "Bah, where's the realism?!" I imagine Greengrass would have made it hardcore realistic, and I'd loved to have seen that, but regardless, I'm anxious to see where Snyder's going with this.
Sometimes, depending on what movies are coming out from what studios and how the trailers are arranged, at a theater you'll get two in a row that use the same music.
That's always good for a laugh for those of us who pay attention to such things. :)
Snyder was personally involved with that trailer. He knows what he's doing, and god, I love him for it. Partially because only a handful seem to get it.
Also, funny story about that trailer: the MPAA refused to let him show Adrian's would-be assassin aiming a gun directly at the camera. So Snyder CGI replaced the gun with... wait for it... a walkie-talkie.
I kind of fell in love with Snyder in that moment, especially with the fact that he's putting nipples on Ozymandias' suit. He's doing exactly what a WATCHMEN movie needs to be doing: while the comic was a response to superhero comics up to 1985, the movie will be a response to superhero movies up to this point. Coming right on the heels of THE DARK KNIGHT, it's at the exact perfect time for audiences to be receptive to such a story... if it's done right, of course.
Again, far as I'm concerned, Snyder gets A for effort.
You know, I sometimes forget that pop culture has a memory that short. I mean its like missing the Adam West jokes on Family Guy, but barely a decade ago instead of, say, four.
That said, so far I have had little reason to feel negatively about the movie other than ALan Moore's disavowal. He even had a problem with V for Vendetta, which surprised me although the attempts at his League of Extraordinary Gentlemen and his period of Swamp Thing were admittedly awful (but then again Chris Nolan uses a lot of Grant Morrison and Alan Moore's work on Batman over Frank Millers).
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Snyder genuinely dedicated to getting this film right. He's well aware of the pressure on him, and if this film fails, it'll be from lack of talent, not effort.
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Now, they just make more sense. :)
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He's certainly earned my interest, that's for sure.
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Sometimes, depending on what movies are coming out from what studios and how the trailers are arranged, at a theater you'll get two in a row that use the same music.
That's always good for a laugh for those of us who pay attention to such things. :)
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Also, funny story about that trailer: the MPAA refused to let him show Adrian's would-be assassin aiming a gun directly at the camera. So Snyder CGI replaced the gun with... wait for it... a walkie-talkie.
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Irony is a dish best served at the expense of Spielberg.
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Again, far as I'm concerned, Snyder gets A for effort.
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Now that's funny.
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