I just finished reading
Wizard of the Crow by Ngũgĩ wa Thiong'o and felt compelled to post about it to this community and extol its virtues to anyone who would listen.
Summary from Amazon.com: In exile now for more than twenty years, Kenyan novelist, playwright, poet and critic Ngugi wa Thiong’o has become one of the most widely read African writers.
Commencing in “our times” and set in the fictional “Free Republic of Aburiria,” Wizard of the Crow dramatizes with corrosive humor and keenness of observation a battle for control of the souls of the Aburirian people. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, this magnificent novel reveals humanity in all its endlessly surprising complexity.
The summary doesn't even begin to describe how amazing this book is. Thiong'o himself says the aim of the novel is "to sum up Africa of the twentieth century in the context of two thousand years of world history", and the novel depicts "a battle for the control of the souls of the Aburĩrian people" by the competing forces of a corrupt dictatorship, folk wisdom/religion, fanatic Christianity, and self-serving capitalism. The novel is a gigantic political satire that strikes with great accuracy because by reducing these entities into farcical imitations of themselves, it exposes the truth about them. This novel is funny and touching and fast-paced and just *O*.
This book also follows along the tradition of African story-telling in its construction. It weaves distinct threads that eventually come back to the main narrative to create a cohesive whole, and I was amazed at the ability of Thiong'o to create a narrative of hope out of a story of chaos. This is possibility some of the finest fiction I've ever read, and although it is pretty long (768 pages in hardcover), it's worth every single minute. The time went by so fast for me because I was completely immersed in the novel, just wanting to know how it all ends, and that's what I love about this novel-it's an engaging tragicomedy that really gets into what Africa is. This novel is peopled by real Africans, men and women, all of whom are complex and none of whom are passive "victims" awaiting rescue, even if they are farcical at times.