ERIK/CHARLES-HONEY, THEY TOOK THE KIDSgogothgirlJune 27 2011, 19:48:05 UTC
Guys, hear me out. there's a lot of amazingly awesome fics about how Erik and Charles re-conciliating/come to an agreement/stay together/generally be happy together/get some closure when Charles is kidnapped post-movie. and there's a truck load of UNFFFF level of kidnapped!Charles fics where Erik goes on an epic warpath and paints the world in blood to get Charles back. so my prompt, lads and laddies, is this:
'CIA/Secret government faction (your choice) snatches the kids from the mansion. bonus point if its made AU and Charles can still walk, but with the help of a cane because goddamn he would work that thing like a badass aristocrat. so anyway. they got the kids, Charles' blows up a temper like no other because -HELLO, THEY TOOK HIS KIDS- but knows that he can't do much alone. cue Charles contacting Raven, Raven freaks out because Charles is pissed and she relays the message to Erik who looses it a little because THEY'RE HIS KIDS TOO DAMMIT. so basically, guys? I just need them to Hulk Smash through the facility to get their kids back. put away those silly debates and frustrating stubbornness and just focus on murdering the bastards who took their babies.'
surely those two love the kids enough for that, yeah?
Re: ERIK/CHARLES-HONEY, THEY TOOK THE KIDSgogothgirlJune 27 2011, 23:35:58 UTC
Other than Charles and Erik, are there any other pairings your partial too? Because I'd like to include Alex/Hank, but if you'd rather have it just be gen with no pairings, I think I can work with that...
Fill: Honey, They Took the Kids 1a/?br33_br33June 28 2011, 02:52:06 UTC
Not even going to bother to go anon, because I plan on posting the whole thing once it's done at my journal. I hope you enjoy! Alert me to any typos, so I can fix them when I post it as a whole.
Honey, They Took the Kids
One of the interesting quirks of being a telepath is that the world is hardly ever silent. You can be in a room all by yourself, and there will still be a slight buzzing in your ears so long as there are people somewhere nearby. It’s not always distinguishable, but it’s always there, dull and at times irritating. Today, however, Charles is excited for the buzzing that will soon be filling his ears. He’s missed Hank’s constant stream of new idea and inventions and Sean’s bewilderment at how big the mansion is and his never-ending need for food. Alex’s mind is a little darker sometimes, because of the traumas in his life, some of which Charles can relate to, but it’s still reassuring to hear his thoughts and know he’s still around, especially when they’re the not-quite-happy-but-not-sad-either images he’s been seeing lately.
Needless to say, Charles wishes the taxi ride would be a little shorter. There’s always a slight bittersweet feeling to rounding the corner, seeing the mansion, and knowing neither Erik nor Raven will be there to greet him. Coming home the first time had felt like a hard slap across the face, burning and harsh, but now it’s lessened to a light stinging. It still hurts, because he misses the two terribly, but it’s tolerable, so long as he has the reassurance of Hank’s, Sean’s, and Alex’s minds when he walks into the house.
It isn’t until they’ve nearly reached the mansion when Charles realizes he’s been projecting his anxiousness to get home on the driver of the taxi, and the man has been going almost ten miles over the speed limit. Charles eases up on his mind, and the man visibly relaxes, as though a burden has been taken off his shoulder, and slows to a more appropriate, yet disheartening speed. He could easily have the man punch it all the way there, but he doesn’t like using his power for his own selfish benefit. Plus, it’s an excellent test of patience, this agonizingly long drive home. Hopefully he won’t have to endure it much longer in a cab, though. Hank’s working on a new vehicle for them, one Charles will still be able to operate even with the weakened use of his legs. He seemed very excited about it when he was showing the blueprints to Charles, chattering excitedly about engines and ‘sonic hyper drive,’ and even more insane things whirling about in his head. If it weren’t so fascinating and useful, Charles might actually be terrified of Hank’s intelligence.
The mansion comes into view, and Charles releases a long breath and tries not to focus in and hear the boys’ garble of thoughts before he gets home. It’s another test of his endurance by not honing in on their familiar thought patterns. Instead he enjoys the picturesque landscape, the sloping hills and the bright green grass glistening with fresh rainwater, while the sky above is just beginning to clear, the dark gray clouds receding slowly like the tide. It’s a lovely day to make some hot chocolate for Sean and coffee for himself, Alex, and Hank and talk about what the boys have been doing while he’s been away, what he’s been doing. Sadly, he doesn’t have a new mutant in tow because the one he was after skipped out of town shortly before Charles arrived (a possibility Charles had been well aware of at the time, but this particular mutant was in desperate need, so it was a chance he was more than willingly to take). He tries not to go after too many at once, for the sake of remaining inconspicuous. He’s learned from experience that having too many young mutants, who have never met someone like them in their lives, in once place is a very dangerous idea. Amusing at times, but very, very irresponsible.
Fill: Honey, They Took the Kids 1b/?br33_br33June 28 2011, 02:54:10 UTC
Once they pull up to the mansion, Charles begins to get the feeling that something is wrong. Very wrong. While he shouldn’t be able to make out clear, coherent thoughts without focus, he should at least hear a light murmuring. There’s a possibility that Alex may be testing out a new panel with Hank in the bunker, and he has to actually be inside the house to hear the buzzing of thoughts there, but Sean is very wary of the bunker (he has a terrible phobia of being underground) and hardly ever goes down there, so Charles should be picking up a little something from him. Of course, they could be in back of the estate, playing basketball or one of those extreme games of hide and seek Alex likes to play where no place is off limits.
“Here, let me get your bag, sir,” the cabbie offers, reaching for the duffel.
“No, no,” Charles insists. “I believe I have it. It’s really not that heavy.” He slings it over his shoulder to emphasize the point. The man shrugs, and Charles pays him, telling him to keep the change. He feels terribly condescending, but from the brief (and unintentional) looks into the man’s mind he knows he has a wife who’s pregnant and a house payment that he’s afraid he won’t make, so Charles makes sure to slip him an little extra. It’s not as though he needs it. The man smiles at him before biding Charles adieu and driving off.
Charles begins the semi-painful walk up the long pathway leading to the front door. He hates having to use a cane to get around because the impact of it hitting the ground sends a painful jolt throughout his body, but if he doesn’t, he just looks like a bumbling fool, tripping and barely able to walk. It’s better than being confined to a wheelchair, he supposes, a fate he narrowly escaped thanks to Hank’s brilliance.
Once he’s in the doorway, he really focuses, seeking out the three minds he knows should be somewhere nearby. He methodically goes through every possible location in the house, every nook, cranny, and crevice. He scans every possible place, practically pleading for someone to be there. But he is greeted only with silence, and it takes his breath away, like a punch to the stomach, but it’s the only explanation.
His boys are gone. Figuratively, as in dead, or literally, as in disappeared, it doesn’t matter. Sean, Alex, and Hank are gone.
Re: Fill: Honey, They Took the Kids 1b/?gogothgirlJune 28 2011, 05:15:17 UTC
I AM AN INCOHERENT MESS OMG. I WAKE UP TO THIS?! I MUST'VE DONE SOMETHING RIGHT IN MY PREVIOUS LIFE, FINALLY :'D AND YOU HAVE THE BONUS POOOOOOINTTTTTTTTTT!!!!!!!!!!! -le creys-
'CIA/Secret government faction (your choice) snatches the kids from the mansion. bonus point if its made AU and Charles can still walk, but with the help of a cane because goddamn he would work that thing like a badass aristocrat. so anyway. they got the kids, Charles' blows up a temper like no other because -HELLO, THEY TOOK HIS KIDS- but knows that he can't do much alone. cue Charles contacting Raven, Raven freaks out because Charles is pissed and she relays the message to Erik who looses it a little because THEY'RE HIS KIDS TOO DAMMIT. so basically, guys? I just need them to Hulk Smash through the facility to get their kids back. put away those silly debates and frustrating stubbornness and just focus on murdering the bastards who took their babies.'
surely those two love the kids enough for that, yeah?
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omg someone please fill this
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MY GOD I WANT THIS!!
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Honey, They Took the Kids
One of the interesting quirks of being a telepath is that the world is hardly ever silent. You can be in a room all by yourself, and there will still be a slight buzzing in your ears so long as there are people somewhere nearby. It’s not always distinguishable, but it’s always there, dull and at times irritating. Today, however, Charles is excited for the buzzing that will soon be filling his ears. He’s missed Hank’s constant stream of new idea and inventions and Sean’s bewilderment at how big the mansion is and his never-ending need for food. Alex’s mind is a little darker sometimes, because of the traumas in his life, some of which Charles can relate to, but it’s still reassuring to hear his thoughts and know he’s still around, especially when they’re the not-quite-happy-but-not-sad-either images he’s been seeing lately.
Needless to say, Charles wishes the taxi ride would be a little shorter. There’s always a slight bittersweet feeling to rounding the corner, seeing the mansion, and knowing neither Erik nor Raven will be there to greet him. Coming home the first time had felt like a hard slap across the face, burning and harsh, but now it’s lessened to a light stinging. It still hurts, because he misses the two terribly, but it’s tolerable, so long as he has the reassurance of Hank’s, Sean’s, and Alex’s minds when he walks into the house.
It isn’t until they’ve nearly reached the mansion when Charles realizes he’s been projecting his anxiousness to get home on the driver of the taxi, and the man has been going almost ten miles over the speed limit. Charles eases up on his mind, and the man visibly relaxes, as though a burden has been taken off his shoulder, and slows to a more appropriate, yet disheartening speed. He could easily have the man punch it all the way there, but he doesn’t like using his power for his own selfish benefit. Plus, it’s an excellent test of patience, this agonizingly long drive home. Hopefully he won’t have to endure it much longer in a cab, though. Hank’s working on a new vehicle for them, one Charles will still be able to operate even with the weakened use of his legs. He seemed very excited about it when he was showing the blueprints to Charles, chattering excitedly about engines and ‘sonic hyper drive,’ and even more insane things whirling about in his head. If it weren’t so fascinating and useful, Charles might actually be terrified of Hank’s intelligence.
The mansion comes into view, and Charles releases a long breath and tries not to focus in and hear the boys’ garble of thoughts before he gets home. It’s another test of his endurance by not honing in on their familiar thought patterns. Instead he enjoys the picturesque landscape, the sloping hills and the bright green grass glistening with fresh rainwater, while the sky above is just beginning to clear, the dark gray clouds receding slowly like the tide. It’s a lovely day to make some hot chocolate for Sean and coffee for himself, Alex, and Hank and talk about what the boys have been doing while he’s been away, what he’s been doing. Sadly, he doesn’t have a new mutant in tow because the one he was after skipped out of town shortly before Charles arrived (a possibility Charles had been well aware of at the time, but this particular mutant was in desperate need, so it was a chance he was more than willingly to take). He tries not to go after too many at once, for the sake of remaining inconspicuous. He’s learned from experience that having too many young mutants, who have never met someone like them in their lives, in once place is a very dangerous idea. Amusing at times, but very, very irresponsible.
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“Here, let me get your bag, sir,” the cabbie offers, reaching for the duffel.
“No, no,” Charles insists. “I believe I have it. It’s really not that heavy.” He slings it over his shoulder to emphasize the point. The man shrugs, and Charles pays him, telling him to keep the change. He feels terribly condescending, but from the brief (and unintentional) looks into the man’s mind he knows he has a wife who’s pregnant and a house payment that he’s afraid he won’t make, so Charles makes sure to slip him an little extra. It’s not as though he needs it. The man smiles at him before biding Charles adieu and driving off.
Charles begins the semi-painful walk up the long pathway leading to the front door. He hates having to use a cane to get around because the impact of it hitting the ground sends a painful jolt throughout his body, but if he doesn’t, he just looks like a bumbling fool, tripping and barely able to walk. It’s better than being confined to a wheelchair, he supposes, a fate he narrowly escaped thanks to Hank’s brilliance.
Once he’s in the doorway, he really focuses, seeking out the three minds he knows should be somewhere nearby. He methodically goes through every possible location in the house, every nook, cranny, and crevice. He scans every possible place, practically pleading for someone to be there.
But he is greeted only with silence, and it takes his breath away, like a punch to the stomach, but it’s the only explanation.
His boys are gone. Figuratively, as in dead, or literally, as in disappeared, it doesn’t matter. Sean, Alex, and Hank are gone.
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