Mar 03, 2009 20:36
My, I've not been online in a few days. I'll try and to a quick update before my time is up on the coin-op computer.
Lets see...
Saturday. Loren made it to Day Two. After a leisurely morning I took the train to the tournament site to see the artists and such. The best was this table of craftsmen who made sort of 3-dimensional versions of magic cards by taking like 10 of the same cards, and doing intricate cut-outs of the features on them (hard to describe but I'll post photos later). I then walked to a nearby temple. I got seriously lost getting there, the sort of lost you can only get if you can't read any of the street signs. Finally found my way back to a point I could distinguish on the map using (I swear!) the position of the sun and the time of day.
It was all worth it because the temple (or shrine?) was really lovely. It featured inari (meaning fox, not sushi) statues, and an uncountable quantity of reddish-orange gates. These simple wooden gates were set one behind the other continuously for long stretches of pathways. It was an amazing experience to walk into the brilliant orange tunnels that the gates created. These temples are not relics; they are ancient and yet they are full of life and activity. The religion is very much alive, and interactive in a way I am not accustomed to. The many shrines on the property are visited by Japanese followers, which ring a bell, toss a coin into collection boxes, and make a wish or prayer. This is just one of the activities I observed. (there were no English signs, so I did a lot of observing). Another set of activities involved paying a small fee to write your wish/prayer on a piece of paper, a strip of wood, or other objects, which are then hung up together in the appropriate location. There were also various methods for receiving a pre-written fortune. And these are just the bits that were somewhat comprehensible to me! I followed one path that lead through a well tended bamboo forest. I have not seen bamboo this large aside from one memorable garden on the Big Island. Eventually there was a side-path with a lot of what looked like little shrines all crowded together. Some looked well tended, others old somewhat fallen to neglect. It wasn't til I'd gotten to the second wandering path featuring similar 'shrines' that it dawned on me that I was really looking at graves. I have never seen so strange a grave-yard! (again, hard to describe, photos to come when I get home). I could elaborate, but in the interest of time, I move on to Sunday.
Sunday.
Loren didn't make Day Three. That was not a surprise; it is only for the top 8 players. He made 80-somethingth out of nearly 400, which is not bad for his first time playing at this level. We didn't do much this day, as Loren was not feeling well. We started out to check out a temple in Southern Higashiyama, but by the time we got there Loren was feeling sick. We stopped in a very tasty soba restaurant on our way back to the hostel. Loren ordered a dish with 'thick broth' which neither of us much liked. It was like a typical broth that someone had then added a lot of corn starch or other thickener to, it was sickeningly thick and made the soba sticky so that it was hard to pry out of the bowl with chopsticks. We did nothing much the rest of the day; I enjoyed another bath in the hostel's luxurious tub.
Monday.
Yesterday Loren was feeling better. We picked a walking self-tour recommended by our guide book. It took us through some temples in Southern Higashiyama. At the first temple, the book recommended a strange side-attraction in the temple grounds, it was hard to find as there were no English signs. We were determined though as the book said it was 'one of the strangest attractions in Kyoto.' Inside a small temple, you pay a small fee and follow stairs down into darkness. Your left hand had hold of the railing; it is a series of large wooden orbs, like prayer beads, leading your way. It leads into the kind of complete darkness I have only experienced deep in the lava tubes of Hawaii. You turn right and left, your feet tenatively sliding along the slight unevenness of the age-worn rock slabs of the floor. Then you round a corner, and there hovering in front of you is a very large circular stone, somewhat flat on top. It has a Japanese symbol carved into the top. Though I can see one slender hand placed on the stone, It appears disembodied; the lighting is illuminating the stone and nothing else. The hand of the person in front of me disappears into the darkness, and it's my turn. Holding the large wood beads with my left hand, I place my right on the stone and move it around the edge as I was directed to before descending. Slowly, silently, the stone begins to rotate under my hand, as if it were floating on something.
out of time!
more later