Standard disclaimer: I'll often speak of foreshadowing, but that doesn't mean I'm at all committing to the idea that there was some fixed design from the word go -- it's a short hand for talking about the resonances that end up in the text as it unspools.
Standard spoiler warning: The notes are written for folks who have seen all of BtVS and AtS.
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Hmm, that does explain a lot. With no moral compass, her tendency to do bad things later on when she has enough power seems almost appropriate. It makes her willingness to magically tamper with her friends' (and Tara's) minds represent not so much an extreme addiction, but simply the logical consequence of what happens if she's tempted in a situation where there she wasn't taught rules for (e.g. most questions of magical ethics).
Also, it puts an interesting spin on her friendship with Xander: growing up he probably acted as her conscience the way he does for the group later on, keeping her out of trouble (likely reciprocating for her brains looking out for him), possibly setting a house on fire notwithstanding. As they grow apart over the course of the series, Willow grows more and more out of control as his influence diminishes, until his cooldown hug in Grave brings her back from the brink.
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Yeah, definitely. I mean, I think she does have some instincts as far as right and wrong, but mostly I think she has a desire to be good, not a lot of knowledge how and a big brain that tries to make sense of the world and often fails. Plus, a tendency to rationalize evil actions from her as being harmless.
Also, it puts an interesting spin on her friendship with Xander: growing up he probably acted as her conscience the way he does for the group later on, keeping her out of trouble (likely reciprocating for her brains looking out for him), possibly setting a house on fire notwithstanding. As they grow ( ... )
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Narrowly avoided delinquency, certainly not, since her academic mother would have laid down rules around school-related behavior that Willow would have blindly obeyed. As I eluded to earlier, I think the real problems for Willow would be areas where the rules aren't clearly established.
When we see her play the "Deliver" trick on Cordelia, for example, we can see that she has the capacity to be mean if desired, so I could certainly see her abusing her intellect to manipulate those around her in a borderline sociopathic manner. I kinda wish there were some published materials (e.g. novels, comics, etc.) that explored pre-Buffy Sunnydale. Seeing little!Willow alone would be worth it, let alone Xander, Cordy, or others.
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It's honestly somewhat difficult to tell due to some inconsistent portrayals of their relationship post-S3. Sometimes Willow expresses great fondness towards him (Triangle, Hell's Bells, Empty Places, etc.), yet at other times it's like he doesn't even figure into her life (Xander has to ask Buffy how Willow is doing after Oz leaves, Willow cares more about historically wronged American Indians than Xander dying of syphillis, and she never comes out to him about being lesbian).
My theory has been that a lot of the writers (Jane Espenson being a notable exception) simply forgot that Xander and Willow used to be best friends, but I could see how some degree of anger could be responsible, if the increasing distance between them was deliberately portrayed.
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And I've always just read Pangs differently than everyone else. I've never really believed anyone takes Xander's illness all that seriously, including Xander, who can still walk to the Dean's house. Call it a flaw, but I think it just reflects the fact that they're all pretty jaded about the possibility of death. And Willow lives at an abstracted place, so being very animated about one of the few moral issues where she feels she knows exactly what is right has always struck me as in character.
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That said, I'm not sure of the link between that anger and the magicks. But it's something I'll be thinking about.
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It's not a moral judgment of Willow; it's pointing out the clear inconsistency between her reaction and her own previous decisions. It's relevant here because if the critical decision happened not in Consequences, but sometime off-screen around Lover's Walk and The Wish, then her crying in the bathroom represents not a turning point, but merely an expression of regret for missed opportunities.
Imagine hypothetically that a man decides to break up with his girlfriend, and then proceeds to do so. Afterward, he cries about it. When was the turning point? I would argue it's when he made the initial decision. Though he clearly still has feelings for her afterward when he expresses negative emotions, he made a decision to stop pursuing love with her some time before.
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