32. Geling Yan, The Lost Daughter of Happiness
32. Geling Yan, The Lost Daughter of Happiness, translated by Cathy Silber
This novel is about a real historical figure, Fusang, a Chinese woman who was a prostitute in San Fransisco in the late 1800s. Although the narration focuses on Fusang and her relationship with others, particularly Chris- a young white boy from a German merchant family in love with Fusang- and Da Yong- a Chinese gangster who is influential in Fusang's life- Fusang herself ultimately remains a blank. She's never given motivations, inner dialogue, or even much emotion. And this is deliberate. The narrator- who, as a Chinese writer living in America in the modern day, may or may not be the voice of the author herself- often breaks into the story, explaining the impossibility of truly knowing another person, especially when that other person is a historical figure with only brief mentions in texts. At other times, the narrator speaks directly to Fusang, asking her to move a certain way or to reply to a question. I found this distancing effect to be really intriguing, but in other reviews people seem to have been annoyed by it, so your mileage may vary.
The language is beautiful and vivid; the plot is compelling. The novel explores racism, sexism, and violence, often explicitly linking events of the historical period depicted to the modern day. Highly recommended.
This novel is about a real historical figure, Fusang, a Chinese woman who was a prostitute in San Fransisco in the late 1800s. Although the narration focuses on Fusang and her relationship with others, particularly Chris- a young white boy from a German merchant family in love with Fusang- and Da Yong- a Chinese gangster who is influential in Fusang's life- Fusang herself ultimately remains a blank. She's never given motivations, inner dialogue, or even much emotion. And this is deliberate. The narrator- who, as a Chinese writer living in America in the modern day, may or may not be the voice of the author herself- often breaks into the story, explaining the impossibility of truly knowing another person, especially when that other person is a historical figure with only brief mentions in texts. At other times, the narrator speaks directly to Fusang, asking her to move a certain way or to reply to a question. I found this distancing effect to be really intriguing, but in other reviews people seem to have been annoyed by it, so your mileage may vary.
The language is beautiful and vivid; the plot is compelling. The novel explores racism, sexism, and violence, often explicitly linking events of the historical period depicted to the modern day. Highly recommended.