Yep, I'm alive. And I now have a revised draft of my academic book manuscript, even if there's still some tweaking to be done. So I emerge from out of my hermit hole for a quick "best of" roundup of the books I've read for pleasure this year. Just in time for Christmas!
Books read for Pleasure:
Memorable Fantasy novels:
Nnedi Okorafor,
Who Fears Death? Okorafor takes the familiar fantasy quest narrative, moves it to post-apocalyptic Africa, anchors it with a strong female protagonist, weaves in interesting postcolonial themes, and includes a brutal scene depicting female circumcision that's going to stick with me for years to come. With that description I've either turned you off or on this book. You decide.
Valentine,
Mechanique: A Tale of the Circus Tresaulti It's unfortunate that Mechanique and The Night Circus came out in the same year, because they're both lovely examples of magic-realist circus fabulism. But Valentine's writing is haunted by the trauma of war and by visions of flight, and in the end, I thought it was just splendid. By a hair, Mechanique takes the "best novel about a fantasy circus" award for 2012.
Urban Fantasy Debut, Honorable Mention:
If you've read the rest of this list you'll notice that I've included a suspicious number of books whose descriptions include the word "death" or "murder."
You know what book is NOT all about death and/or murder? And is frothy fun with an innovative magic system?
Michael Underwood's
Geekomancy. In which characters "power-up" for battles by watching Buffy and The Matrix, because in this world, being able to recall dialogue from The Princess Bride translates into epic magic sword-fighting abilities. Mike's a friend of mine and his debut novel's a geekarific blast.
Memorable YA:
John Green,
The Fault in Our Stars 2 smart teens meet at a cancer support group and fall in love. The narrator, 16 year old Hazel, let's us know from the first page that she has a terminal diagnosis. As she and everyone around her know, this love story will not have a happy ending. But Hazel's story is witty, sharply-observed compelling and -- like love itself -- worth the trip.
Best Lit Award Winner:
Hilary Mantel,
Bring Up the Bodies I don't know how Mantel managed to make a stream-of-consciousness novel about Thomas Cromwell so interesting the first time round, let alone for a sequel. If anything, Bring Up the Bodies is even better than Wolf Hall. This time, Cromwell's scheming not only serves Henry VIII's whims but Cromwell's desire to avenge his mentor's death. A bloody good book on all levels.
Memorable Psychological Thriller #1
Gillian Flynn,
Dark Places This was the year Flynn broke through with Gone Girl, the mystery every book club loved to read. But while I liked Gone Girl, Dark Places -- Flynn's 2nd novel -- was the one that really blew me away. The premise: as a 7 year old Libby Day famously survived the massacre of her family and served as the key witness in the trial of her older brother. 25 years later, manipulative Libby has blown through her charity money and is desperate for cash. So when a macabre club obsessed with notorious crimes invites her to be a paid guest speaker at one of their meetings, Libby is willing to go. What she doesn't expect is for the questions they ask to stir up ones of her own.
Flynn has a great command of voice, and it's on full display here as she jumps between time periods and points of view. Skillfully done.
Memorable Psychological Thriller #2
Tana French,
Broken Harbor It's not quite as memorable as In the Woods, but Broken Harbor is French's best since her debut. There's just something... unsettling about this story of a detective called in to investigate a horrific murder in a nearly-empty Irish housing development. The murder seems straightforward, but like the collapse of the Irish housing economy, so much turns on perception. And perceptions can't be trusted. For those of you who read Freud's essay on the Uncanny: Exhibit A.
Memorable Non-Fiction
Katherine Boo,
Beyond the Beautiful Forevers I heard Boo speak when she came to Delaware. Having heard her stories of the personal risks she took in investigating the murder of street kids in Mumbai, I think the thing that impressed me the most about the book is: none of those stories are there. Bucking the usual investigative non-fiction trend, Boo leaves herself out of this book entirely. Instead, we get to witness the unfolding lives of Mumbai slum-dwellers as though we're flies on the wall. The people we meet are memorable and their stories are devoid of the expected cliches of struggle and triumph. Well worth the read.
Preston and Stezi,
The Monster of Florence What if you decided to research an old murder case as famous in Italy as the Jack the Ripper murders are in the Anglophone world? What if, thanks to a corrupt Italian police system, you became a suspect? This non-fiction story is a jaw-dropping narrative about random - and institutional - forms of evil.
Allende,
The Sum of Our Days Didion's Blue Nights was excellent, but f***ing depressing. In contrast, Allende's description of the years following the death of her daughter is warm, poignant, and has stories about hallucinogenic tea and domestic scandals. So this one's my pick.
Best Academic Book (I.E. Book not read for pleasure)
Lauren Benton. A Search for Sovereignty: Law and Geography in European Empires, 1400-1900. Cambridge: Cambridge University Press, 2009.
This meticulously researched history of legal geographies examines the ways that certain types of space -- mountains, rivers, oceans etc. -- challenged imperial sovereignty. Benton convincingly argues that certain types of legal problems -- mutinies, for example -- became associated with certain types of anomalous space. For those of us interested in imperialism and geography, Benton's book is a fascinating and elucidating read.