(no subject)
BLAH.
finals are this week.
i'm so glad christmas is here.
i need to go chrimi choppin wednesday.
and for those of you with dasher, this might help you.
CANDIDE
Candide is the illegitimate nephew of a German baron. He grows up in the baron’s castle under the tutelage of the scholar Pangloss, who teaches him that this world is “the best of all possible worlds.” Candide falls in love with the baron’s young daughter, Cunégonde. The baron catches the two kissing and expels Candide from his home. On his own for the first time, Candide is soon conscripted into the army of the Bulgars. He wanders away from camp for a brief walk, and is brutally flogged as a deserter. After witnessing a horrific battle, he manages to escape and travels to Holland.
In Holland, a kindly Anabaptist named Jacques takes Candide in. Candide runs into a deformed beggar and discovers that it is Pangloss. Pangloss explains that he has contracted syphilis and that Cunégonde and her family have all been brutally murdered by the Bulgar army. Nonetheless, he maintains his optimistic outlook. Jacques takes Pangloss in as well. The three travel to Lisbon together, but before they arrive their ship runs into a storm and Jacques is drowned. Candide and Pangloss arrive in Lisbon to find it destroyed by an earthquake and under the control of the Inquisition. Pangloss is soon hanged as a heretic, and Candide is flogged for listening with approval to Pangloss’s philosophy. After his beating, an old woman dresses Candide’s wounds and then, to his astonishment, takes him to Cunégonde. Cunégonde explains that though the Bulgars killed the rest of her family, she was merely raped and then captured by a captain, who sold her to a Jew named Don Isaachar. At present, she is a sex slave jointly owned by Don Isaachar and the Grand Inquisitor of Lisbon. Each of Cunégonde’s two owners arrive in turn as she and Candide are talking, and Candide kills them both. Terrified, Candide, the old woman, and Cunégonde flee and board a ship bound for South America. During their journey, the old woman relates her own story. She was born the Pope’s daughter but has suffered a litany of misfortunes that include rape, enslavement, and cannibalism.
Candide and Cunégonde plan to marry, but as soon as they arrive in Buenos Aires, the governor, Don Fernando, proposes to Cunégonde. Thinking of her own financial welfare, she accepts. Authorities looking for the murderer of the Grand Inquisitor arrive from Portugal in pursuit of Candide. Along with a newly acquired valet named Cacambo, Candide flees to territory controlled by Jesuits who are revolting against the Spanish government. After demanding an audience with a Jesuit commander, Candide discovers that the commander is Cunégonde’s brother, the baron, who also managed to escape from the Bulgars. Candide announces that he plans to marry Cunégonde, but the baron insists that his sister will never marry a commoner. Enraged, Candide runs the baron through with his sword. He and Cacambo escape into the wilderness, where they narrowly avoid being eaten by a native tribe called the Biglugs.
After traveling for days, Candide and Cacambo find themselves in the land of Eldorado, where gold and jewels litter the streets. This utopian country has advanced scientific knowledge, no religious conflict, no court system, and places no value on its plentiful gold and jewels. But Candide longs to return to Cunégonde, and after a month in Eldorado he and Cacambo depart with countless invaluable jewels loaded onto swift pack sheep. When they reach the territory of Surinam, Candide sends Cacambo to Buenos Aires with instructions to use part of the fortune to purchase Cunégonde from Don Fernando and then to meet him in Venice. An unscrupulous merchant named Vanderdendur steals much of Candide’s fortune, dampening his optimism somewhat. Frustrated, Candide sails off to France with a specially chosen companion, an unrepentantly pessimistic scholar named Martin. On the way there, he recovers part of his fortune when a Spanish captain sinks Vanderdendur’s ship. Candide takes this as proof that there is justice in the world, but Martin staunchly disagrees.
In Paris, Candide and Martin mingle with the social elite. Candide’s fortune attracts a number of hangers-on, several of whom succeed in filching jewels from him. Candide and Martin proceed to Venice, where, to Candide’s dismay, Cunégonde and Cacambo are nowhere to be found. However, they do encounter other colorful individuals there, including Paquette, the chambermaid-turned-prostitute who gave Pangloss syphilis, and Count Pococurante, a wealthy Venetian who is hopelessly bored with the cultural treasures that surround him. Eventually, Cacambo, now a slave of a deposed Turkish monarch, surfaces. He explains that Cunégonde is in Constantinople, having herself been enslaved along with the old woman. Martin, Cacambo, and Candide depart for Turkey, where Candide purchases Cacambo’s freedom.
Candide discovers Pangloss and the baron in a Turkish chain gang. Both have actually survived their apparent deaths and, after suffering various misfortunes, arrived in Turkey. Despite everything, Pangloss remains an optimist. An overjoyed Candide purchases their freedom, and he and his growing retinue go on to find Cunégonde and the old woman. Cunégonde has grown ugly since Candide last saw her, but he purchases her freedom anyway. He also buys the old woman’s freedom and purchases a farm outside of Constantinople. He keeps his longstanding promise to marry Cunégonde, but only after being forced to send the baron, who still cannot abide his sister marrying a commoner, back to the chain gang. Candide, Cunégonde, Cacambo, Pangloss, and the old woman settle into a comfortable life on the farm but soon find themselves growing bored and quarrelsome. Finally, Candide encounters a farmer who lives a simple life, works hard, and avoids vice and leisure. Inspired, Candide and his friends take to cultivating a garden in earnest. All their time and energy goes into the work, and none is left over for philosophical speculation. At last everyone is fulfilled and happy.
Character List
Candide - The protagonist of the novel, Candide is a good-hearted but hopelessly naïve young man. His mentor, Pangloss, teaches him that their world is “the best of all possible worlds.” After being banished from his adopted childhood home, Candide travels the world and meets with a wide variety of misfortunes, all the while pursuing security and following Cunégonde, the woman he loves. His faith in Pangloss’s undiluted optimism is repeatedly tested. Candide is less a realistic character than a conduit for the attitudes and events that surround him. His opinions and actions are determined almost entirely by the influence of outside factors.
Pangloss - Pangloss is a philosopher and Candide’s tutor. His optimistic belief that this world is “the best of all possible worlds” is the primary target of the novel’s satire. Pangloss’s own experiences contradict this belief, but he remains faithful to it nonetheless. Like Candide, Pangloss is not a three-dimensional character. Instead, he is an exaggerated parody of overly optimistic Enlightenment philosophers.
Martin - Martin is a cynical scholar whom Candide befriends as a travel companion. Martin has suffered a great deal in his life and preaches a philosophy of undiluted pessimism. More knowledgeable and intelligent than either Candide or Pangloss, Martin is nonetheless a flawed philosopher. Because he always expects nothing but the worst from the world, he often has trouble seeing the world as it really is.
Cunégonde - Cunégonde is the daughter of a German baron who acts as Candide’s benefactor until he discovers Candide’s love for his daughter. Throughout much of the novel, Cunégonde is young and beautiful. After her father’s castle is destroyed in war, a number of exploitative men enslave her or use her as a mistress. Cunégonde returns Candide’s love but is willing to betray him for the sake of her own interests. Like him, she is neither intelligent nor complex. Her very blandness casts a satiric light on Candide’s mad romantic passion for her.
Cacambo - Cacambo becomes Candide’s valet when Candide travels in South America. A mixed-race native of the Americas, Cacambo is highly intelligent and morally honest. He is savvy and single-handedly rescues Candide from a number of scrapes. He is also directly responsible for Candide’s reunion with Cunégonde. As a practical man of action, he stands in direct opposition to ineffectual philosophers such as Pangloss and Martin.
The Folly of Optimism
Pangloss and his student Candide maintain that “everything is for the best in this best of all possible worlds.” This idea is a reductively simplified version of the philosophies of a number of Enlightenment thinkers, most notably Gottfried Wilhelm von Leibniz. To these thinkers, the existence of any evil in the world would have to be a sign that God is either not entirely good or not all-powerful, and the idea of an imperfect God is nonsensical. These philosophers took for granted that God exists, and concluded that since God must be perfect, the world he created must be perfect also. According to these philosophers, people perceive imperfections in the world only because they do not understand God’s grand plan. Because Voltaire does not accept that a perfect God (or any God) has to exist, he can afford to mock the idea that the world must be completely good, and he heaps merciless satire on this idea throughout the novel. The optimists, Pangloss and Candide, suffer and witness a wide variety of horrors-floggings, rapes, robberies, unjust executions, disease, an earthquake, betrayals, and crushing ennui. These horrors do not serve any apparent greater good, but point only to the cruelty and folly of humanity and the indifference of the natural world. Pangloss struggles to find justification for the terrible things in the world, but his arguments are simply absurd, as, for example, when he claims that syphilis needed to be transmitted from the Americas to Europe so that Europeans could enjoy New World delicacies such as chocolate. More intelligent and experienced characters, such as the old woman, Martin, and Cacambo, have all reached pessimistic conclusions about humanity and the world. By the novel’s end, even Pangloss is forced to admit that he doesn’t “believe a word of” his own previous optimistic conclusions.
The Uselessness of Philosophical Speculation
One of the most glaring flaws of Pangloss’s optimism is that it is based on abstract philosophical argument rather than real-world evidence. In the chaotic world of the novel, philosophical speculation repeatedly proves to be useless and even destructive. Time and time again, it prevents characters from making realistic assessments of the world around them and from taking positive action to change adverse situations. Pangloss is the character most susceptible to this sort of folly. While Jacques drowns, Pangloss stops Candide from saving him “by proving that the bay of Lisbon had been formed expressly for this Anabaptist to drown in.” While Candide lies under rubble after the Lisbon earthquake, Pangloss ignores his requests for oil and wine and instead struggles to prove the causes of the earthquake. At the novel’s conclusion, Candide rejects Pangloss’s philosophies for an ethic of hard, practical work. With no time or leisure for idle speculation, he and the other characters find the happiness that has so long eluded them. This judgment against philosophy that pervades Candide is all the more surprising and dramatic given Voltaire’s status as a respected philosopher of the Enlightenment.
The Hypocrisy of Religion
Voltaire satirizes organized religion by means of a series of corrupt, hypocritical religious leaders who appear throughout the novel. The reader encounters the daughter of a Pope, a man who as a Catholic priest should have been celibate; a hard-line Catholic Inquisitor who hypocritically keeps a mistress; and a Franciscan friar who operates as a jewel thief, despite the vow of poverty taken by members of the Franciscan order. Finally, Voltaire introduces a Jesuit colonel with marked homosexual tendencies. Religious leaders in the novel also carry out inhumane campaigns of religious oppression against those who disagree with them on even the smallest of theological matters. For example, the Inquisition persecutes Pangloss for expressing his ideas, and Candide for merely listening to them. Though Voltaire provides these numerous examples of hypocrisy and immorality in religious leaders, he does not condemn the everyday religious believer. For example, Jacques, a member of a radical Protestant sect called the Anabaptists, is arguably the most generous and humane character in the novel.
The Corrupting Power of Money
When Candide acquires a fortune in Eldorado, it looks as if the worst of his problems might be over. Arrest and bodily injury are no longer threats, since he can bribe his way out of most situations. Yet, if anything, Candide is more unhappy as a wealthy man. The experience of watching his money trickle away into the hands of unscrupulous merchants and officials tests his optimism in a way that no amount of flogging could. In fact, Candide’s optimism seems to hit an all-time low after Vanderdendur cheats him; it is at this point that he chooses to make the pessimist Martin his traveling companion. Candide’s money constantly attracts false friends. Count Pococurante’s money drives him to such world-weary boredom that he cannot appreciate great art. The cash gift that Candide gives Brother Giroflée and Paquette drives them quickly to “the last stages of misery.” As terrible as the oppression and poverty that plague the poor and powerless may be, it is clear that money-and the power that goes with it-creates at least as many problems as it solves.
TESS OF THE POOPERVILLES
Plot Overview
The poor peddler John Durbeyfield is stunned to learn that he is the descendent of an ancient noble family, the d’Urbervilles. Meanwhile, Tess, his eldest daughter, joins the other village girls in the May Day dance, where Tess briefly exchanges glances with a young man. Mr. Durbeyfield and his wife decide to send Tess to the d’Urberville mansion, where they hope Mrs. d’Urberville will make Tess’s fortune. In reality, Mrs. d’Urberville is no relation to Tess at all: her husband, the merchant Simon Stokes, simply changed his name to d’Urberville after he retired. But Tess does not know this fact, and when the lascivious Alec d’Urberville, Mrs. d’Urberville’s son, procures Tess a job tending fowls on the d’Urberville estate, Tess has no choice but to accept, since she blames herself for an accident involving the family’s horse, its only means of income.
Tess spends several months at this job, resisting Alec’s attempts to seduce her. Finally, Alec takes advantage of her in the woods one night after a fair. Tess knows she does not love Alec. She returns home to her family to give birth to Alec’s child, whom she christens Sorrow. Sorrow dies soon after he is born, and Tess spends a miserable year at home before deciding to seek work elsewhere. She finally accepts a job as a milkmaid at the Talbothays Dairy.
At Talbothays, Tess enjoys a period of contentment and happiness. She befriends three of her fellow milkmaids-Izz, Retty, and Marian-and meets a man named Angel Clare, who turns out to be the man from the May Day dance at the beginning of the novel. Tess and Angel slowly fall in love. They grow closer throughout Tess’s time at Talbothays, and she eventually accepts his proposal of marriage. Still, she is troubled by pangs of conscience and feels she should tell Angel about her past. She writes him a confessional note and slips it under his door, but it slides under the carpet and Angel never sees it.
After their wedding, Angel and Tess both confess indiscretions: Angel tells Tess about an affair he had with an older woman in London, and Tess tells Angel about her history with Alec. Tess forgives Angel, but Angel cannot forgive Tess. He gives her some money and boards a ship bound for Brazil, where he thinks he might establish a farm. He tells Tess he will try to accept her past but warns her not to try to join him until he comes for her.
Tess struggles. She has a difficult time finding work and is forced to take a job at an unpleasant and unprosperous farm. She tries to visit Angel’s family but overhears his brothers discussing Angel’s poor marriage, so she leaves. She hears a wandering preacher speak and is stunned to discover that he is Alec d’Urberville, who has been converted to Christianity by Angel’s father, the Reverend Clare. Alec and Tess are each shaken by their encounter, and Alec appallingly begs Tess never to tempt him again. Soon after, however, he again begs Tess to marry him, having turned his back on his -religious ways.
Tess learns from her sister Liza-Lu that her mother is near death, and Tess is forced to return home to take care of her. Her mother recovers, but her father unexpectedly dies soon after. When the family is evicted from their home, Alec offers help. But Tess refuses to accept, knowing he only wants to obligate her to him again.
At last, Angel decides to forgive his wife. He leaves Brazil, desperate to find her. Instead, he finds her mother, who tells him Tess has gone to a village called Sandbourne. There, he finds Tess in an expensive boardinghouse called The Herons, where he tells her he has forgiven her and begs her to take him back. Tess tells him he has come too late. She was unable to resist and went back to Alec d’Urberville. Angel leaves in a daze, and, heartbroken to the point of madness, Tess goes upstairs and stabs her lover to death. When the landlady finds Alec’s body, she raises an alarm, but Tess has already fled to find Angel.
Angel agrees to help Tess, though he cannot quite believe that she has actually murdered Alec. They hide out in an empty mansion for a few days, then travel farther. When they come to Stonehenge, Tess goes to sleep, but when morning breaks shortly thereafter, a search party discovers them. Tess is arrested and sent to jail. Angel and Liza-Lu watch as a black flag is raised over the prison, signaling Tess’s execution.
Tess Durbeyfield - The novel’s protagonist. Tess is a beautiful, loyal young woman living with her impoverished family in the village of Marlott. Tess has a keen sense of responsibility and is committed to doing the best she can for her family, although her inexperience and lack of wise parenting leave her extremely vulnerable. Her life is complicated when her father discovers a link to the noble line of the d’Urbervilles, and, as a result, Tess is sent to work at the d’Urberville mansion. Unfortunately, her ideals cannot prevent her from sliding further and further into misfortune after she becomes pregnant by Alec d’Urberville. The terrible irony is that Tess and her family are not really related to this branch of the d’Urbervilles at all: Alec’s father, a merchant named Simon Stokes, simply assumed the name after he retired.
Angel Clare - An intelligent young man who has decided to become a farmer to preserve his intellectual freedom from the pressures of city life. Angel’s father and his two brothers are respected clergymen, but Angel’s religious doubts have kept him from joining the ministry. He meets Tess when she is a milkmaid at the Talbothays Dairy and quickly falls in love with her.
Alec d’Urberville - The handsome, amoral son of a wealthy merchant named Simon Stokes. Alec is not really a d’Urberville-his father simply took on the name of the ancient noble family after he built his mansion and retired. Alec is a manipulative, sinister young man who does everything he can to seduce the inexperienced Tess when she comes to work for his family. When he finally has his way with her, out in the woods, he subsequently tries to help her but is unable to make her love him.
The Injustice of Existence
Unfairness dominates the lives of Tess and her family to such an extent that it begins to seem like a general aspect of human existence in Tess of the d’Urbervilles. Tess does not mean to kill Prince, but she is punished anyway, just as she is unfairly punished for her own rape by Alec. Nor is there justice waiting in heaven. Christianity teaches that there is compensation in the afterlife for unhappiness suffered in this life, but the only devout Christian encountered in the novel may be the reverend, Mr. Clare, who seems more or less content in his life anyway. For others in their misery, Christianity offers little solace of heavenly justice. Mrs. Durbeyfield never mentions otherworldly rewards. The converted Alec preaches heavenly justice for earthly sinners, but his faith seems shallow and insincere. Generally, the moral atmosphere of the novel is not Christian justice at all, but pagan injustice. The forces that rule human life are absolutely unpredictable and not necessarily well-disposed to us. The pre-Christian rituals practiced by the farm workers at the opening of the novel, and Tess’s final rest at Stonehenge at the end, remind us of a world where the gods are not just and fair, but whimsical and uncaring. When the narrator concludes the novel with the statement that “‘Justice’ was done, and the President of the Immortals (in the Aeschylean phrase) had ended his sport with Tess,” we are reminded that justice must be put in ironic quotation marks, since it is not really just at all. What passes for “Justice” is in fact one of the pagan gods enjoying a bit of “sport,” or a frivolous game.
Changing Ideas of Social Class in Victorian England
Tess of the d’Urbervilles presents complex pictures of both the importance of social class in nineteenth-century England and the difficulty of defining class in any simple way. Certainly the Durbeyfields are a powerful emblem of the way in which class is no longer evaluated in Victorian times as it would have been in the Middle Ages-that is, by blood alone, with no attention paid to fortune or worldly success. Indubitably the Durbeyfields have purity of blood, yet for the parson and nearly everyone else in the novel, this fact amounts to nothing more than a piece of genealogical trivia. In the Victorian context, cash matters more than lineage, which explains how Simon Stokes, Alec’s father, was smoothly able to use his large fortune to purchase a lustrous family name and transform his clan into the Stoke-d’Urbervilles. The d’Urbervilles pass for what the Durbeyfields truly are-authentic nobility-simply because definitions of class have changed. The issue of class confusion even affects the Clare clan, whose most promising son, Angel, is intent on becoming a farmer and marrying a milkmaid, thus bypassing the traditional privileges of a Cambridge education and a parsonage. His willingness to work side by side with the farm laborers helps endear him to Tess, and their acquaintance would not have been possible if he were a more traditional and elitist aristocrat. Thus, the three main characters in the Angel-Tess-Alec triangle are all strongly marked by confusion regarding their respective social classes, an issue that is one of the main concerns of the novel.
Men Dominating Women
One of the recurrent themes of the novel is the way in which men can dominate women, exerting a power over them linked primarily to their maleness. Sometimes this command is purposeful, in the man’s full knowledge of his exploitation, as when Alec acknowledges how bad he is for seducing Tess for his own momentary pleasure. Alec’s act of abuse, the most life-altering event that Tess experiences in the novel, is clearly the most serious instance of male domination over a female. But there are other, less blatant examples of women’s passivity toward dominant men. When, after Angel reveals that he prefers Tess, Tess’s friend Retty attempts suicide and her friend Marian becomes an alcoholic, which makes their earlier schoolgirl-type crushes on Angel seem disturbing. This devotion is not merely fanciful love, but unhealthy obsession. These girls appear utterly dominated by a desire for a man who, we are told explicitly, does not even realize that they are interested in him. This sort of unconscious male domination of women is perhaps even more unsettling than Alec’s outward and self-conscious cruelty.
Even Angel’s love for Tess, as pure and gentle as it seems, dominates her in an unhealthy way. Angel substitutes an idealized picture of Tess’s country purity for the real-life woman that he continually refuses to get to know. When Angel calls Tess names like “Daughter of Nature” and “Artemis,” we feel that he may be denying her true self in favor of a mental image that he prefers. Thus, her identity and experiences are suppressed, albeit unknowingly. This pattern of male domination is finally reversed with Tess’s murder of Alec, in which, for the first time in the novel, a woman takes active steps against a man. Of course, this act only leads to even greater suppression of a woman by men, when the crowd of male police officers arrest Tess at Stonehenge. Nevertheless, for just a moment, the accepted pattern of submissive women bowing to dominant men is interrupted, and Tess’s act seems heroic.
CRY THE BELOVED POOPFACE
Plot Overview
In the remote village of Ndotsheni, in the Natal province of eastern South Africa, the Reverend Stephen Kumalo receives a letter from a fellow minister summoning him to Johannesburg, a city in South Africa. He is needed there, the letter says, to help his sister, Gertrude, who the letter says has fallen ill. Kumalo undertakes the difficult and expensive journey to the city in the hopes of aiding Gertrude and of finding his son, Absalom, who traveled to Johannesburg from Ndotsheni and never returned. In Johannesburg, Kumalo is warmly welcomed by Msimangu, the priest who sent him the letter, and given comfortable lodging by Mrs. Lithebe, a Christian woman who feels that helping others is her duty. Kumalo visits Gertrude, who is now a prostitute and liquor-seller, and persuades her to come back to Ndotsheni with her young son.
A more difficult quest follows when Kumalo and Msimangu begin searching the labyrinthine metropolis of Johannesburg for Absalom. They visit Kumalo’s brother, John, who has become a successful businessman and politician, and he directs them to the factory where his son and Absalom once worked together. One clue leads to another, and as Kumalo travels from place to place, he begins to see the gaping racial and economic divisions that are threatening to split his country. Eventually, Kumalo discovers that his son has spent time in a reformatory and that he has gotten a girl pregnant.
Meanwhile, the newspapers announce that Arthur Jarvis, a prominent white crusader for racial justice, has been murdered in his home by a gang of burglars. Kumalo and Msimangu learn that the police are looking for Absalom, and Kumalo’s worst suspicions are confirmed when Absalom is arrested for Jarvis’s murder. Absalom has confessed to the crime, but he claims that two others, including John Kumalo’s son, Matthew, aided him and that he did not intend to murder Jarvis. With the help of friends, Kumalo obtains a lawyer for Absalom and attempts to understand what his son has become. John, however, makes arrangements for his own son’s defense, even though this split will worsen Absalom’s case. When Kumalo tells Absalom’s pregnant girlfriend what has happened, she is saddened by the news, but she joyfully agrees to his proposal that she marry his son and return to Ndotsheni as Kumalo’s daughter-in-law.
Meanwhile, in the hills above Ndotsheni, Arthur Jarvis’s father, James Jarvis, tends his bountiful land and hopes for rain. The local police bring him news of his son’s death, and he leaves immediately for Johannesburg with his wife. In an attempt to come to terms with what has happened, Jarvis reads his son’s articles and speeches on social inequality and begins a radical reconsideration of his own prejudices. He and Kumalo meet for the first time by accident, and after Kumalo has recovered from his shock, he expresses sadness and regret for Jarvis’s loss. Both men attend Absalom’s trial, a fairly straightforward process that ends with the death penalty for Absalom and an acquittal for his co-conspirators. Kumalo arranges for Absalom to marry the girl who bears his child, and they bid farewell. The morning of his departure, Kumalo rouses his new family to bring them back to Ndotsheni only to find that Gertrude has disappeared and run back to her old life of sin.
Kumalo is now deeply aware of how his people have lost the tribal structure that once held them together, and he returns to his village troubled by the situation. It turns out that James Jarvis has been having similar thoughts. Arthur Jarvis’s young son befriends Kumalo, and as the young boy and the old man become acquainted, James Jarvis becomes increasingly involved with helping the struggling village. He donates milk at first, then makes plans for a dam and hires an agricultural expert to demonstrate newer, less devastating farming techniques. When Jarvis’s wife dies, Kumalo and his congregation send a wreath to express their sympathy. Just as the diocese’s bishop is on the verge of transferring Kumalo, Jarvis sends a note of thanks for the wreath and offers to build the congregation a new church, and Kumalo is permitted to stay in his parish.
On the evening before his son’s execution, Kumalo goes into the mountains to await the appointed time in solitude. On the way, he encounters Jarvis, and the two men speak of the village, of lost sons, and of Jarvis’s bright young grandson, whose innocence and honesty have impressed both men. When Kumalo is alone, he weeps for his son’s death and clasps his hands in prayer as dawn breaks over the valley.
Stephen Kumalo - One of the novel’s two protagonists. Kumalo is an elderly Zulu priest who has spent all of his life in the village of Ndotsheni. He is a quiet, humble, and gentle man with a strong moral sense and an abiding faith in God. He is not perfect, however, and occasionally gives in to the temptation to hurt others with harsh words or lies. The dignity and grace with which he accepts his suffering, however, along with his determination to help his people in spite of his limitations, make him the moral center of the novel.
James Jarvis - The novel’s other protagonist, awhite landowner whose farm overlooks Ndotsheni. When he first appears in the novel, Jarvis is a relatively conservative farmer and a man of few words. But the tragic news that his only son, Arthur, has been murdered leads him to Johannesburg, where he begins to rethink his opinions and his relationship to the villagers that live below his farm.
Theophilus Msimangu - Stephen Kumalo’s host and guide in Johannesburg. A tall, young minister at the Mission House in Sophiatown, Msimangu has an acute understanding of the problems that face South Africa. He helps Kumalo understand the people and places that they encounter, and is unfailingly sympathetic to Kumalo, making Kumalo’s quest his top priority. He sometimes speaks unkindly, but he quickly repents. His eventual decision to enter a monastery is a final testament to the depth of his faith and generosity.
Absalom Kumalo - Stephen Kumalo’s son. After fleeing home for Johannesburg, Absalom quickly goes astray, but even after he commits murder, he is able to reclaim his fundamental decency. His decision to move to Johannesburg is part of a larger trend of young black people fleeing their villages for the cities. Absalom’s story is a cautionary tale of the dangers of this movement. Seeming to lack a reliable moral compass, he is influenced by bad companions and begins a criminal career.
Themes
Themes are the fundamental and often universal ideas explored in a literary work.
Reconciliation between Fathers and Sons
Cry, the Beloved Country chronicles the searches of two fathers for their sons. For Kumalo, the search begins as a physical one, and he spends a number of days combing Johannesburg in search of Absalom. Although most of his stops yield only the faintest clues as to Absalom’s whereabouts, the clues present a constantly evolving picture of who Absalom has become. As Kumalo knocks on the doors of Johannesburg’s slums, he hears of his son’s change from factory worker to burglar, then from promising reformatory pupil to killer. When Kumalo and Absalom are finally reunited after Absalom’s incarceration, they are virtual strangers to each other. The ordeal of the trial brings them closer together, but it is not until after the guilty verdict that Kumalo begins to understand Absalom. In Absalom’s letters from prison, Kumalo finds evidence of true repentance and familiar flashes of the little boy he remembers.
Jarvis has no actual searching to do, but it takes him little time to realize that he knows little about his own son. Away from Ndotsheni, Arthur has become a tireless advocate for South Africa’s black population, an issue on which he and his father have not always agreed. Reconciliation with a dead man might seem an impossible task, but Jarvis finds the necessary materials in Arthur’s writings, which give Jarvis clear and succinct insights into the man that Arthur had become, and even instill in Jarvis a sense of pride.
The Vicious Cycle of Inequality and Injustice
Kumalo’s search for his son takes place against the backdrop of massive social inequalities, which, if not directly responsible for Absalom’s troubles, are certainly catalysts for them. Because black South Africans are allowed to own only limited quantities of land, the natural resources of these areas are sorely taxed. The soil of Ndotsheni turns on its inhabitants-exhausted by over-planting and over-grazing, the land becomes sharp and hostile. For this reason, most young people leave the villages to seek work in the cities. Both Gertrude and Absalom find themselves caught up in this wave of emigration, but the economic lure of Johannesburg leads to danger. Facing limited opportunities and disconnected from their family and tribal traditions, both Gertrude and Absalom turn to crime.
Gertrude’s and Absalom’s stories recur on a large scale in Johannesburg, and the result is a city with slum neighborhoods and black gangs that direct their wrath against whites. In search of quick riches, the poor burglarize white homes and terrorize their occupants. The white population then becomes paranoid, and the little sympathy they do have for problems such as poor mine conditions disappears. Blacks find themselves subjected to even more injustice, and the cycle spirals downward. Both sides explain their actions as responses to violence from the other side. Absalom’s lawyer, for instance, claims that Absalom is society’s victim, and white homeowners gather government troops to counter what they see as a rising menace. There is precious little understanding on either side, and it seems that the cycle of inequality and injustice will go on endlessly.
Christianity and Injustice
In the tremendous hardships that Kumalo faces, his main solace comes from his faith in God. When he finds out what has happened to his son, his faith is shaken but not broken, and he turns to his fellow priests for comfort. Much of Kumalo’s time is spent in prayer, both for the souls lost in Johannesburg and for the fractured society of his village. Not just a form of comfort, Christianity proves to be a tool for resisting oppressive authority as well. Arthur Jarvis’s final essay, for example, calls the policies of South Africa’s mine un-Christian. Some allusions are made as well to the priests who have made social justice in South Africa their leading cause. As demonstrated with Msimangu, religion is often held up as South Africa’s only possible means of avoiding the explosion of its racial tensions.
Christianity is also, however, associated with injustice. John Kumalo reminds his brother that black priests are paid less than white ones, and argues that the church works against social change by reconciling its members to their suffering. He paints an infuriating picture of a bishop who condemns injustice while living in the luxury that such injustice provides. At the same time as he calls the policies of the mines un-Christian, Arthur Jarvis states that these policies have long been justified through faulty Christian reasoning. Arthur Jarvis mentions that some people argue that God meant for blacks to be unskilled laborers and that it is thus wrong to provide opportunities for improvement and education. The novel frequently explores the idea that in the wrong hands, Christianity can put a needy population to sleep or lend legitimacy to oppressive ideas.
PRIDE AND PREJUDICE
Plot Overview
The news that a wealthy young gentleman named Charles Bingley has rented the manor of Netherfield Park causes a great stir in the nearby village of Longbourn, especially in the Bennet household. The Bennets have five unmarried daughters-from oldest to youngest, Jane, Elizabeth, Mary, Kitty, and Lydia-and Mrs. Bennet is desperate to see them all married. After Mr. Bennet pays a social visit to Mr. Bingley, the Bennets attend a ball at which Mr. Bingley is present. He is taken with Jane and spends much of the evening dancing with her. His close friend, Mr. Darcy, is less pleased with the evening and haughtily refuses to dance with Elizabeth, which makes everyone view him as arrogant and obnoxious.
At social functions over subsequent weeks, however, Mr. Darcy finds himself increasingly attracted to Elizabeth’s charm and intelligence. Jane’s friendship with Mr. Bingley also continues to burgeon, and Jane pays a visit to the Bingley mansion. On her journey to the house she is caught in a downpour and catches ill, forcing her to stay at Netherfield for several days. In order to tend to Jane, Elizabeth hikes through muddy fields and arrives with a spattered dress, much to the disdain of the snobbish Miss Bingley, Charles Bingley’s sister. Miss Bingley’s spite only increases when she notices that Darcy, whom she is pursuing, pays quite a bit of attention to Elizabeth.
When Elizabeth and Jane return home, they find Mr. Collins visiting their household. Mr. Collins is a young clergyman who stands to inherit Mr. Bennet’s property, which has been “entailed,” meaning that it can only be passed down to male heirs. Mr. Collins is a pompous fool, though he is quite enthralled by the Bennet girls. Shortly after his arrival, he makes a proposal of marriage to Elizabeth. She turns him down, wounding his pride. Meanwhile, the Bennet girls have become friendly with militia officers stationed in a nearby town. Among them is Wickham, a handsome young soldier who is friendly toward Elizabeth and tells her how Darcy cruelly cheated him out of an inheritance.
At the beginning of winter, the Bingleys and Darcy leave Netherfield and return to London, much to Jane’s dismay. A further shock arrives with the news that Mr. Collins has become engaged to Charlotte Lucas, Elizabeth’s best friend and the poor daughter of a local knight. Charlotte explains to Elizabeth that she is getting older and needs the match for financial reasons. Charlotte and Mr. Collins get married and Elizabeth promises to visit them at their new home. As winter progresses, Jane visits the city to see friends (hoping also that she might see Mr. Bingley). However, Miss Bingley visits her and behaves rudely, while Mr. Bingley fails to visit her at all. The marriage prospects for the Bennet girls appear bleak.
That spring, Elizabeth visits Charlotte, who now lives near the home of Mr. Collins’s patron, Lady Catherine de Bourgh, who is also Darcy’s aunt. Darcy calls on Lady Catherine and encounters Elizabeth, whose presence leads him to make a number of visits to the Collins’s home, where she is staying. One day, he makes a shocking proposal of marriage, which Elizabeth quickly refuses. She tells Darcy that she considers him arrogant and unpleasant, then scolds him for steering Bingley away from Jane and disinheriting Wickham. Darcy leaves her but shortly thereafter delivers a letter to her. In this letter, he admits that he urged Bingley to distance himself from Jane, but claims he did so only because he thought their romance was not serious. As for Wickham, he informs Elizabeth that the young officer is a liar and that the real cause of their disagreement was Wickham’s attempt to elope with his young sister, Georgiana Darcy.
This letter causes Elizabeth to reevaluate her feelings about Darcy. She returns home and acts coldly toward Wickham. The militia is leaving town, which makes the younger, rather man-crazy Bennet girls distraught. Lydia manages to obtain permission from her father to spend the summer with an old colonel in Brighton, where Wickham’s regiment will be stationed. With the arrival of June, Elizabeth goes on another journey, this time with the Gardiners, who are relatives of the Bennets. The trip takes her to the North and eventually to the neighborhood of Pemberley, Darcy’s estate. She visits Pemberley, after making sure that Darcy is away, and delights in the building and grounds, while hearing from Darcy’s servants that he is a wonderful, generous master. Suddenly, Darcy arrives and behaves cordially toward her. Making no mention of his proposal, he entertains the Gardiners and invites Elizabeth to meet his sister.
Shortly thereafter, however, a letter arrives from home, telling Elizabeth that Lydia has eloped with Wickham and that the couple is nowhere to be found, which suggests that they may be living together out of wedlock. Fearful of the disgrace such a situation would bring on her entire family, Elizabeth hastens home. Mr. Gardiner and Mr. Bennet go off to search for Lydia, but Mr. Bennet eventually returns home empty-handed. Just when all hope seems lost, a letter comes from Mr. Gardiner saying that the couple has been found and that Wickham has agreed to marry Lydia in exchange for an annual income. The Bennets are convinced that Mr. Gardiner has paid off Wickham, but Elizabeth learns that the source of the money, and of her family’s salvation, was none other than Darcy.
Now married, Wickham and Lydia return to Longbourn briefly, where Mr. Bennet treats them coldly. They then depart for Wickham’s new assignment in the North of England. Shortly thereafter, Bingley returns to Netherfield and resumes his courtship of Jane. Darcy goes to stay with him and pays visits to the Bennets but makes no mention of his desire to marry Elizabeth. Bingley, on the other hand, presses his suit and proposes to Jane, to the delight of everyone but Bingley’s haughty sister. While the family celebrates, Lady Catherine de Bourgh pays a visit to Longbourn. She corners Elizabeth and says that she has heard that Darcy, her nephew, is planning to marry her. Since she considers a Bennet an unsuitable match for a Darcy, Lady Catherine demands that Elizabeth promise to refuse him. Elizabeth spiritedly refuses, saying she is not engaged to Darcy, but she will not promise anything against her own happiness. A little later, Elizabeth and Darcy go out walking together and he tells her that his feelings have not altered since the spring. She tenderly accepts his proposal, and both Jane and Elizabeth are married.
Character List
Elizabeth Bennet - The novel’s protagonist. The second daughter of Mr. Bennet, Elizabeth is the most intelligent and sensible of the five Bennet sisters. She is well read and quick-witted, with a tongue that occasionally proves too sharp for her own good. Her realization of Darcy’s essential goodness eventually triumphs over her initial prejudice against him.
Fitzwilliam Darcy - A wealthy gentleman, the master of Pemberley, and the nephew of Lady Catherine de Bourgh. Though Darcy is intelligent and honest, his excess of pride causes him to look down on his social inferiors. Over the course of the novel, he tempers his class-consciousness and learns to admire and love Elizabeth for her strong character.
Jane Bennet - The eldest and most beautiful Bennet sister. Jane is more reserved and gentler than Elizabeth. The easy pleasantness with which she and Bingley interact contrasts starkly with the mutual distaste that marks the encounters between Elizabeth and Darcy.
Charles Bingley - Darcy’s considerably wealthy best friend. Bingley’s purchase of Netherfield, an estate near the Bennets, serves as the impetus for the novel. He is a genial, well-intentioned gentleman, whose easygoing nature contrasts with Darcy’s initially discourteous demeanor. He is blissfully uncaring about class differences.
Mr. Bennet - The patriarch of the Bennet family, a gentleman of modest income with five unmarried daughters. Mr. Bennet has a sarcastic, cynical sense of humor that he uses to purposefully irritate his wife. Though he loves his daughters (Elizabeth in particular), he often fails as a parent, preferring to withdraw from the never-ending marriage concerns of the women around him rather than offer help.
Mrs. Bennet - Mr. Bennet’s wife, a foolish, noisy woman whose only goal in life is to see her daughters married. Because of her low breeding and often unbecoming behavior, Mrs. Bennet often repels the very suitors whom she tries to attract for her daughters.
Themes
Love
Pride and Prejudice contains one of the most cherished love stories in English literature: the courtship between Darcy and Elizabeth. As in any good love story, the lovers must elude and overcome numerous stumbling blocks, beginning with the tensions caused by the lovers’ own personal qualities. Elizabeth’s pride makes her misjudge Darcy on the basis of a poor first impression, while Darcy’s prejudice against Elizabeth’s poor social standing blinds him, for a time, to her many virtues. (Of course, one could also say that Elizabeth is guilty of prejudice and Darcy of pride-the title cuts both ways.) Austen, meanwhile, poses countless smaller obstacles to the realization of the love between Elizabeth and Darcy, including Lady Catherine’s attempt to control her nephew, Miss Bingley’s snobbery, Mrs. Bennet’s idiocy, and Wickham’s deceit. In each case, anxieties about social connections, or the desire for better social connections, interfere with the workings of love. Darcy and Elizabeth’s realization of a mutual and tender love seems to imply that Austen views love as something independent of these social forces, as something that can be captured if only an individual is able to escape the warping effects of hierarchical society. Austen does sound some more realist (or, one could say, cynical) notes about love, using the character of Charlotte Lucas, who marries the buffoon Mr. Collins for his money, to demonstrate that the heart does not always dictate marriage. Yet with her central characters, Austen suggests that true love is a force separate from society and one that can conquer even the most difficult of circumstances.
Reputation
Pride and Prejudice depicts a society in which a woman’s reputation is of the utmost importance. A woman is expected to behave in certain ways. Stepping outside the social norms makes her vulnerable to ostracism. This theme appears in the novel, when Elizabeth walks to Netherfield and arrives with muddy skirts, to the shock of the reputation-conscious Miss Bingley and her friends. At other points, the ill-mannered, ridiculous behavior of Mrs. Bennet gives her a bad reputation with the more refined (and snobbish) Darcys and Bingleys. Austen pokes gentle fun at the snobs in these examples, but later in the novel, when Lydia elopes with Wickham and lives with him out of wedlock, the author treats reputation as a very serious matter. By becoming Wickham’s lover without benefit of marriage, Lydia clearly places herself outside the social pale, and her disgrace threatens the entire Bennet family. The fact that Lydia’s judgment, however terrible, would likely have condemned the other Bennet sisters to marriageless lives seems grossly unfair. Why should Elizabeth’s reputation suffer along with Lydia’s? Darcy’s intervention on the Bennets’ behalf thus becomes all the more generous, but some readers might resent that such an intervention was necessary at all. If Darcy’s money had failed to convince Wickham to marry Lydia, would Darcy have still married Elizabeth? Does his transcendence of prejudice extend that far? The happy ending of Pride and Prejudice is certainly emotionally satisfying, but in many ways it leaves the theme of reputation, and the importance placed on reputation, unexplored. One can ask of Pride and Prejudice, to what extent does it critique social structures, and to what extent does it simply accept their inevitability?
Class
The theme of class is related to reputation, in that both reflect the strictly regimented nature of life for the middle and upper classes in Regency England. The lines of class are strictly drawn. While the Bennets, who are middle class, may socialize with the upper-class Bingleys and Darcys, they are clearly their social inferiors and are treated as such. Austen satirizes this kind of class-consciousness, particularly in the character of Mr. Collins, who spends most of his time toadying to his upper-class patron, Lady Catherine de Bourgh. Though Mr. Collins offers an extreme example, he is not the only one to hold such views. His conception of the importance of class is shared, among others, by Mr. Darcy, who believes in the dignity of his lineage; Miss Bingley, who dislikes anyone not as socially accepted as she is; and Wickham, who will do anything he can to get enough money to raise himself into a higher station. Mr. Collins’s views are merely the most extreme and obvious. The satire directed at Mr. Collins is therefore also more subtly directed at the entire social hierarchy and the conception of all those within it at its correctness, in complete disregard of other, more worthy virtues. Through the Darcy-Elizabeth and Bingley-Jane marriages, Austen shows the power of love and happiness to overcome class boundaries and prejudices, thereby implying that such prejudices are hollow, unfeeling, and unproductive. Of course, this whole discussion of class must be made with the understanding that Austen herself is often criticized as being a classist: she doesn’t really represent anyone from the lower classes; those servants she does portray are generally happy with their lot. Austen does criticize class structure but only a limited slice of that structure.
finals are this week.
i'm so glad christmas is here.
i need to go chrimi choppin wednesday.
and for those of you with dasher, this might help you.
CANDIDE
Candide is the illegitimate nephew of a German baron. He grows up in the baron’s castle under the tutelage of the scholar Pangloss, who teaches him that this world is “the best of all possible worlds.” Candide falls in love with the baron’s young daughter, Cunégonde. The baron catches the two kissing and expels Candide from his home. On his own for the first time, Candide is soon conscripted into the army of the Bulgars. He wanders away from camp for a brief walk, and is brutally flogged as a deserter. After witnessing a horrific battle, he manages to escape and travels to Holland.
In Holland, a kindly Anabaptist named Jacques takes Candide in. Candide runs into a deformed beggar and discovers that it is Pangloss. Pangloss explains that he has contracted syphilis and that Cunégonde and her family have all been brutally murdered by the Bulgar army. Nonetheless, he maintains his optimistic outlook. Jacques takes Pangloss in as well. The three travel to Lisbon together, but before they arrive their ship runs into a storm and Jacques is drowned. Candide and Pangloss arrive in Lisbon to find it destroyed by an earthquake and under the control of the Inquisition. Pangloss is soon hanged as a heretic, and Candide is flogged for listening with approval to Pangloss’s philosophy. After his beating, an old woman dresses Candide’s wounds and then, to his astonishment, takes him to Cunégonde. Cunégonde explains that though the Bulgars killed the rest of her family, she was merely raped and then captured by a captain, who sold her to a Jew named Don Isaachar. At present, she is a sex slave jointly owned by Don Isaachar and the Grand Inquisitor of Lisbon. Each of Cunégonde’s two owners arrive in turn as she and Candide are talking, and Candide kills them both. Terrified, Candide, the old woman, and Cunégonde flee and board a ship bound for South America. During their journey, the old woman relates her own story. She was born the Pope’s daughter but has suffered a litany of misfortunes that include rape, enslavement, and cannibalism.
Candide and Cunégonde plan to marry, but as soon as they arrive in Buenos Aires, the governor, Don Fernando, proposes to Cunégonde. Thinking of her own financial welfare, she accepts. Authorities looking for the murderer of the Grand Inquisitor arrive from Portugal in pursuit of Candide. Along with a newly acquired valet named Cacambo, Candide flees to territory controlled by Jesuits who are revolting against the Spanish government. After demanding an audience with a Jesuit commander, Candide discovers that the commander is Cunégonde’s brother, the baron, who also managed to escape from the Bulgars. Candide announces that he plans to marry Cunégonde, but the baron insists that his sister will never marry a commoner. Enraged, Candide runs the baron through with his sword. He and Cacambo escape into the wilderness, where they narrowly avoid being eaten by a native tribe called the Biglugs.
After traveling for days, Candide and Cacambo find themselves in the land of Eldorado, where gold and jewels litter the streets. This utopian country has advanced scientific knowledge, no religious conflict, no court system, and places no value on its plentiful gold and jewels. But Candide longs to return to Cunégonde, and after a month in Eldorado he and Cacambo depart with countless invaluable jewels loaded onto swift pack sheep. When they reach the territory of Surinam, Candide sends Cacambo to Buenos Aires with instructions to use part of the fortune to purchase Cunégonde from Don Fernando and then to meet him in Venice. An unscrupulous merchant named Vanderdendur steals much of Candide’s fortune, dampening his optimism somewhat. Frustrated, Candide sails off to France with a specially chosen companion, an unrepentantly pessimistic scholar named Martin. On the way there, he recovers part of his fortune when a Spanish captain sinks Vanderdendur’s ship. Candide takes this as proof that there is justice in the world, but Martin staunchly disagrees.
In Paris, Candide and Martin mingle with the social elite. Candide’s fortune attracts a number of hangers-on, several of whom succeed in filching jewels from him. Candide and Martin proceed to Venice, where, to Candide’s dismay, Cunégonde and Cacambo are nowhere to be found. However, they do encounter other colorful individuals there, including Paquette, the chambermaid-turned-prostitute who gave Pangloss syphilis, and Count Pococurante, a wealthy Venetian who is hopelessly bored with the cultural treasures that surround him. Eventually, Cacambo, now a slave of a deposed Turkish monarch, surfaces. He explains that Cunégonde is in Constantinople, having herself been enslaved along with the old woman. Martin, Cacambo, and Candide depart for Turkey, where Candide purchases Cacambo’s freedom.
Candide discovers Pangloss and the baron in a Turkish chain gang. Both have actually survived their apparent deaths and, after suffering various misfortunes, arrived in Turkey. Despite everything, Pangloss remains an optimist. An overjoyed Candide purchases their freedom, and he and his growing retinue go on to find Cunégonde and the old woman. Cunégonde has grown ugly since Candide last saw her, but he purchases her freedom anyway. He also buys the old woman’s freedom and purchases a farm outside of Constantinople. He keeps his longstanding promise to marry Cunégonde, but only after being forced to send the baron, who still cannot abide his sister marrying a commoner, back to the chain gang. Candide, Cunégonde, Cacambo, Pangloss, and the old woman settle into a comfortable life on the farm but soon find themselves growing bored and quarrelsome. Finally, Candide encounters a farmer who lives a simple life, works hard, and avoids vice and leisure. Inspired, Candide and his friends take to cultivating a garden in earnest. All their time and energy goes into the work, and none is left over for philosophical speculation. At last everyone is fulfilled and happy.
Character List
Candide - The protagonist of the novel, Candide is a good-hearted but hopelessly naïve young man. His mentor, Pangloss, teaches him that their world is “the best of all possible worlds.” After being banished from his adopted childhood home, Candide travels the world and meets with a wide variety of misfortunes, all the while pursuing security and following Cunégonde, the woman he loves. His faith in Pangloss’s undiluted optimism is repeatedly tested. Candide is less a realistic character than a conduit for the attitudes and events that surround him. His opinions and actions are determined almost entirely by the influence of outside factors.
Pangloss - Pangloss is a philosopher and Candide’s tutor. His optimistic belief that this world is “the best of all possible worlds” is the primary target of the novel’s satire. Pangloss’s own experiences contradict this belief, but he remains faithful to it nonetheless. Like Candide, Pangloss is not a three-dimensional character. Instead, he is an exaggerated parody of overly optimistic Enlightenment philosophers.
Martin - Martin is a cynical scholar whom Candide befriends as a travel companion. Martin has suffered a great deal in his life and preaches a philosophy of undiluted pessimism. More knowledgeable and intelligent than either Candide or Pangloss, Martin is nonetheless a flawed philosopher. Because he always expects nothing but the worst from the world, he often has trouble seeing the world as it really is.
Cunégonde - Cunégonde is the daughter of a German baron who acts as Candide’s benefactor until he discovers Candide’s love for his daughter. Throughout much of the novel, Cunégonde is young and beautiful. After her father’s castle is destroyed in war, a number of exploitative men enslave her or use her as a mistress. Cunégonde returns Candide’s love but is willing to betray him for the sake of her own interests. Like him, she is neither intelligent nor complex. Her very blandness casts a satiric light on Candide’s mad romantic passion for her.
Cacambo - Cacambo becomes Candide’s valet when Candide travels in South America. A mixed-race native of the Americas, Cacambo is highly intelligent and morally honest. He is savvy and single-handedly rescues Candide from a number of scrapes. He is also directly responsible for Candide’s reunion with Cunégonde. As a practical man of action, he stands in direct opposition to ineffectual philosophers such as Pangloss and Martin.
The Folly of Optimism
Pangloss and his student Candide maintain that “everything is for the best in this best of all possible worlds.” This idea is a reductively simplified version of the philosophies of a number of Enlightenment thinkers, most notably Gottfried Wilhelm von Leibniz. To these thinkers, the existence of any evil in the world would have to be a sign that God is either not entirely good or not all-powerful, and the idea of an imperfect God is nonsensical. These philosophers took for granted that God exists, and concluded that since God must be perfect, the world he created must be perfect also. According to these philosophers, people perceive imperfections in the world only because they do not understand God’s grand plan. Because Voltaire does not accept that a perfect God (or any God) has to exist, he can afford to mock the idea that the world must be completely good, and he heaps merciless satire on this idea throughout the novel. The optimists, Pangloss and Candide, suffer and witness a wide variety of horrors-floggings, rapes, robberies, unjust executions, disease, an earthquake, betrayals, and crushing ennui. These horrors do not serve any apparent greater good, but point only to the cruelty and folly of humanity and the indifference of the natural world. Pangloss struggles to find justification for the terrible things in the world, but his arguments are simply absurd, as, for example, when he claims that syphilis needed to be transmitted from the Americas to Europe so that Europeans could enjoy New World delicacies such as chocolate. More intelligent and experienced characters, such as the old woman, Martin, and Cacambo, have all reached pessimistic conclusions about humanity and the world. By the novel’s end, even Pangloss is forced to admit that he doesn’t “believe a word of” his own previous optimistic conclusions.
The Uselessness of Philosophical Speculation
One of the most glaring flaws of Pangloss’s optimism is that it is based on abstract philosophical argument rather than real-world evidence. In the chaotic world of the novel, philosophical speculation repeatedly proves to be useless and even destructive. Time and time again, it prevents characters from making realistic assessments of the world around them and from taking positive action to change adverse situations. Pangloss is the character most susceptible to this sort of folly. While Jacques drowns, Pangloss stops Candide from saving him “by proving that the bay of Lisbon had been formed expressly for this Anabaptist to drown in.” While Candide lies under rubble after the Lisbon earthquake, Pangloss ignores his requests for oil and wine and instead struggles to prove the causes of the earthquake. At the novel’s conclusion, Candide rejects Pangloss’s philosophies for an ethic of hard, practical work. With no time or leisure for idle speculation, he and the other characters find the happiness that has so long eluded them. This judgment against philosophy that pervades Candide is all the more surprising and dramatic given Voltaire’s status as a respected philosopher of the Enlightenment.
The Hypocrisy of Religion
Voltaire satirizes organized religion by means of a series of corrupt, hypocritical religious leaders who appear throughout the novel. The reader encounters the daughter of a Pope, a man who as a Catholic priest should have been celibate; a hard-line Catholic Inquisitor who hypocritically keeps a mistress; and a Franciscan friar who operates as a jewel thief, despite the vow of poverty taken by members of the Franciscan order. Finally, Voltaire introduces a Jesuit colonel with marked homosexual tendencies. Religious leaders in the novel also carry out inhumane campaigns of religious oppression against those who disagree with them on even the smallest of theological matters. For example, the Inquisition persecutes Pangloss for expressing his ideas, and Candide for merely listening to them. Though Voltaire provides these numerous examples of hypocrisy and immorality in religious leaders, he does not condemn the everyday religious believer. For example, Jacques, a member of a radical Protestant sect called the Anabaptists, is arguably the most generous and humane character in the novel.
The Corrupting Power of Money
When Candide acquires a fortune in Eldorado, it looks as if the worst of his problems might be over. Arrest and bodily injury are no longer threats, since he can bribe his way out of most situations. Yet, if anything, Candide is more unhappy as a wealthy man. The experience of watching his money trickle away into the hands of unscrupulous merchants and officials tests his optimism in a way that no amount of flogging could. In fact, Candide’s optimism seems to hit an all-time low after Vanderdendur cheats him; it is at this point that he chooses to make the pessimist Martin his traveling companion. Candide’s money constantly attracts false friends. Count Pococurante’s money drives him to such world-weary boredom that he cannot appreciate great art. The cash gift that Candide gives Brother Giroflée and Paquette drives them quickly to “the last stages of misery.” As terrible as the oppression and poverty that plague the poor and powerless may be, it is clear that money-and the power that goes with it-creates at least as many problems as it solves.
TESS OF THE POOPERVILLES
Plot Overview
The poor peddler John Durbeyfield is stunned to learn that he is the descendent of an ancient noble family, the d’Urbervilles. Meanwhile, Tess, his eldest daughter, joins the other village girls in the May Day dance, where Tess briefly exchanges glances with a young man. Mr. Durbeyfield and his wife decide to send Tess to the d’Urberville mansion, where they hope Mrs. d’Urberville will make Tess’s fortune. In reality, Mrs. d’Urberville is no relation to Tess at all: her husband, the merchant Simon Stokes, simply changed his name to d’Urberville after he retired. But Tess does not know this fact, and when the lascivious Alec d’Urberville, Mrs. d’Urberville’s son, procures Tess a job tending fowls on the d’Urberville estate, Tess has no choice but to accept, since she blames herself for an accident involving the family’s horse, its only means of income.
Tess spends several months at this job, resisting Alec’s attempts to seduce her. Finally, Alec takes advantage of her in the woods one night after a fair. Tess knows she does not love Alec. She returns home to her family to give birth to Alec’s child, whom she christens Sorrow. Sorrow dies soon after he is born, and Tess spends a miserable year at home before deciding to seek work elsewhere. She finally accepts a job as a milkmaid at the Talbothays Dairy.
At Talbothays, Tess enjoys a period of contentment and happiness. She befriends three of her fellow milkmaids-Izz, Retty, and Marian-and meets a man named Angel Clare, who turns out to be the man from the May Day dance at the beginning of the novel. Tess and Angel slowly fall in love. They grow closer throughout Tess’s time at Talbothays, and she eventually accepts his proposal of marriage. Still, she is troubled by pangs of conscience and feels she should tell Angel about her past. She writes him a confessional note and slips it under his door, but it slides under the carpet and Angel never sees it.
After their wedding, Angel and Tess both confess indiscretions: Angel tells Tess about an affair he had with an older woman in London, and Tess tells Angel about her history with Alec. Tess forgives Angel, but Angel cannot forgive Tess. He gives her some money and boards a ship bound for Brazil, where he thinks he might establish a farm. He tells Tess he will try to accept her past but warns her not to try to join him until he comes for her.
Tess struggles. She has a difficult time finding work and is forced to take a job at an unpleasant and unprosperous farm. She tries to visit Angel’s family but overhears his brothers discussing Angel’s poor marriage, so she leaves. She hears a wandering preacher speak and is stunned to discover that he is Alec d’Urberville, who has been converted to Christianity by Angel’s father, the Reverend Clare. Alec and Tess are each shaken by their encounter, and Alec appallingly begs Tess never to tempt him again. Soon after, however, he again begs Tess to marry him, having turned his back on his -religious ways.
Tess learns from her sister Liza-Lu that her mother is near death, and Tess is forced to return home to take care of her. Her mother recovers, but her father unexpectedly dies soon after. When the family is evicted from their home, Alec offers help. But Tess refuses to accept, knowing he only wants to obligate her to him again.
At last, Angel decides to forgive his wife. He leaves Brazil, desperate to find her. Instead, he finds her mother, who tells him Tess has gone to a village called Sandbourne. There, he finds Tess in an expensive boardinghouse called The Herons, where he tells her he has forgiven her and begs her to take him back. Tess tells him he has come too late. She was unable to resist and went back to Alec d’Urberville. Angel leaves in a daze, and, heartbroken to the point of madness, Tess goes upstairs and stabs her lover to death. When the landlady finds Alec’s body, she raises an alarm, but Tess has already fled to find Angel.
Angel agrees to help Tess, though he cannot quite believe that she has actually murdered Alec. They hide out in an empty mansion for a few days, then travel farther. When they come to Stonehenge, Tess goes to sleep, but when morning breaks shortly thereafter, a search party discovers them. Tess is arrested and sent to jail. Angel and Liza-Lu watch as a black flag is raised over the prison, signaling Tess’s execution.
Tess Durbeyfield - The novel’s protagonist. Tess is a beautiful, loyal young woman living with her impoverished family in the village of Marlott. Tess has a keen sense of responsibility and is committed to doing the best she can for her family, although her inexperience and lack of wise parenting leave her extremely vulnerable. Her life is complicated when her father discovers a link to the noble line of the d’Urbervilles, and, as a result, Tess is sent to work at the d’Urberville mansion. Unfortunately, her ideals cannot prevent her from sliding further and further into misfortune after she becomes pregnant by Alec d’Urberville. The terrible irony is that Tess and her family are not really related to this branch of the d’Urbervilles at all: Alec’s father, a merchant named Simon Stokes, simply assumed the name after he retired.
Angel Clare - An intelligent young man who has decided to become a farmer to preserve his intellectual freedom from the pressures of city life. Angel’s father and his two brothers are respected clergymen, but Angel’s religious doubts have kept him from joining the ministry. He meets Tess when she is a milkmaid at the Talbothays Dairy and quickly falls in love with her.
Alec d’Urberville - The handsome, amoral son of a wealthy merchant named Simon Stokes. Alec is not really a d’Urberville-his father simply took on the name of the ancient noble family after he built his mansion and retired. Alec is a manipulative, sinister young man who does everything he can to seduce the inexperienced Tess when she comes to work for his family. When he finally has his way with her, out in the woods, he subsequently tries to help her but is unable to make her love him.
The Injustice of Existence
Unfairness dominates the lives of Tess and her family to such an extent that it begins to seem like a general aspect of human existence in Tess of the d’Urbervilles. Tess does not mean to kill Prince, but she is punished anyway, just as she is unfairly punished for her own rape by Alec. Nor is there justice waiting in heaven. Christianity teaches that there is compensation in the afterlife for unhappiness suffered in this life, but the only devout Christian encountered in the novel may be the reverend, Mr. Clare, who seems more or less content in his life anyway. For others in their misery, Christianity offers little solace of heavenly justice. Mrs. Durbeyfield never mentions otherworldly rewards. The converted Alec preaches heavenly justice for earthly sinners, but his faith seems shallow and insincere. Generally, the moral atmosphere of the novel is not Christian justice at all, but pagan injustice. The forces that rule human life are absolutely unpredictable and not necessarily well-disposed to us. The pre-Christian rituals practiced by the farm workers at the opening of the novel, and Tess’s final rest at Stonehenge at the end, remind us of a world where the gods are not just and fair, but whimsical and uncaring. When the narrator concludes the novel with the statement that “‘Justice’ was done, and the President of the Immortals (in the Aeschylean phrase) had ended his sport with Tess,” we are reminded that justice must be put in ironic quotation marks, since it is not really just at all. What passes for “Justice” is in fact one of the pagan gods enjoying a bit of “sport,” or a frivolous game.
Changing Ideas of Social Class in Victorian England
Tess of the d’Urbervilles presents complex pictures of both the importance of social class in nineteenth-century England and the difficulty of defining class in any simple way. Certainly the Durbeyfields are a powerful emblem of the way in which class is no longer evaluated in Victorian times as it would have been in the Middle Ages-that is, by blood alone, with no attention paid to fortune or worldly success. Indubitably the Durbeyfields have purity of blood, yet for the parson and nearly everyone else in the novel, this fact amounts to nothing more than a piece of genealogical trivia. In the Victorian context, cash matters more than lineage, which explains how Simon Stokes, Alec’s father, was smoothly able to use his large fortune to purchase a lustrous family name and transform his clan into the Stoke-d’Urbervilles. The d’Urbervilles pass for what the Durbeyfields truly are-authentic nobility-simply because definitions of class have changed. The issue of class confusion even affects the Clare clan, whose most promising son, Angel, is intent on becoming a farmer and marrying a milkmaid, thus bypassing the traditional privileges of a Cambridge education and a parsonage. His willingness to work side by side with the farm laborers helps endear him to Tess, and their acquaintance would not have been possible if he were a more traditional and elitist aristocrat. Thus, the three main characters in the Angel-Tess-Alec triangle are all strongly marked by confusion regarding their respective social classes, an issue that is one of the main concerns of the novel.
Men Dominating Women
One of the recurrent themes of the novel is the way in which men can dominate women, exerting a power over them linked primarily to their maleness. Sometimes this command is purposeful, in the man’s full knowledge of his exploitation, as when Alec acknowledges how bad he is for seducing Tess for his own momentary pleasure. Alec’s act of abuse, the most life-altering event that Tess experiences in the novel, is clearly the most serious instance of male domination over a female. But there are other, less blatant examples of women’s passivity toward dominant men. When, after Angel reveals that he prefers Tess, Tess’s friend Retty attempts suicide and her friend Marian becomes an alcoholic, which makes their earlier schoolgirl-type crushes on Angel seem disturbing. This devotion is not merely fanciful love, but unhealthy obsession. These girls appear utterly dominated by a desire for a man who, we are told explicitly, does not even realize that they are interested in him. This sort of unconscious male domination of women is perhaps even more unsettling than Alec’s outward and self-conscious cruelty.
Even Angel’s love for Tess, as pure and gentle as it seems, dominates her in an unhealthy way. Angel substitutes an idealized picture of Tess’s country purity for the real-life woman that he continually refuses to get to know. When Angel calls Tess names like “Daughter of Nature” and “Artemis,” we feel that he may be denying her true self in favor of a mental image that he prefers. Thus, her identity and experiences are suppressed, albeit unknowingly. This pattern of male domination is finally reversed with Tess’s murder of Alec, in which, for the first time in the novel, a woman takes active steps against a man. Of course, this act only leads to even greater suppression of a woman by men, when the crowd of male police officers arrest Tess at Stonehenge. Nevertheless, for just a moment, the accepted pattern of submissive women bowing to dominant men is interrupted, and Tess’s act seems heroic.
CRY THE BELOVED POOPFACE
Plot Overview
In the remote village of Ndotsheni, in the Natal province of eastern South Africa, the Reverend Stephen Kumalo receives a letter from a fellow minister summoning him to Johannesburg, a city in South Africa. He is needed there, the letter says, to help his sister, Gertrude, who the letter says has fallen ill. Kumalo undertakes the difficult and expensive journey to the city in the hopes of aiding Gertrude and of finding his son, Absalom, who traveled to Johannesburg from Ndotsheni and never returned. In Johannesburg, Kumalo is warmly welcomed by Msimangu, the priest who sent him the letter, and given comfortable lodging by Mrs. Lithebe, a Christian woman who feels that helping others is her duty. Kumalo visits Gertrude, who is now a prostitute and liquor-seller, and persuades her to come back to Ndotsheni with her young son.
A more difficult quest follows when Kumalo and Msimangu begin searching the labyrinthine metropolis of Johannesburg for Absalom. They visit Kumalo’s brother, John, who has become a successful businessman and politician, and he directs them to the factory where his son and Absalom once worked together. One clue leads to another, and as Kumalo travels from place to place, he begins to see the gaping racial and economic divisions that are threatening to split his country. Eventually, Kumalo discovers that his son has spent time in a reformatory and that he has gotten a girl pregnant.
Meanwhile, the newspapers announce that Arthur Jarvis, a prominent white crusader for racial justice, has been murdered in his home by a gang of burglars. Kumalo and Msimangu learn that the police are looking for Absalom, and Kumalo’s worst suspicions are confirmed when Absalom is arrested for Jarvis’s murder. Absalom has confessed to the crime, but he claims that two others, including John Kumalo’s son, Matthew, aided him and that he did not intend to murder Jarvis. With the help of friends, Kumalo obtains a lawyer for Absalom and attempts to understand what his son has become. John, however, makes arrangements for his own son’s defense, even though this split will worsen Absalom’s case. When Kumalo tells Absalom’s pregnant girlfriend what has happened, she is saddened by the news, but she joyfully agrees to his proposal that she marry his son and return to Ndotsheni as Kumalo’s daughter-in-law.
Meanwhile, in the hills above Ndotsheni, Arthur Jarvis’s father, James Jarvis, tends his bountiful land and hopes for rain. The local police bring him news of his son’s death, and he leaves immediately for Johannesburg with his wife. In an attempt to come to terms with what has happened, Jarvis reads his son’s articles and speeches on social inequality and begins a radical reconsideration of his own prejudices. He and Kumalo meet for the first time by accident, and after Kumalo has recovered from his shock, he expresses sadness and regret for Jarvis’s loss. Both men attend Absalom’s trial, a fairly straightforward process that ends with the death penalty for Absalom and an acquittal for his co-conspirators. Kumalo arranges for Absalom to marry the girl who bears his child, and they bid farewell. The morning of his departure, Kumalo rouses his new family to bring them back to Ndotsheni only to find that Gertrude has disappeared and run back to her old life of sin.
Kumalo is now deeply aware of how his people have lost the tribal structure that once held them together, and he returns to his village troubled by the situation. It turns out that James Jarvis has been having similar thoughts. Arthur Jarvis’s young son befriends Kumalo, and as the young boy and the old man become acquainted, James Jarvis becomes increasingly involved with helping the struggling village. He donates milk at first, then makes plans for a dam and hires an agricultural expert to demonstrate newer, less devastating farming techniques. When Jarvis’s wife dies, Kumalo and his congregation send a wreath to express their sympathy. Just as the diocese’s bishop is on the verge of transferring Kumalo, Jarvis sends a note of thanks for the wreath and offers to build the congregation a new church, and Kumalo is permitted to stay in his parish.
On the evening before his son’s execution, Kumalo goes into the mountains to await the appointed time in solitude. On the way, he encounters Jarvis, and the two men speak of the village, of lost sons, and of Jarvis’s bright young grandson, whose innocence and honesty have impressed both men. When Kumalo is alone, he weeps for his son’s death and clasps his hands in prayer as dawn breaks over the valley.
Stephen Kumalo - One of the novel’s two protagonists. Kumalo is an elderly Zulu priest who has spent all of his life in the village of Ndotsheni. He is a quiet, humble, and gentle man with a strong moral sense and an abiding faith in God. He is not perfect, however, and occasionally gives in to the temptation to hurt others with harsh words or lies. The dignity and grace with which he accepts his suffering, however, along with his determination to help his people in spite of his limitations, make him the moral center of the novel.
James Jarvis - The novel’s other protagonist, awhite landowner whose farm overlooks Ndotsheni. When he first appears in the novel, Jarvis is a relatively conservative farmer and a man of few words. But the tragic news that his only son, Arthur, has been murdered leads him to Johannesburg, where he begins to rethink his opinions and his relationship to the villagers that live below his farm.
Theophilus Msimangu - Stephen Kumalo’s host and guide in Johannesburg. A tall, young minister at the Mission House in Sophiatown, Msimangu has an acute understanding of the problems that face South Africa. He helps Kumalo understand the people and places that they encounter, and is unfailingly sympathetic to Kumalo, making Kumalo’s quest his top priority. He sometimes speaks unkindly, but he quickly repents. His eventual decision to enter a monastery is a final testament to the depth of his faith and generosity.
Absalom Kumalo - Stephen Kumalo’s son. After fleeing home for Johannesburg, Absalom quickly goes astray, but even after he commits murder, he is able to reclaim his fundamental decency. His decision to move to Johannesburg is part of a larger trend of young black people fleeing their villages for the cities. Absalom’s story is a cautionary tale of the dangers of this movement. Seeming to lack a reliable moral compass, he is influenced by bad companions and begins a criminal career.
Themes
Themes are the fundamental and often universal ideas explored in a literary work.
Reconciliation between Fathers and Sons
Cry, the Beloved Country chronicles the searches of two fathers for their sons. For Kumalo, the search begins as a physical one, and he spends a number of days combing Johannesburg in search of Absalom. Although most of his stops yield only the faintest clues as to Absalom’s whereabouts, the clues present a constantly evolving picture of who Absalom has become. As Kumalo knocks on the doors of Johannesburg’s slums, he hears of his son’s change from factory worker to burglar, then from promising reformatory pupil to killer. When Kumalo and Absalom are finally reunited after Absalom’s incarceration, they are virtual strangers to each other. The ordeal of the trial brings them closer together, but it is not until after the guilty verdict that Kumalo begins to understand Absalom. In Absalom’s letters from prison, Kumalo finds evidence of true repentance and familiar flashes of the little boy he remembers.
Jarvis has no actual searching to do, but it takes him little time to realize that he knows little about his own son. Away from Ndotsheni, Arthur has become a tireless advocate for South Africa’s black population, an issue on which he and his father have not always agreed. Reconciliation with a dead man might seem an impossible task, but Jarvis finds the necessary materials in Arthur’s writings, which give Jarvis clear and succinct insights into the man that Arthur had become, and even instill in Jarvis a sense of pride.
The Vicious Cycle of Inequality and Injustice
Kumalo’s search for his son takes place against the backdrop of massive social inequalities, which, if not directly responsible for Absalom’s troubles, are certainly catalysts for them. Because black South Africans are allowed to own only limited quantities of land, the natural resources of these areas are sorely taxed. The soil of Ndotsheni turns on its inhabitants-exhausted by over-planting and over-grazing, the land becomes sharp and hostile. For this reason, most young people leave the villages to seek work in the cities. Both Gertrude and Absalom find themselves caught up in this wave of emigration, but the economic lure of Johannesburg leads to danger. Facing limited opportunities and disconnected from their family and tribal traditions, both Gertrude and Absalom turn to crime.
Gertrude’s and Absalom’s stories recur on a large scale in Johannesburg, and the result is a city with slum neighborhoods and black gangs that direct their wrath against whites. In search of quick riches, the poor burglarize white homes and terrorize their occupants. The white population then becomes paranoid, and the little sympathy they do have for problems such as poor mine conditions disappears. Blacks find themselves subjected to even more injustice, and the cycle spirals downward. Both sides explain their actions as responses to violence from the other side. Absalom’s lawyer, for instance, claims that Absalom is society’s victim, and white homeowners gather government troops to counter what they see as a rising menace. There is precious little understanding on either side, and it seems that the cycle of inequality and injustice will go on endlessly.
Christianity and Injustice
In the tremendous hardships that Kumalo faces, his main solace comes from his faith in God. When he finds out what has happened to his son, his faith is shaken but not broken, and he turns to his fellow priests for comfort. Much of Kumalo’s time is spent in prayer, both for the souls lost in Johannesburg and for the fractured society of his village. Not just a form of comfort, Christianity proves to be a tool for resisting oppressive authority as well. Arthur Jarvis’s final essay, for example, calls the policies of South Africa’s mine un-Christian. Some allusions are made as well to the priests who have made social justice in South Africa their leading cause. As demonstrated with Msimangu, religion is often held up as South Africa’s only possible means of avoiding the explosion of its racial tensions.
Christianity is also, however, associated with injustice. John Kumalo reminds his brother that black priests are paid less than white ones, and argues that the church works against social change by reconciling its members to their suffering. He paints an infuriating picture of a bishop who condemns injustice while living in the luxury that such injustice provides. At the same time as he calls the policies of the mines un-Christian, Arthur Jarvis states that these policies have long been justified through faulty Christian reasoning. Arthur Jarvis mentions that some people argue that God meant for blacks to be unskilled laborers and that it is thus wrong to provide opportunities for improvement and education. The novel frequently explores the idea that in the wrong hands, Christianity can put a needy population to sleep or lend legitimacy to oppressive ideas.
PRIDE AND PREJUDICE
Plot Overview
The news that a wealthy young gentleman named Charles Bingley has rented the manor of Netherfield Park causes a great stir in the nearby village of Longbourn, especially in the Bennet household. The Bennets have five unmarried daughters-from oldest to youngest, Jane, Elizabeth, Mary, Kitty, and Lydia-and Mrs. Bennet is desperate to see them all married. After Mr. Bennet pays a social visit to Mr. Bingley, the Bennets attend a ball at which Mr. Bingley is present. He is taken with Jane and spends much of the evening dancing with her. His close friend, Mr. Darcy, is less pleased with the evening and haughtily refuses to dance with Elizabeth, which makes everyone view him as arrogant and obnoxious.
At social functions over subsequent weeks, however, Mr. Darcy finds himself increasingly attracted to Elizabeth’s charm and intelligence. Jane’s friendship with Mr. Bingley also continues to burgeon, and Jane pays a visit to the Bingley mansion. On her journey to the house she is caught in a downpour and catches ill, forcing her to stay at Netherfield for several days. In order to tend to Jane, Elizabeth hikes through muddy fields and arrives with a spattered dress, much to the disdain of the snobbish Miss Bingley, Charles Bingley’s sister. Miss Bingley’s spite only increases when she notices that Darcy, whom she is pursuing, pays quite a bit of attention to Elizabeth.
When Elizabeth and Jane return home, they find Mr. Collins visiting their household. Mr. Collins is a young clergyman who stands to inherit Mr. Bennet’s property, which has been “entailed,” meaning that it can only be passed down to male heirs. Mr. Collins is a pompous fool, though he is quite enthralled by the Bennet girls. Shortly after his arrival, he makes a proposal of marriage to Elizabeth. She turns him down, wounding his pride. Meanwhile, the Bennet girls have become friendly with militia officers stationed in a nearby town. Among them is Wickham, a handsome young soldier who is friendly toward Elizabeth and tells her how Darcy cruelly cheated him out of an inheritance.
At the beginning of winter, the Bingleys and Darcy leave Netherfield and return to London, much to Jane’s dismay. A further shock arrives with the news that Mr. Collins has become engaged to Charlotte Lucas, Elizabeth’s best friend and the poor daughter of a local knight. Charlotte explains to Elizabeth that she is getting older and needs the match for financial reasons. Charlotte and Mr. Collins get married and Elizabeth promises to visit them at their new home. As winter progresses, Jane visits the city to see friends (hoping also that she might see Mr. Bingley). However, Miss Bingley visits her and behaves rudely, while Mr. Bingley fails to visit her at all. The marriage prospects for the Bennet girls appear bleak.
That spring, Elizabeth visits Charlotte, who now lives near the home of Mr. Collins’s patron, Lady Catherine de Bourgh, who is also Darcy’s aunt. Darcy calls on Lady Catherine and encounters Elizabeth, whose presence leads him to make a number of visits to the Collins’s home, where she is staying. One day, he makes a shocking proposal of marriage, which Elizabeth quickly refuses. She tells Darcy that she considers him arrogant and unpleasant, then scolds him for steering Bingley away from Jane and disinheriting Wickham. Darcy leaves her but shortly thereafter delivers a letter to her. In this letter, he admits that he urged Bingley to distance himself from Jane, but claims he did so only because he thought their romance was not serious. As for Wickham, he informs Elizabeth that the young officer is a liar and that the real cause of their disagreement was Wickham’s attempt to elope with his young sister, Georgiana Darcy.
This letter causes Elizabeth to reevaluate her feelings about Darcy. She returns home and acts coldly toward Wickham. The militia is leaving town, which makes the younger, rather man-crazy Bennet girls distraught. Lydia manages to obtain permission from her father to spend the summer with an old colonel in Brighton, where Wickham’s regiment will be stationed. With the arrival of June, Elizabeth goes on another journey, this time with the Gardiners, who are relatives of the Bennets. The trip takes her to the North and eventually to the neighborhood of Pemberley, Darcy’s estate. She visits Pemberley, after making sure that Darcy is away, and delights in the building and grounds, while hearing from Darcy’s servants that he is a wonderful, generous master. Suddenly, Darcy arrives and behaves cordially toward her. Making no mention of his proposal, he entertains the Gardiners and invites Elizabeth to meet his sister.
Shortly thereafter, however, a letter arrives from home, telling Elizabeth that Lydia has eloped with Wickham and that the couple is nowhere to be found, which suggests that they may be living together out of wedlock. Fearful of the disgrace such a situation would bring on her entire family, Elizabeth hastens home. Mr. Gardiner and Mr. Bennet go off to search for Lydia, but Mr. Bennet eventually returns home empty-handed. Just when all hope seems lost, a letter comes from Mr. Gardiner saying that the couple has been found and that Wickham has agreed to marry Lydia in exchange for an annual income. The Bennets are convinced that Mr. Gardiner has paid off Wickham, but Elizabeth learns that the source of the money, and of her family’s salvation, was none other than Darcy.
Now married, Wickham and Lydia return to Longbourn briefly, where Mr. Bennet treats them coldly. They then depart for Wickham’s new assignment in the North of England. Shortly thereafter, Bingley returns to Netherfield and resumes his courtship of Jane. Darcy goes to stay with him and pays visits to the Bennets but makes no mention of his desire to marry Elizabeth. Bingley, on the other hand, presses his suit and proposes to Jane, to the delight of everyone but Bingley’s haughty sister. While the family celebrates, Lady Catherine de Bourgh pays a visit to Longbourn. She corners Elizabeth and says that she has heard that Darcy, her nephew, is planning to marry her. Since she considers a Bennet an unsuitable match for a Darcy, Lady Catherine demands that Elizabeth promise to refuse him. Elizabeth spiritedly refuses, saying she is not engaged to Darcy, but she will not promise anything against her own happiness. A little later, Elizabeth and Darcy go out walking together and he tells her that his feelings have not altered since the spring. She tenderly accepts his proposal, and both Jane and Elizabeth are married.
Character List
Elizabeth Bennet - The novel’s protagonist. The second daughter of Mr. Bennet, Elizabeth is the most intelligent and sensible of the five Bennet sisters. She is well read and quick-witted, with a tongue that occasionally proves too sharp for her own good. Her realization of Darcy’s essential goodness eventually triumphs over her initial prejudice against him.
Fitzwilliam Darcy - A wealthy gentleman, the master of Pemberley, and the nephew of Lady Catherine de Bourgh. Though Darcy is intelligent and honest, his excess of pride causes him to look down on his social inferiors. Over the course of the novel, he tempers his class-consciousness and learns to admire and love Elizabeth for her strong character.
Jane Bennet - The eldest and most beautiful Bennet sister. Jane is more reserved and gentler than Elizabeth. The easy pleasantness with which she and Bingley interact contrasts starkly with the mutual distaste that marks the encounters between Elizabeth and Darcy.
Charles Bingley - Darcy’s considerably wealthy best friend. Bingley’s purchase of Netherfield, an estate near the Bennets, serves as the impetus for the novel. He is a genial, well-intentioned gentleman, whose easygoing nature contrasts with Darcy’s initially discourteous demeanor. He is blissfully uncaring about class differences.
Mr. Bennet - The patriarch of the Bennet family, a gentleman of modest income with five unmarried daughters. Mr. Bennet has a sarcastic, cynical sense of humor that he uses to purposefully irritate his wife. Though he loves his daughters (Elizabeth in particular), he often fails as a parent, preferring to withdraw from the never-ending marriage concerns of the women around him rather than offer help.
Mrs. Bennet - Mr. Bennet’s wife, a foolish, noisy woman whose only goal in life is to see her daughters married. Because of her low breeding and often unbecoming behavior, Mrs. Bennet often repels the very suitors whom she tries to attract for her daughters.
Themes
Love
Pride and Prejudice contains one of the most cherished love stories in English literature: the courtship between Darcy and Elizabeth. As in any good love story, the lovers must elude and overcome numerous stumbling blocks, beginning with the tensions caused by the lovers’ own personal qualities. Elizabeth’s pride makes her misjudge Darcy on the basis of a poor first impression, while Darcy’s prejudice against Elizabeth’s poor social standing blinds him, for a time, to her many virtues. (Of course, one could also say that Elizabeth is guilty of prejudice and Darcy of pride-the title cuts both ways.) Austen, meanwhile, poses countless smaller obstacles to the realization of the love between Elizabeth and Darcy, including Lady Catherine’s attempt to control her nephew, Miss Bingley’s snobbery, Mrs. Bennet’s idiocy, and Wickham’s deceit. In each case, anxieties about social connections, or the desire for better social connections, interfere with the workings of love. Darcy and Elizabeth’s realization of a mutual and tender love seems to imply that Austen views love as something independent of these social forces, as something that can be captured if only an individual is able to escape the warping effects of hierarchical society. Austen does sound some more realist (or, one could say, cynical) notes about love, using the character of Charlotte Lucas, who marries the buffoon Mr. Collins for his money, to demonstrate that the heart does not always dictate marriage. Yet with her central characters, Austen suggests that true love is a force separate from society and one that can conquer even the most difficult of circumstances.
Reputation
Pride and Prejudice depicts a society in which a woman’s reputation is of the utmost importance. A woman is expected to behave in certain ways. Stepping outside the social norms makes her vulnerable to ostracism. This theme appears in the novel, when Elizabeth walks to Netherfield and arrives with muddy skirts, to the shock of the reputation-conscious Miss Bingley and her friends. At other points, the ill-mannered, ridiculous behavior of Mrs. Bennet gives her a bad reputation with the more refined (and snobbish) Darcys and Bingleys. Austen pokes gentle fun at the snobs in these examples, but later in the novel, when Lydia elopes with Wickham and lives with him out of wedlock, the author treats reputation as a very serious matter. By becoming Wickham’s lover without benefit of marriage, Lydia clearly places herself outside the social pale, and her disgrace threatens the entire Bennet family. The fact that Lydia’s judgment, however terrible, would likely have condemned the other Bennet sisters to marriageless lives seems grossly unfair. Why should Elizabeth’s reputation suffer along with Lydia’s? Darcy’s intervention on the Bennets’ behalf thus becomes all the more generous, but some readers might resent that such an intervention was necessary at all. If Darcy’s money had failed to convince Wickham to marry Lydia, would Darcy have still married Elizabeth? Does his transcendence of prejudice extend that far? The happy ending of Pride and Prejudice is certainly emotionally satisfying, but in many ways it leaves the theme of reputation, and the importance placed on reputation, unexplored. One can ask of Pride and Prejudice, to what extent does it critique social structures, and to what extent does it simply accept their inevitability?
Class
The theme of class is related to reputation, in that both reflect the strictly regimented nature of life for the middle and upper classes in Regency England. The lines of class are strictly drawn. While the Bennets, who are middle class, may socialize with the upper-class Bingleys and Darcys, they are clearly their social inferiors and are treated as such. Austen satirizes this kind of class-consciousness, particularly in the character of Mr. Collins, who spends most of his time toadying to his upper-class patron, Lady Catherine de Bourgh. Though Mr. Collins offers an extreme example, he is not the only one to hold such views. His conception of the importance of class is shared, among others, by Mr. Darcy, who believes in the dignity of his lineage; Miss Bingley, who dislikes anyone not as socially accepted as she is; and Wickham, who will do anything he can to get enough money to raise himself into a higher station. Mr. Collins’s views are merely the most extreme and obvious. The satire directed at Mr. Collins is therefore also more subtly directed at the entire social hierarchy and the conception of all those within it at its correctness, in complete disregard of other, more worthy virtues. Through the Darcy-Elizabeth and Bingley-Jane marriages, Austen shows the power of love and happiness to overcome class boundaries and prejudices, thereby implying that such prejudices are hollow, unfeeling, and unproductive. Of course, this whole discussion of class must be made with the understanding that Austen herself is often criticized as being a classist: she doesn’t really represent anyone from the lower classes; those servants she does portray are generally happy with their lot. Austen does criticize class structure but only a limited slice of that structure.