The guards at Blackgate are starting to know him by sight. There are no pleasantries exchanged (unless the occasional sneered “Mr. Shore” can be considered a pleasantry) or special privileges accorded (although this is Gotham-there are some who’d say emerging unscathed from one of its prisons is a special privilege), but he’s now a known quantity,
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Which raises the question: what's in it for him?
"I'll try to be gentler than your last partner," he says, and although both voice and expression remain impassive, his jaw does clench. "What happened?"
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"Business," he repeats, flatly. "Here's a notion, if I may be so bold: how about we set business aside for the moment and instead divert ourselves with cobbling together a defense that might allow us to postpone your departure from this earth?"
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"That's your job, Alan. See, my job was getting arrested, strip searched, roughed up a bit and forced literally at gunpoint to wear orange. Your job is to organise my defense. We can swap places if you think that the county will go for it - but so far they're not the most gracious host I've ever encountered. So until we do our prison-swap, I guess you stick to planning my defence and I stick to looking great in a jumpsuit."
This is perhaps the most Bruce has said to Alan since this whole sorry saga started.
At least he's saying something. Even if it's just the exercise of his frustration that he can't control everything (everyone) from his jail cell.
"Have you got the papers, Alan?"
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He makes no move to produce them, however.
"Bruce, I've practiced law for"--the pause isn't for effect--"twenty years now. I've represented drug addicts, I've represented Denny Crane, I've represented myself, and you are far and away the least cooperative...do you want to be found guilty? I have nothing. You've given me nothing. Even the most inept of criminals would take the trouble to concoct some sort of an alibi. You don't even--I don't even know if this is registering."
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Bruce looks like he's about to speak. It's almost as if there are words just hanging in the air wanting to be heard but they just aren't able.
And then he doesn't. He sits there, arms crossed, staring at the floor, completely quiet.
What can he say? He gave his statement. He's talked about it enough.
What else can he say?
He can't explain the bruises on his body. He can't explain where he was. He can't explain his feelings for Vesper.
He can't.
What can he say?
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"Do you care?" he asks, almost in a whisper. It's one of those dangerous questions he's usually careful to give a wide berth. "She was murdered. If you--if you're found guilty, that's it. Case closed.
"You should be furious," he says. "You should be--"
He takes a breath, swallows. "They know about the gun."
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And another silence hits. Alan should be getting used to them by now. Bruce has certainly inflicted enough on him over the last few days.
"Do I care about what"? Bruce says finally ( ... )
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For one of the first times during the conversation his eyes meet Alan's. He looks right at Alan, so direct, like he really wants to say something.
"I have no idea what gun you're talking about."
Bruce is not giving out any information until he knows Alan knows. And even then, he may not give it out.
"Alan, I really don't feel great - "
This is true, he does not feel great at all. But since when would Bruce Wayne acknowledge that. Perhaps this situation has weakened him, made him vulnerable.
"We're just going to sign the papers and we can do this later."
Nope, he's just trying to manipulate Alan into focusing on what Bruce wants to focus on.
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"No?" Alan raises his eyebrows. "Because you own such a vast quantity of firearms, is that it?"
He has no intention of discussing the papers, not until Bruce has offered him something in the way of explanation. This is, yes, partly strategic--the contracts seem to be the primary reason Bruce is willing to tolerate Alan's presence at all--and partly sheer two-can-play-at-this-game pettiness.
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Juvenile.
Bruce really couldn't stand to be considered juvenile, not sincerely, not unless it was the part of a carefully controlled performance.
Though, if the shoe fits - or the illegally aquired firearm - then you wear it.
"I don't own a vast quantity of firearms."
Bruce Wayne, who in spite of the political flack involved is an avid advocate for gun control, an enthusiastic representative of victims rights - the damage this entire mess is going to do - he can't stand it.
Mess.
Vesper Fairchild isn't a mess. She's a person.
The look on his face isn't so blank or controlled now. The look on his face clearly says he can't stand this.
"This isn't a game, Alan ( ... )
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Try as he might, he can't imagine it. Bruce is all charm and flash (and underneath that a needling wit, a talent for provocation). He's not the type to transact business in dark alleys--not the type to jeopardize his manicure, never mind dirty his hands.
"I'm glad you realize that." All this time Alan's been waiting for, attempting to prod Bruce into some display of emotion, and when it comes his first instinct is to look away.
He meets his client's eyes. "You're up on murder charges and you're worried about shareholders. What about your future? Where does that figure into things?"
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"That's very personal."
The future. Bruce can talk about that in broad terms - a new public transportation system for Gotham City, No flying cars - or in humourous terms - he'll be a bachelor till he's 135 - but when it comes to actually considering a real and concrete future for himself -
He can't do it.
He hasn't been able to do it for a long time.
When he was a child, perhaps, he'd imagine it. Or for a moment, a brief moment, a year, two or three, when he was older, he looked into a future where he imagined himself, his wife, their father - a family.
But you grow out of the fairytales - you realise how contrived they are. You realise how manipulative they are.
And now he looks forward only as far as the next crime to solve and the next fight to survive.
"There are more important things in the world than Bruce Wayne, Alan."
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The next statement stops him cold. They're the words of a man condemned, a man resigned to his fate, not somebody prepared to put up a fight. For a moment Alan stares--at Bruce, technically, although the other man's features don't register--and then he nods, slowly, and recovers his voice.
"Are they things worth dying for?"
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