After
this "Anger and hate," Justine said to him once. "Severely underrated. Keeps you going. Well, not you."
But then, she hadn't known him when hate kept him going, save for those two days between the death of one father and the imprisonment of another. Then Wesley had captured her and locked her up. In a closet. He's thinking of Justine a lot these days, and how she hated closed rooms afterwards, how they drove with open windows whenever they could. He also thinks of Angel under the sea, and the question of who deserves what.
Until Darla comes, and suddenly the fact his cell is neither a closet nor a coffin under the sea and that he does have blood on his hands doesn't provide him with the same resignation any more. He wants to breathe air again, any air, even some of the more toxic fumes from volcanos back in Quortoth would do, he wants his life back, and no matter whether Harry is really okay back in Gotham or not, he wants to see that for himself.
He also wants to hurt someone for this entire situation. And there are no demons around.
(Save for himself.)
Ironically, his general passivity so far, after the first day and assorted knocked out inmates, and the fact solitary didn't cause him to confess have persuaded the administration to a change of tactics. He's put in a cell with another murder suspect awaiting trial. As opposed to many a prison movie, the man in question is neither an oversized gorilla interested in rape nor an innocent who somehow ended up in detention. He's mostly complaining about how his lawyer screwed things up and didn't get him bailed out, and otherwise looking forward to visits from his wife. The person he killed was his son's math teacher.
"She was gonna let him fail," he explains. "Bitch." Hastily, he adds: "But of course I didn't do it."
The next day, Connor is offered a more or less blatant deal. Instead of having to watch the photos of his burned family yet again, he gets to watch photos of Harry Osborn, severely beaten up.
"Now Detective Fitzgerald, she figures the two of you were in it together, for a joyride," the policeman pushing the photos to him says. "But me, I can see another scenario. Maybe the Osborn boy just had bad luck and bad timing. But not you. Look, son, I know a killer when I see one. Bet no one would get the idea of putting your pal Harry into general population again if you confessed to all the murders. I'm just sayin'."
It takes all the will power he has not to move and react until the policeman shrugs and is about to signal the end of their conversation to the guards. Then he takes a page from Faith's book. He has crossed dimensions. He can do this. The main thing is not to look back.
There are glass splinters in his hair and there might be a bullet somewhere in his shoulder, at least that would explain the blood and the stinging pain there, but half an hour later he's on the road. Another hour later, he's confronted with his first demon. Only the demon turns out to be a costume, and not qualified for painsharing. Connor is hiding in one of the many underground tunnels beneath Los Angeles, far too familiar from the past, when it hits him.
He had forgotten. It's almost Halloween.